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Purchase Pernambucanos Simplesmente CD To buy, Click on price to add to cart | Lord Of The Dance DVD (1996)
Pernambucanos Simplesmente album
 $9.69  
| | Michael Buble It's Time CD (2005)
Pernambucanos Simplesmente CD music
 $12.79  
| | Los Indios Tabajaras Maria Elena/Always In My Heart CD (1997)
Pernambucanos Simplesmente music CDs
$12.09
| | Rahim Alhaj Ancient Sounds CD (2009) (Import) Argentina
Pernambucanos Simplesmente songs
$14.55
| | Mercedes Sosa 30 Anos CD (1994)
Pernambucanos Simplesmente album
$12.35
Personnel: Mercedes Sosa (vocals).
| | Bob Marley Exodus CD (1977) Remastered; Deluxe Edition; Digipak
Pernambucanos Simplesmente CD music
$19.59
| | Numbers Ee-Uh EP CD (2003)
Pernambucanos Simplesmente music CDs
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| | Izumi Kato Kotoba CD (2006) (Import)
Pernambucanos Simplesmente songs
$20.99
| | Arte De Quinteto Violado CD (2005)
Pernambucanos Simplesmente album
$13.95
| | Stranglers No More Heroes CD (2007) (Import) Bonus Tracks; Japan; Mini LP Sleeve
Pernambucanos Simplesmente CD music
$40.75
| | Valentin Elizalde Homenaje A Una Vida Vol. 2 CDs (2007) With DVD
Pernambucanos Simplesmente music CDs
$12.59
| | Ninny Cow Tea 58 Really Short Songs With Lyrics By 3 To 5 Year O CD (2007)
Pernambucanos Simplesmente songs
$25.35
Process Description for Ninny Cow TeaThis CD began as a portion of the music program at New Discovery School. In trying to demonstrate the process of songwriting, I had each child compose a short lyrical phrase on the spot, one at a time. I tried prompting them with words like: “Tell me your song.” or “Tell me something that you like.” explaining that their song could be about anything they want.After getting their ideas on paper, then came the task of putting the words into melodic form. If the child was willing and capable, I would ask them to sing their words. If they were able to do so (most were not able or willing in the moment), I then helped them to solidify the melody. Otherwise I demonstrated by putting the words into a tune myself.We then sang the song as a group a few times, accompanied by the guitar, before recording a rough version. We were generally able to accomplish 3 or 4 songs for a half hour class. Once all of the children in the school had a song, we then would practice them each week. This involved dancing and singing along to them, as well as the songs being used as teaching tools for basic musical concepts like pitch, rhythm, volume, and tempo.Apart from having fun and learning about music, this project also helped ...
| | Calamity Crew Nagraan CD (2008)
Pernambucanos Simplesmente album
$9.85
Nagraan is the brainchild of Singapore producer and studio owner, Paul Russell, of Calamity Studio. The StoryIn 2004, after many years of writing and producing material in the the rock and pop format, Paul started to move into more ambient spaces. While he liked making new spaces in between the notes, his pop sensibiities still drove him to write, record and mix tracks that were not only great to listen to on headphones, but also immediately accessible to the average listener. His role as part of the crew of WOMAD Singapore was also opening up his mind to music from every corner of the world, and the new grooves that he was making didn\'t fit in the rock genre. One evening, the singer that he was working with failed to turn up for the Nth time and he decided to find another way of getting material out that didn\'t rely so much on other people.So soon afterwards he found himself down in Singapore\'s Little India, ...
| | Velvet World Change CD (2008)
Pernambucanos Simplesmente CD music
$16.45
KUBA OMS BIOThe time is now for Kuba Oms, the Canadian singer who mines ‘70s-era soul, funk and rock n’ roll on his solo debut, How Much Time. As the long-time musical director of the live house jam band Velvet, he has taken a contemporary approach to his own project that could be likened to a cross between Jamiroquai, Gnarls Barkley, David Gray and Ben Harper.The 15-song collection includes the timeless opener “never meant to hurt you,” a well-distanced reflection on his one-time love; the upbeat pop of “beautiful uncertainty” about taking risks and living life again; the from-the-soul destined classic “piece de resistance,” a ballad about fighting the state of the world with love and truth; the unique reggae-based soul song “comin’ undone,” complete with patois and whistle; and the “velvet mix” of the acoustic “this heaven,” written to honour late great snowboarder Craig Kelly for the closing credits of Let It Ride, which won best film and best soundtrack at 2007’s Utah’s X-Dance Film Festival. A recent development has “never meant to hurt you” placed in the forthcoming Forest Whitaker, Jessica Beal, Ray Liotta film entitled, Powder Blue.How Much Time has been a long time coming, but Kuba’s finally arrived at a sound that is purely him. With the skills he has acquired by helming Velvet’s highly popular weekly jam in Victoria, British Columbia (he also lives in Vancouver) for more than a decade, he’s able to reach for the perfect vocal styling to fit the vibe of each song. His delivery is always soulful, raw and emotive, but also has a laidback quality. In other words, the guy is no show-off. He has the intuition and chops to give what’s needed.Born in Victoria to a Scottish mother and Indian father, Kuba is a third generation Canadian. As a kid, his parents held bible studies every Thursday evening, which ended in huge sing-along jams with his dad and uncle hosting on acoustic guitars. “This was when I’d come into the room,” he remembers. “I’d sit cross legged and just listen.”He started at age 15 by singing covers at school and around bonfires. An accomplished tennis player, he had the option of a scholarship to a U.S. college, but opted for music instead. And so his pursuit began. His first original band, Out Of Nowhere, built quite a following in the west coast with its influence of rock from the ‘60s and ‘70s, such as Led Zeppelin and the Rolling Stones. “In a lot of ways, it was the kind of music I’m playing now, only heavier,” Kuba reflects.Out Of Nowhere released one indie album, 1995’s Off The Floor, but the band came to an end because, as Kuba explains, it was “too serious” and had “too much ambition.” To chill out, he started a cover band, Souled Out, that became really big in B.C. with renditions of old soul classics from the likes of Marvin Gaye, Otis Redding and Stevie Wonder. “That’s how I really learned how to sing,” says Kuba. “Covering those songs was quite challenging.”From there, ...
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