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Too expansive and jammy to be called simply alt-country, too avant-garde for the hacky-sack set, and absolutely nothing like Wilco, Oakley Hall's 2006 album, GYPSUM STRINGS, is a lovely musical anomaly. Sounds reminiscent of everything from Crazy Horse and Little Feet to Fred Neil to Neu! and the Velvet Underground can be heard on the Brooklyn band's third full-length. A loose, ragged feel dominates throughout, but it's held in check by remarkably varied musical interplay and assiduous songcraft. And the aching harmonies of frontman Pat Sullivan and guitarist Rachel Cox are, without hyperbole, as distinctive as those of Gram Parsons and Emmylou Harris. GYPSUM STRINGS follows an original route across the American musical landscape, one that stops at all the famous landmarks but sees them through a beautifully fractured lens.
Personnel: Pat Sullivan (vocals, guitar, dulcimer, organ); Rachel Cox (vocals, guitar); Claudia Mogel (vocals, fiddle); Jesse Barnes (vocals); Fred Wallace (guitar, lap steel guitar, banjo); Barry London (piano); Greg Anderson (drums); Brian Chase (tabla).
Spin (p.82) - 4 stars out of 5 -- "[T]he blustery fretwork opening the third album by these Brooklyn country-rockers loudly confirms they're taking a serious psychedelic turn." Gypsum Strings Music | List Price | $14.98 (You save $2.79) | | Category | Rock/Pop Albums, Rock CDs, Alt Country | | Label | Brah | | Orig Year | 2006 | | All Time Sales Rank | 62423  | | CD Universe Part number | 7103225 | | Catalog number | 54204 | | Discs | 1 | | Release Date | Jun 06, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Andrew Deutsch; Barry London | | Personnel | Brian Chase - tabla Greg Anderson - drums Greg Anderson - drums Barry London - piano Claudia Mogel - vocals, fiddle Fred Wallace - guitar, lap steel guitar, banjo Jesse Barnes - vocals Pat Sullivan - vocals, guitar, dulcimer, organ Rachel Cox - vocals, guitar
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Oakley Hall Gypsum Strings Songs Gypsum Strings Review
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Gypsum Strings album
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KAGEMUSHA marked a welcome return for the legendary director, who had not made a movie since 1974. Nakadai, a supporting player in earlier Kurosawa films, expertly portrays the leading role(s), almost always filled in the past by Toshirô Mifune. KAGEMUSHA also features the final screen appearance of longtime Kurosawa ...
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$16.15 Patrick Gubler a.k.a. P.G. Six has always made music that defies easy categorization. Light years ahead of his contemporaries--he was playing accomplished acoustic sets well before the early-2000s freak folk explosion--Gubler has always let deft songwriting, multi-instrumental chops, and impeccable taste rule. 2007's SLIGHTLY SORRY, his fourth album and first ...
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$13.45 Recorded between 1985 & 1996. Originally released on Beggars Banquet (130) IAN [43958 600130]. Includes liner notes by Dominic Wills.
The Cult, unlike its predecessor bands the Southern Death Cult and the Death Cult, was unapologetic about its mainstream rock & roll aspirations, which makes PURE CULT: THE SINGLES 1984-1995 the best possible starting place for the group, and for many, the logical end point as well. The Cult was a singles band, and a pretty great one, too, as evidenced by the Stones-like "Love Removal Machine" and the blazing "Fire Woman." The ensemble's mixture of '60s influences (no wonder Ian Astbury became the lead singer of the reformed Doors) and hard-rock power (no wonder drummer Matt Sorum went on to join Guns N' Roses) not only helped define a whole subset of the late-'80s alternative-rock scene, it's fair to say that the groups like Stone Temple Pilots owed at least some of their success to the Cult's early flirtations with the rock mainstream. Although the set isn't chronologically ordered, PURE CULT still gives a good sense of the band's surprisingly organic shift in sound, ranging from the gothy neo-psychedelia of "She Sells ...
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Then there were two. With George Harrison's passing in November 2001, Ringo Starr and Paul McCartney were the only surviving members of the Beatles. Thankfully, Starr chose to press on in a creative manner rather than exiling himself in grief. The result is RINGO RAMA, the second album the Fab Four drummer has worked on with uber-producer Mark Hudson following 1998's VERTICAL MAN. From the outset, Starr weaves the past with the future, making allusions to "It Don't Come Easy" on "Eye to Eye" and bringing in longtime pal Eric Clapton to solo on the poignant Harrison tribute "Never Without You."
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