| | Adriana Capparelli Pequeno Circo Intimo CD - Import Adriana Capparelli Discography of CDs
For her debut, Adriana Capparelli chose one of the best MPB lyricists to pay tribute to: Aldir Blanc. Capparelli mainly explores the suffering overtones of the samba-cançao, cançao, and modern bolero (which are a perfect vehicle for Blanc's ironic chronicles of the dramatic/insignificant day-to-day urban life), with passages through ballads ("Eu e a Música," with English lyrics), blues ("Patrulhando"), hot samba ("A Nível De..."), and the vigorous pulse of "O Cavaleiro e os Moinhos" (where she shows her strong influence by Elis Regina, who recorded the song previously). The album closes with the title track interpreted courageously and passionately in an a cappella rendition. Surrounded by top musicians, Capparelli confirms herself as an intense, expressive, and sincere artist with this excellent album. ~ Alvaro Neder Pequeno Circo Intimo Music Adriana Capparelli Pequeno Circo Intimo Songs | 1. | Bodas de Prata |
| 2. | Vida Noturna |
| 3. | Eu E a Musica |
| 4. | Latin Lover |
| 5. | Maca Tatuada |
| 6. | O Cavaleiro E os Moinhos |
| 7. | Patrulhando (Masmorra) |
| 8. | Catavento E Girassol |
| 9. | Resposta ao Tempo |
| 10. | A Nivel De |
| 11. | Miss Sueter |
| 12. | Denuncia Vazia |
| 13. | Valsa Pra Leila |
| 14. | Pequeno Circo Intimo |
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Pequeno Circo Intimo Review
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Purchase Pequeno Circo Intimo CD To buy, Click on price to add to cart | Joao Gilberto Amoroso/Brasil CD (1993)
Pequeno Circo Intimo
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AMOROSO personnel: Joao Gilberto (vocals, guitar); Ralph Grierson, Clare Fisher (keyboards); Milcho Leviev, Michael Boddicker (synthesizer); Jim Hughart (bass); Grady Tate, Joe Correro (drums).
Producers: Tommy LiPuma, Helen Keane.
AMOROSO was released in 1977.
BRASIL personnel: Joao Gilberto (vocals, guitar); Gilberto Gil, Caetano Veloso, Maria Bethania (vocals); Clare Fisher (keyboards); Milcho Leviev, Michael Boddicker (synthesizer); Jim Hughart (bass); Joe Correro (drums); Paulhinho Da Costa (percussion).
Producer: Joao Gilberto.
BRASIL was released in 1981.
Personnel: Joao Gilberto (vocals, guitar); Gerald Vinci, John Wittenberg, Joe Goodman, Bob Lipsett, Bobby Dubow, Jerry Reisler, Isabelle Daskoff, Israel Baker, Bonnie Douglas, Nathan Ross, Paul Shure, Bluestone (violin); David ...
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Italian Version
Personnel includes: Eros Ramazzotti (vocals, acoustic guitar); Paolo Gianolio (acoustic & electric guitars, bass); Mike Landau (guitar); Danny Higgins (alto saxophone); Larry Williams (tenor saxophone); Rudy Trevisi (saxophone); Jerry Hey, Cary Grant (trumpet); Bill Reichembac, Charlie Loper (trombone); Celso Valli (piano, electric piano, keyboards, Hammond organ, synthesizer, programming); Jay Winding (piano); Neil Stubenhaus (bass); Vinnie Colaiuta (drums); Lenny Castro (percussion); Luca Bignardi (programming); Antonella Pepe, Aida Cooper, Luca Jurman, Silvio Pozzoli, Luca Velletri, Antonio Galbiati, Raffaella Casalini, Manuela Rasori, Giovanni Dattolo, Mauro Gabrielli, Philip Ingram, Jim Gilstrap, Lynn Davis, Alex Brown (background vocals).
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"Feet Of Flames" was the hugely successful follow up to "Lord Of The Dance" and brought Michael Flatley worldwide renown and popularity. The show has toured the UK extensively and won many fans not only for the stunning dancing but for Ronan Hardiman's brilliant accompanying music. Originally commissioned to write the music for "Lord Of The Dance", Flatley was soon catapulted to fame and has won a huge number of credits and awards for his work.
Original score composed by Ronan Hardiman.
Performers include: Anne Buckley (vocals); Michael Flatley (flute).
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| | Antonio Carlos Jobim Passarim CD (1987)
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Lenny Ragsdale and Troy Venhuizen grew up in the islands of Hawaii.Lenny, who began playing drums and piano at the age of four, states his first musical influence to be his father: Harvey Ragsdale of the late liberty records.Troy grew up listing to the work of such artist as Tom jones, Englebert, ozzy, ...
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The first album from Australian garage-cum-grunge revivalists the Vines post-major label exile (Ivy League picked the boys up from Capitol) continues their increasingly signature take on a variety of stylistic guideposts. If there's an outstanding aspect to MELODIA, it would be, as the title suggests, a continued progression toward Beatles-via-Oasis choral hooks, especially in the aspiring vocals of Craig Nicholls on mid-album cuts like "He's A Rocker" and "Orange Amber." But whether or not Nicolls and Co. prefer it, their most exciting moments are still on actual ragers like opener "Get Out," which recalls the snotty outsider adrenaline of their delightfully reductive 2002 debut, HIGHLY EVOLVED.
Melodia offers a short 'n' simple version of the Vines' freewheeling sound, interspersing the fuzz-guitar freakouts that launched the band in 2001 with the measured, melodic songs that help differentiate the Vines from other members of the garage rock revival. Like 2006's Vision Valley, it's also clouded by the specter of Craig Nicholls' mental disorder, which splintered the band's lineup in 2004 and threw its ability to tour into jeopardy. Confining himself to the studio should be good for Nicholls, but the songwriter focuses on brevity rather than craft, halting most of these songs around the two-minute mark without packing them full of dense, bubblegum-punk hooks. When the band barges its way through a song like "He's a Rocker," the result recalls the glory days of Highly Evolved, when ...
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