| | Sylvia & Miwa Kazuo Noto Kuko / Heisei Futar CD - Import Sylvia & Miwa Kazuo Discography of CDs
Noto Kuko / Heisei Futar Music | List Price | $19.99 (You save $7.14) | | Category | World Albums, Japanese CDs | | Label | CROWN | | CD Universe Part number | 7104380 | | Catalog number | 558688 | | Discs | 1 | | Release Date | Jan 01, 2008 |
Noto Kuko / Heisei Futar Review
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Purchase Noto Kuko / Heisei Futar CD To buy, Click on price to add to cart | Joao Gilberto Amoroso/Brasil CD (1993)
Noto Kuko / Heisei Futar album
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Joao Gilberto is perhaps forever destined to be lesser known to casual jazz fans than his occasional collaborator Stan Getz (whose GETZ/GILBERTO albums introduced the United States to bossa nova) and his ex-wife Astrud Gilberto (whose shy, delicate voice made her one of the most distinctive and beloved jazz vocalists of the '60s). However, true fans of Brazilian music recognize that Gilberto is second only to Antonio Carlos Jobim as a writer and interpreter of traditional Brazilian music and Brazilian-influenced jazz.
These two albums, ...
| | Eros Ramazzotti Eros (Italian) CD (1997) Italian
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The Italian version of EROS contains 2 songs that do not appear on the Spanish version. It also contains 8 songs that are completely re-recorded.
At the height of his popularity, after establishing a fan base for himself across much of Western Europe as well as parts of the Spanish-language world, Italian singer/songwriter Eros Ramazzotti took some time off during the late '90s and released Eros, a greatest-hits compilation comprised ...
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The debut album ...
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| | Jay-Z Blueprint: The Gift & The Curse CDs (2002)
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THE BLUEPRINT 2 was nominated for the 2004 Grammy Award for Best Rap Album. "Excuse Me Miss" was nominated for Best Rap Song.
It's hard not to somewhat admire the guts of a rapper who would lead off his album by not merely sampling a hearty slice of the hallowed Notorious B.I.G.'s "Juicy" while Faith sings in the background, but by claiming Biggie's tacit approval on "A Dream." This is before he compares himself to Jesus at least three times. It's exactly this sort of unyielding confidence ever teetering on the verge of megalomaniacal arrogance that propelled Jay-Z to the pinnacle of the rap world.
As 2002 wound to a close, the prolific Sean Carter dropped the sequel to the critically lauded, platinum-selling THE BLUEPRINT; two CDs, no skits, no filler, nothing but urgent poetics over tight tracks. Jay-Z may never possess the elevated prose of his arch-rival Nas, but he knows the power in brevity, in a terse, well-turned phrase. While he's always been an eccentric sampler, on THE BLUEPRINT VOL. 2 he pares away any hint of gimmickry or excess. On "Guns And Roses," he effortlessly reconfigures a Cake instrumental as picture-perfect backdrop to a stark parable ...
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| | Tony Khalife Music Shelter CD (2006)
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From the album liner notes... further reviews forthcoming:Tony’s music simply strikes you; it hits you with all of the force, spirit, and energy of his amazing story. From the first thumping pulse of his guitar you can hear the reverberations. You can just imagine the boy trying desperately to drown out the blasts rocking the bombshelters in which he taught himself to play.His story begins in Beirut, a city not so very long ago considered the Paris of the Arab world. Nowadays, pictures of pocked and broken concrete conjure its name. The firstshots in Lebanon’s long civil war rang out in 1975 when Tony was just eleven years old. He was conscripted before he even knew what was going on and found himself sniping in door-ways as part of a local militia. He grew up on the streets marshalled by slightly older boys also “playing soldier” - no plan, no schooling, no real strategy or sophistication, just perpetuating an ongoing cycle of conflict.His initiation to music, fortunately, started before the war. At age six his father had a party featuring master musicians whose soulful renditions of baladi music awakened his own muse. He begged his older brother for a guitar without knowing exactly which instrument it was. At seven, that instrument was hardly playable, but the allure was there. It was ten years later, while listening to a cutoff snippet of John McLaughlin’s instrumental masterpiece “Lotus Feet”, that he truly entranced. An interesting aside - Tony told me that at a later time, while transcribing “Lotus Feet”, a shell blew apart his room. He came to with his bed on top of him, concrete dust settling in the air, and his left arm outstretched, clutching the guitar, his hand still voicing the song’s opening chord!When Tony wasn’t protecting his home turf, he was studying music. It offered an outlet for his academic ambitions as surprise bombings made attendance at school too dangerous. He focused his practice and quickly mastered the guitar while carving a style all his own. To this day, Tony’s hands move with a conviction ...
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Reviews: Jonathan Herrera - Bass Player Magazine (27 October 2008)Dean Taba may have recently left hustle-bustle Los Angeles for hang-loose Hawaii, but his playing and composing has lost none of its big-city edge. Taba is an accomplished doubler, but for The Camarillo Waltz he focused on his upright, here recorded with deep lowfrequency resonance and a rich, burnished midrange. The ten tunes showcase Taba’s compositional sophistication and flexibility; they range from quirky blues heads to hip stoptime funk to abstract, textural ballads. His band, anchored at the trap kit by Kendall Kay, is skilled and sensitive. Taba’s tunes seem fun to play, and thanks to the Internet, you can find out for yourself. Go to www.deantaba.com for free charts of everything.Wayne Harada - Honolulu Advertiser (25 April 2008)Distinguishing notes: Dean Taba, an acoustic bassist, has been bopping around for several years and has previously released CDs. Here, he assembles Andy Suzuki (tenor, alto, soprano sax), Nick Mason (piano, keyboards), Kendall Kay (drums) and guest artist Steve Huffsteter (trumpet, flugelhorn) for a wingding of a session.The titles are ...
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