Neil Young Living With War CD

Personnel: Neil Young (vocals); Neil Young; Darrell Brown (vocals); Rick Rosas (bass instrument); Tommy Bray (trumpet); Chad Cromwell (drums).
Arranger: Neil Young.
Neil Young has never been one to avoid political commentary. Ever since "Ohio," his classic anthem of moral outrage about the Kent State student massacre in 1970, Young's music has pulled no punches about the injustices of American policy both foreign and domestic. 2006's LIVING WITH WAR continues that trend; in fact, the album is the most overtly political of Young's long, dazzling career.
A collection of protest songs that takes the Bush administration directly to task for their actions in Iraq and elsewhere, LIVING WITH WAR boils with outrage and aches with pathos (the grungy, midtempo opener "After the Garden" is a fine example of the latter). "Let's Impeach the President" and "Lookin' for a Leader" leave little question as to Young's opinion of George W., while the crunching, electric-guitar-heavy feel of the album underscores Young's bitter aggression. The album draws on the artist's lineage to the socially conscious activism of the 1960s, yet it feels energized, angry, contemporary, and timely, further highlighting Young's status as one of rock's longest-running and most integrity-driven heroes.
In a move that deliberately echoes the rush release of "Ohio" in the wake of the Kent State shootings, Neil Young bashed out his 2006 protest record Living with War in a matter of days, sometimes recording songs the day they were written, and then seized the opportunities of the digital age by streaming the entire album on his website only weeks after it was recorded, with the official digital and CD releases trailing several days later. It's the best use yet of the instant, widespread distribution that the Web has to offer, and it also hearkens back to the days when folk music was topical, turning the news into song. But if the ballads of the 19th century were passed along gradually, growing along the way, or if the protest tunes of the folk revival of the 1950s and '60s grew in stature being performed regularly, gaining strength as singer after singer sang them, Living with War captures a specific moment in time: early 2006, when George W. Bush's approval ratings slipped to the low 30s, as discontent sowed by the Iraq War, Hurricane Katrina, rising gas prices, and much more turned into a general malaise in the country (or in political shorthand, it was the moment when George W. turned into Jimmy Carter). To some, the specificity of Young's writing on Living with War will forever date it, but that's a risk with any topical folk, rock, or pop, from "We Shall Overcome" to "We Are the World" -- or "Ohio," for that matter. Young is aware of this and embraces the allegedly short shelf life of his songs for Living with War by directly addressing the political turmoil in the U.S.A. in 2006 and the real human wreckage it has left behind. As such, it will function as a vivid document of its era, as much as any journalism of its time, but Living with War isn't rock-as-CNN: it's a work of art, and it's a canny one at that, with Young drawing on familiar words and music to create both historic and emotional context for his songs. It's not merely clever that "Living with War" quotes "The Star Spangled Banner," or that "Flags of Freedom" consciously reworks Dylan's "Chimes of Freedom" -- it helps tie Young's work to the past and gives his new work greater resonance. And nowhere is that more true than on "Let's Impeach the President" and how its melody recalls "The City of New Orleans" to help underscore what was lost in the government's bungled reaction to Katrina's devastation to the legendary American city. With a grandstanding title like that, along with its George W. soundbites, "Let's Impeach the President" is the flashiest song here, and it crystallizes what's good about the album: sure, it pulls no punches and it's angry, but it's not just ranting; it's artfullRolling Stone (p.226) - 4 stars out of 5 -- "[A]n indictment of the sorry state of open debate in this country...It is also an impressive measure of Young's refusal to burn out or fade away that he states his case with clarity as well as dirty garage-trio momentum."
Entertainment Weekly (p.82) - "The power-trio arrangements have a let-it-rip simplicity; the lyrics are like stream-of-consciousness postings." -- Grade: B+
Q (p.113) - 4 stars out of 5-- "[A] revelation, brimming with passion and some of the best melodies Young has penned in the last 30 years."
Q (p.121) - Ranked #38 in Q Magazine's "100 Greatest Albums of 2006" -- "A rare and vital victory for mixing politics and rock."
Magnet (p.115) - "The album captured the country's disenchantment with a war it no longer supported..."
The Wire (p.49) - "Now well into his fifth decade as a recording artist, Young remains a gratifyingly unpredicatable proposition, as restless and instinctive as ever."
Mojo (Publisher) (p.112) - 3 stars out of 5 -- "Urgent, instant, bolshie mostly, with a stronger individual sense than, say, GREENDALE..."