Ultraviolet DVD

Ultraviolet movie Director Robert Rodriguez (SIN CITY) pays homage to his favorite B-movies with PLANET TERROR, an old-fashioned zombie film that's infused with enough gore and giggles to please even Peter Jackson (BAD TASTE). Rose McGowan (CHARMED) plays Cherry, a go-go dancer whose night is interrupted by a vicious zombie attack that leaves her missing a leg. Her ex-boyfriend, Wray (Freddy Rodriguez, SIX FEET UNDER), takes charge, fashioning her a new leg from a machine gun and killing zombies along the way. PLANET TERROR plays as a pleasing ode to the horror and exploitation films that once played in grimy grindhouses across the country. Rodriguez splashes plenty of blood, guts, and gore across the screen, while also taking the plot into some wonderfully bizarre territory. PLANET TERROR was originally released as part of the GRINDHOUSE double feature with Quentin Tarantino's DEATH PROOF. Robert Rodriguez' movie stars Rose McGowan as a go-go girl who tries to save the world from flesh-eating zombies. The film was released as part of the Grindhouse double feature, which grossed $25 million at the box office. Special bonus material includes commentary, deleted scenes, featurette.

Ultraviolet review Master director Quentin Tarantino (PULP FICTION) indulges his inner fanboy by paying homage to his favorite B-movies in DEATH PROOF. Stuntman Mike (Kurt Russell) stalks beautiful women with his deadly vintage car, but when he picks a trio of tough girls (Rosario Dawson, Tracie Thoms, and Zoe Bell), he learns they aren't such easy prey. As with any Tarantino film, there are plenty of nods to pop culture. Most of the scenes are deliberately short on plot development, the dialogue comes thick and fast throughout, and the film stock is often cleverly manipulated to perfectly replicate the B-movie aesthetic. DEATH PROOF was originally released as part of the GRINDHOUSE double feature with Robert Rodriguez's PLANET TERROR. Closed Captioned; Soundtrack English; Amaray Case

Ultraviolet DVD for sale Bloodthirsty vengeance is measured out in buckets, not spoonfuls for this hard-hitting vampire movie sequel. The story picks up right where the first UNDERWORLD left off, in the midst of a war between Lycans (werewolves) and vampires, with the gorgeous death-dealer, Selene (Kate Beckinsale), on the run with her vamp-wolf hybrid lover, Michael (Scott Speedman). This go-'round, there are flashbacks to three centuries earlier and the separation of two ultra-bad brothers, one vampire and one Lycan. The Lycan gets locked in a hidden tomb/prison and the feud begins. In the present, the winged vamp brother Marcus (Tony Curran) is determined to find his Lycan sibling and free him, which would wreak unimaginable havoc on the world. Selene's got to stop it, and the result is mayhem, with great gun battles, bashings and hackings, mysterious artifacts, orgies, and sneaking around in the dripping wet crypts and catacombs. Beckinsale looks great with her jet-black hair, skintight leather bodysuit, red lips, and glowing blue eyes. Director Len Wiseman obviously has a great love for this alternate universe; he keeps the action humming, the blood running, and the cast well-stocked with seasoned British actors like Sir Derek Jacobi, Bill Nighy, and Steven Mackintosh. The sex and violence may still be a bit intense for youngsters, but for the vampire crowd, it's a moveable feast of generous, still-twitching proportions. The saga continues as the battle rages on between the Death Dealers (Vampires) and the Lycans (werewolves) in this fast-paced modern-day tale of deadly action, ruthless intrigue and forbidden love, all leading to the battle to end all wars as the immortals finally face their retribution. Stars Kate Beckinsale, Scott Speedman, Tony Curran and Bill Nighy; directed by Len Wiseman. Special Edition with lots of great features including Director and filmmaker's commentary, Bloodlines: from Script to Screen" making-of featurette, Hybrid Theory featurette, Making Monsters Roar featurette, more.

