| | OG Ron C F-Action 44 CD OG Ron C Discography of CDs
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Our Price: $9.65  CDFor Sale Usually ships in 1-2 days
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F-Action 44 Music | List Price | $10.97 (You save $1.32) | | Category | Rock/Pop Albums, R&B CDs, Rap | | Label | Oarfin | | Orig Year | 2006 | | All Time Sales Rank |  107693  | | CD Universe Part number | 7107801 | | Catalog number | 40061 | | Discs | 1 | | Release Date | May 23, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo |
OG Ron C F-Action 44 Songs F-Action 44 Review
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Recorded live at the Ed Sullivan Theater, New York on January 6, 1993. Includes liner notes by Naomi Patton.
Critically-acclaimed American outfit, Arrested Development, blend soul, R & B, and hip-hop on this live album, which features hits like "Mr Wendal" and "People Everyday."
Basically a live rerecording of 3 Years, 5 Months, & 2 Days In the Life of ... (minus their breakthrough hit, "Tennessee"), Unplugged breaks no new ground for Arrested Development. Eight of the eleven songs on the album are from their debut, and the three new tracks are slight. The album is filled out with remixes of seven tracks, which are the instrumental tracks with the vocals turned down (they are still slightly audible). Despite the fact that it doesn't offer anything not on 3 Years, the album is an enjoyable listen. ~ Stephen Thomas Erlewine
Basically ...
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Whether to categorize Motion as a jazz or electronica album is an intriguing conundrum, because it truly turns out to be a combination of both musical forms, and it is an unequivocally brilliant combination, at that. British arranger/programmer J. Swinscoe -- who virtually is the Cinematic Orchestra -- gathered samples of drum grooves, basslines, and melodies from various recordings and artists that have inspired and influenced him (spaghetti-western composer Ennio Morricone and Roy Budd's spy film scores, '60s and '70s jazz and soundtrack scores from musicians such as Elvin Jones, Eric Dolphy, Andre Previn, David Rose, and John Morris). He then presented the samples that he had collected to a group of musicians, the core of which consisted of Tom Chant (soprano sax, electric and acoustic piano), Jamie Coleman (trumpet, flugelhorn), Phil France (bass), and T. Daniel Howard (drums), to learn and then improvise. Those tracks, in turn, were sampled and rearranged by Swinscoe on computer to create the tracks that make up this first Cinematic Orchestra album. The album bears all of the atmospheric hallmarks of ambient electronica, as well as Swinscoe's soundtrack inspirations and all the improvisational energy of jazz. Most of the songs are built with wave upon wave of repeated loops and instrumental phrases that work into a groove. Yet it feels at any moment as if the music is about to explode, like a steam whistle boiling to its screaming point. On "One to the Big Sea," for example, the same four-note bassline plays over and over with the same ride cymbal rhythm, but instead of seeming rote or mechanical, the riff just seems to continually bubble up and throb, slowly building anticipation and pressure. When a looped piano riff and horn charts enter the music, ...
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