| | Victoria: Ave Regina Caelorum And Other Marian Music CD - Import Westminster Cathedra CDS
Victoria: Ave Regina Caelorum And Other Marian Music Music | List Price | $22.98 (You save $0.23) | | Label | Hyperion | | Orig Year | 6/13/2006 | | All Time Sales Rank |  42808  | | CD Universe Part number | 7107855 | | Discs | 1 | | Release Date | Jun 13, 2006 | | Recording Time | 1 8 | | Additional Info | Import; Hybrid SACD |
Victoria: Ave Regina Caelorum And Other Marian Music Music Victoria: Ave Regina Caelorum And Other Marian Music Review
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Victoria: Ave Regina Caelorum And Other Marian Music Songs | 1. Ave regina coelorum, antiphon for 8 voices & organ (4:37) | | Composer | Tomás Luis de Victoria (1548 - 1611) | | Performer | Robert Quinney (Organ) | | Genre | Renaissance Period | | Period | Renaissance | | Venue | Westminster Cathedral, London, England | | Notes | Westminster Cathedral, London, England (02/09/2004/02/10/2004) | | 2. Missa Ave regina coelorum, for 8 voices (18:39) | | Composer | Tomás Luis de Victoria (1548 - 1611) | | Performer | Robert Quinney (Organ) | | Genre | Mass / Renaissance Period | | Period | Renaissance | | Venue | Westminster Cathedral, London, England | | Notes | Westminster Cathedral, London, England (02/09/2004/02/10/2004) | | 3. Ave Maria, motet for 4 voices (2:13) | | Common Name | Ave Maria Motet For 4 Voices | | Composer | Tomás Luis de Victoria (1548 - 1611) | | Performer | Robert Quinney (Organ) | | Genre | Motet / Renaissance Period | | Date Written | circa 1570 | | Period | Renaissance | | Country | Spain | | Venue | Westminster Cathedral, London, England | | Notes | Westminster Cathedral, London, England (02/09/2004/02/10/2004) | | 4. Dixit Dominus (Psalm 109), for 8 voices (5:44) | | Composer | Tomás Luis de Victoria (1548 - 1611) | | Performer | Robert Quinney (Organ) | | Genre | Renaissance Period | | Period | Renaissance | | Venue | Westminster Cathedral, London, England | | Notes | Westminster Cathedral, London, England (02/09/2004/02/10/2004) | | 5. Laudate pueri Dominum (Psalm 112), for 8 voices & organ (5:10) | | Composer | Tomás Luis de Victoria (1548 - 1611) | | Performer | Robert Quinney (Organ) | | Genre | Renaissance Period | | Period | Renaissance | | Venue | Westminster Cathedral, London, England | | Notes | Westminster Cathedral, London, England (02/09/2004/02/10/2004) | | 6. Laudate Dominum omnes gentes (Psalm 116), for 8 voices (3:25) | | Composer | Tomás Luis de Victoria (1548 - 1611) | | Performer | Robert Quinney (Organ) | | Genre | Renaissance Period | | Period | Renaissance | | Venue | Westminster Cathedral, London, England | | Notes | Westminster Cathedral, London, England (02/09/2004/02/10/2004) | | 7. Laetatus sum (Psalm 121), for 12 voices & organ (7:02) | | Composer | Tomás Luis de Victoria (1548 - 1611) | | Performer | Robert Quinney (Organ) | | Genre | Renaissance Period | | Period | Renaissance | | Venue | Westminster Cathedral, London, England | | Notes | Westminster Cathedral, London, England (02/09/2004/02/10/2004) | | 8. Nisi Dominus (Psalm 126), for 8 voices & organ (5:28) | | Composer | Tomás Luis de Victoria (1548 - 1611) | | Performer | Robert Quinney (Organ) | | Genre | Renaissance Period | | Date Written | 1576 | | Period | Renaissance | | Venue | Westminster Cathedral, London, England | | Notes | Westminster Cathedral, London, England (02/09/2004/02/10/2004) | | 9. Magnificat septimi toni (odd), for 4 voices (10:15) | | Composer | Tomás Luis de Victoria (1548 - 1611) | | Performer | Robert Quinney (Organ) | | Genre | Magnificat / Renaissance Period | | Period | Renaissance | | Venue | Westminster Cathedral, London, England | | Notes | Westminster Cathedral, London, England (02/09/2004/02/10/2004) | | 10. Ave Maria, gratia plena, motet for 8 voices & organ (4:25) | | Composer | Tomás Luis de Victoria (1548 - 1611) | | Performer | Robert Quinney (Organ) | | Genre | Motet / Renaissance Period | | Date Written | 1572 | | Period | Renaissance | | Country | Spain | | Venue | Westminster Cathedral, London, England | | Notes | Westminster Cathedral, London, England (02/09/2004/02/10/2004) |
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Personnel: Etta Jones, Gloria Lynne (vocals); Greg Skaff, Henry Johnson, Jimmy Ponder, Melvin Sparks, Rodney Jones (guitar); Tom Aalfs (violin); David "Fathead" Newman (flute); Cochemea Gastelum (saxophone); Vincent Herring (alto saxophone); David Newman , Eric Alexander , Houston Person, Teodross Avery (tenor saxophone); Howard Johnson (baritone saxophone); Jennifer Hartswick (trumpet); Winston Byrd (flugelhorn); Benny Powell (trombone); John Di Martino, David Leonhardt, Dick Morgan, John Hicks, Norman Simmons, Danny Grissett (piano); Jerry Z , Papa John DeFrancesco (Hammond b-3 organ); Joey DeFrancesco, Will Boulware (keyboards); Essiet Essiet, John Menegon, Keter Betts, Leon Lee Dorsey, Lisle Atkinson, Lonnie Plaxico, Tony Banda (bass instrument); Joris Dudu, Paul Wells , Frankie Jones, Kenwood Dennard, Vince Ector, Winard Harper, Yoron Israel, Ramon Banda, Justin Tomsovic (drum); Kevin Jones (percussion); Steve Nelson.
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In 17th and 18th century New England, transplanted Englishmen like Daniel Read, Abraham Wood, and especially William Billings were composing beautiful but rough-hewn and distinctly American vocal music for use in what were called "singing schools." Far to the west and south, in what was then called New Spain and would later be called Mexico, natives and transplanted Spaniards were composing liturgical music of a richness and complexity that was worthy of the greatest cathedrals of Europe -- and teaching their native converts to do the same. This disc showcases the works of two of 18th century Mexico's finest composers: the Mexican-born Manuel de Zumaya and the transplanted European Ignacio de Jerusalem. The latter is represented by a polychoral Mass in D Minor, a responsory, and a gorgeous Dixit Dominus setting written in six sections; from the former listeners have a setting of Jeremiah's lamentations, a breathtakingly complex solfeggio composition titled Sol-fa de Pedro, and the polychoral Celebren, Publiquen. Accompanied by an ad hoc period instrument ensemble dubbed the Chanticleer Sinfonia for this album, Chanticleer does its usual job of effortlessly and thrillingly bringing this music to vivid life, and the recorded sound could hardly be brighter and richer. This is one of Chanticleer's finest and most satisfying albums. ~ Rick Anderson
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