Ultraviolet video This action-horror film is set in ancient Romania and stars Kristianna Loken (TERMINATOR 3) as Rayne, a half-human/half-vampire sworn to kill her evil tyrant vampire father (Ben Kingsley). Michael Madsen, Michelle Rodriguez, and Matthew Davis play a trio of vampire hunters who ally themselves with Rayne. Based on a video game, this film earns its R-rating by offering a lot more blood, gore, and nudity--and less CGI effects--than most of its modern vamp contemporaries. With all its swords, chained breasts, gushing arteries, and severed heads, BLOODRAYNE seems more like a welcome throwback to those great early 1980s drive-in sword and sorcery flicks. In between the slashing and gouging there are torch-lit castles, nefarious booby traps, blurry flashbacks, and aerial camera shots that swoop down through the gorgeous Carpathian landscapes. Loken, with her fangs and low-rider leather chaps, looks pretty gorgeous herself, and there's a surprising number of name actors in bit parts, including Meat Loaf (as a vamp surrounded by nubile naked concubines), Geraldine Chaplin (as a fortune teller), and--clearly having the most fun--Billy Zane as a bored vampire king plotting to take over the kingdom. It's directed by Uwe Boll, the man who gave us the video game adaptations of HOUSE OF THE DEAD and ALONE IN THE DARK. Cult cinema fans should take this one to--and through--the heart, especially for the chance to see Madsen's period costume and long hair. Kristanna Liken, Ben Kingsley, Michelle Rodriguez, Billy Zane, Michael Madsen, and Meat Loaf star in this action film. Also included is the digital version of the original comic book.

Ultraviolet film With his 2006 remake of Wes Craven's 1977 slasher THE HILLS HAVE EYES, French director Alexandre Aja manages to accomplish what many directors fail to do by making his film a definite improvement over the original. With Craven on board as producer, Aja sticks pretty closely to the first film's script and storyline, but with the help of a larger budget, special effects, better actors, and slick cinematography, creates a much scarier story. While the film's setting is contemporary, it maintains a 1970s feel in parts, paying tribute to the decade in which the slasher subgenre was born. With an interesting opening-credit sequence consisting of actual nuclear testing footage, we are told that the film's desert setting was the site of nuclear testing during the 1950s and ‘60s. Warned to vacate, the miners that lived there refused to leave, thus subjecting themselves to high levels of toxic radiation, and breeding mutant babies as a result. It is this generation of now-grown mutants that the poor Carter family has the misfortune to encounter while driving through New Mexico on their way to California. When their vehicle breaks down in the desert, the Carters are too busy bickering with one another to realize they have entered enemy territory. But it doesn't take long for the demented creatures living in the hills to make their presence known. The gorefest that follows is packed with terribly frightening scenes of the deformed killers delighting in the torment and intended kill of each family member, young mothers, teen girls, and babies included. Much of the film is set in a government-created test city in which deteriorating mannequins take the place of actual humans. Posing lifelessly alongside their mutant neighbors, these waxy figures provide a chilling backdrop for the graphic war between the mutants and their victims. Additional Footage; Soundtrack English; Soundtrack French; Soundtrack Spanish; English Subtitles; Director's Comments; Dolby Digital 5.1 Re

Ultraviolet review Directed by Richard Donner (SUPERMAN, LETHAL WEAPON), 16 BLOCKS is a tale of corrupt police officers, a Grand Jury witness, and one cop who is trying to do the right thing. Jack Mosley (Bruce Willis) is weary. A lame leg and a love affair with alcohol make him a virtual joke at the NYPD. Tired and ready to head home, Mosley is assigned one last job before he can punch out: pick up petty thief Eddie Bunker (Mos Def) in lock-up and transport him to the courthouse where he is set to testify before the Grand Jury. Only 16 New York City blocks separate the two, but it might as well be a million miles. Soon, the officer and his charge find themselves under fire, becoming the target of someone who wants to keep Bunker from testifying. Escaping the initial attack, Mosley calls for backup only to discover that corrupt police officers, including his ex-partner Frank Nugent (David Morse), want Bunker out of the picture. Mosley surprises everyone--maybe even himself--by doing the right thing and saving Bunker from certain death. With only 118 minutes to get the witness to the courthouse before the case will be thrown out, Mosley pulls out every trick in the book. He maneuvers Bunker through the crowded, confined streets of Manhattan's Chinatown towards their destination, trying to avoid the police officers who are hunting them down as they race against time. Willis fully inhabits Mosley, a washed-up cop who is haunted by his past decisions, and Mos Def is right on target as Bunker, a chatty career criminal being hunted just as he is ready to turn his life around and make something of himself. An aging cop is assigned the ordinary task of escorting a fast-talking witness from police custody to a courthouse. There are however forces at work trying to prevent them from making it. Director: Richard Donner; stars Bruce Willis, Cylk Cozart, David Morse, Mos Def, Tig Fong, Jenna Stern. Bonus features include shocking alternate ending not seen in theaters, deleted scenes with director/screenwriter commentary.