| | Bobby Cruz El Bestial Sonido De CD Bobby Cruz Discography of CDs
This is a true classic -- a staggering, spellbinding salsa experience that opened a new era in salsa with the inauguration of a new Fania subsidiary, Vaya Records. This masterful recording (recorded at Ochoa Recording Studios, Puerto Rico) is a primary sample of the elements that made salsa such a hard-driving, hard-swinging force: uncompromising, propulsive performances. The duo was at this time at the height of their popularity; the title tune remains one of the most remarkable (and recognizable) tunes of the salsa era, with Richie Ray's maddeningly brutal solo (with allusions to Chopin's "Revolutionary Etude No. 12" and a bit of Rachmaninoff). Bobby Cruz's flawless vocals are dynamite in Joan Manuel Serrat's classic "Señora," and young Miki Vimari is his match in "No Tin Pena" and the showcasing "La Vimari." Incredibly, this recording is untouched by time and remains one of the finest salsa recordings of his day. An absolute must-have. ~ José A. Estévez, Jr.
Personnel: Ricardo Ray (vocals); Bobby Cruz (vocals); Mike Vimari (vocals); Manolito Gonzalez (trumpet, cowbells, timbales); Ismael "Cocolia" Rodriguez (trumpet); Mike "El Che" Amitin (bass guitar); Jose "Manengue" Hidalgo (congas); Charlie "El Pirata" Cotto (timbales).
El Bestial Sonido De Music Bobby Cruz El Bestial Sonido De Songs | 1. | Sonido Bestial |
| 2. | Senora |
| 3. | No Tin Pena |
| 4. | La Vimari |
| 5. | Guaguanco Triste |
| 6. | Fire and Rain |
| 7. | Cha Cha Huele Chango |
| 8. | Volver |
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El Bestial Sonido De Review
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Purchase El Bestial Sonido De CD To buy, Click on price to add to cart | Xtreme CD (2005) Reissue
El Bestial Sonido De album
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CONTRA LA CORRIENTE won the 1999 Grammy for Best Tropical Latin Performance.
Luis Aquino, Angie Machado (trumpet); Moises Nogueras, Miguel Rivera,
Rafi Torres (trombone); Jose Jugo (piano); Fernando Muscolo (keyboards, programming); Jose Gamei (bass); Charlie Sierra (bongos, timbales, percussion); William Thompson (congas); Tito Allen, William Amparo,
Wichie Camacho, Gilda Gonzalez, Yanira Torres (background vocals).
Take a huge helping of danceable salsa, mix it with a splash of urban R&B and 70's pop, serve it up with a voice saturated with emotion, and you've got Marc Anthony. His status as a Latin music superstar can only be buoyed by CONTRA LA CORRIENTE, his third Spanish-language salsa album. Anthony covers the dance floor with energetic songs like "Me Voy A Regalar" and "Si Tu Vas," and plunges wholeheartedly into emotional ballads such as "Y Hubo Alguien" with characteristic soulfulness.
This album is in some respects ...
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Details TBA. Rambling. 2005.
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THE MUSIC Since its original release, Jeff Bjorck's debut CD, PURE PIANO PORTRAITS, continues to be a top seller at Amazon.com's Indie Music-New Age-Piano section. It has also received airplay on select radio programs across the country and continues to do so. As Jeff's first effort, PURE PIANO PORTRAITS features compositions from a wide variety of points along his personal time line. The included selections were all recorded between 1993 and 1995, but their creation spans twenty years. For example, both Can't Say How I Feel and Catskill Mountain Meadow were originally composed in 1977. Many of the pieces on PORTRAITS emerged in rough form during his days in graduate school, where a baby grand piano in the dormitory across from his office at the University of Delaware provided many welcome study breaks. On one such occasion in 1985, given his preference for spontaneous composition, Jeff brought an inexpensive cassette tape recorder with him. His plan was to "catch anything good that accidentally occurred." The recorder was simply plopped on a pillow on the floor near the piano. Given the cheap equipment (!), the surprisingly good fidelity of the recordings startled Jeff, and he risked playing his tapes for some friends. It was then that people first mistakenly mistook his music for George Winston's. There are still a few people who are the (proud?) owners of copies of those early tapes! Formal recording of his earlier work did not begin until 1995, when as part of a small church with many musicians, Jeff was invited to contribute a track to a promotional tape. It was then that he first entered a studio and recorded Living Waters, with much help and moral support from friend and engineer/producer Bill Pearson of Mindseye Productions. Having experienced the recording studio, Jeff was bitten by the "red light fever" bug, and the idea of recording more of his compositions "for friends and family" inspired him to polish up many of the pieces he had composed since his early teens. Once again with the invaluable assistance of Bill Pearson, Jeff returned to the studio and recorded a variety of works, including each track found on Pure Piano Portraits. Serendipity does not stop there. Through the continued help of Mr. Pearson, Jeff's music was "discovered" by Gene Michael Productions, a music library whose owner Gene Ort offered to purchase the commercial rights to Jeff's music. Thus, with no promotional effort or legwork of any kind on Jeff's part, the commercially licensable CD, Piano Portraits AV147 was born. (Since then, Panoramas is similarly available as Desert Sky AV231.) When friends heard this commercial CD, the frequent response was "I'd love a copy of that!" Unfortunately, the required "license" fee to obtain a copy was considerably more than what one pays for the typical CD. Thus, Jeff returned to Gene Ort and requested permission to re-release his music as a retail CD. Gene graciously agreed, and Jeff proceeded to create PURE Piano Portraits. Jeff comments, "Making a CD was the ideal project for me, because it allowed me to enjoy a variety of my artistic interests all at once. Where else can you pursue graphic design, photography, poetry, creative writing, and music composition, performance, and production....all in the space of a 5.5 inch square?" The road to producing Pure Piano Portraits was a long and circuitous one, and Jeff clearly sees God's hand in it all. "I am thankful ...
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