| | Un Homenaje A Mi Padre CD
Un Homenaje A Mi Padre Music Un Homenaje A Mi Padre Songs | 1. | El Hombre que Mas Te Amo - Lalo Mora |
| 2. | Solo Deje Yo a Mi Padre - Grupo Montez de Durango |
| 3. | El Amor a un Hijo - Palomo |
| 4. | Ese Senor de las Canas - Castigadores de Monterrey |
| 5. | Ser Como Tu - Los Reyes del Camino |
| 6. | Los Pasos de Mi Viejo - Salomon Robles |
| 7. | Me Refiero a Ti - Lalo Mora |
| 8. | Larga Distancia - Los Reyes del Camino |
| 9. | La Carta de Mi Padre - Miguel y Miguel |
| 10. | Por Ser Mi Padre - German Lizarraga y Su Banda Estreilas de Sinaloa |
| 11. | Los Consejos de Mi Padre - Hector Montemayor |
| 12. | Que Falta Me Hace Mi Padre - La Numero 1 Banda Jerez |
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Un Homenaje A Mi Padre Review
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The founder of the celebrated Mexican band Los Bukis, Marco Antonio Solis is a cornerstone of modern Tejano and Norteno music. As evidenced by LA HISTORIA CONTINUA's opening track, the laid-back, romantic "Desde Que te Perdi," and most of the other cuts here, his style is sophisticated, his phrasing smoothly elegant, yet undeniably macho (from his early Los Bukis recordings, Solis has displayed a ...
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This is a logical tribute since clarinetist Bobby Gordon's main influence is Pee Wee Russell. Although Gordon's solos are not as eccentric or death-defying as Russell's, his tone is similar and there are times when he sounds eerily close to his idol. Joined by trumpeter Jon-Erik Kellso, trombonist Dan Barrett, tenor saxophonist Rick Fay, pianist Johnny Varro, rhythm guitarist Marty Grosz, bassist Bob Haggart, and drummer Gene Estes, Gordon explores a dozen songs composed by Russell. In addition, Gordon performs "Charles Ellsworth Stomp" (which he co-wrote) and one of Russell's favorite songs, "I'd Climb the Hightest Mountain." Since some of these numbers were co-written by Dick Cary and recorded by Russell in modern ...
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The first song, "If I Could Fly" was on the Felicity DVD, Season 4 and the movie "Everything You Want" and on a bunch of compilations, too. The other two songs on Gordon the Northern, are pretty new for me, I don't know what their story will be yet, but I hope you like em'.Stuff on me.... (and thanks for reading this!)I was born in Pensacola, Florida (bout' as deep south as you can get) where I ate lots of fried catfish, biscuits and shrimp. My parents were tired of the heat and made their way with my sister and me to Colorado, where I finished growing up. I lived in a great spot in a valley near the mountains. I rode bikes. I climbed trees and played in a sewage run-off stream for years, which may explain a lot of my problems now.....but, who could know Colorado would be such an incredible place? And so full of music... I went to an extremely competitive musical high school and developed my chops with a great choir director. And yes, choir is cool. I came out to California to become a broadway star, but discovered, upon arrival, that NEW YORK is the Broadway place. Again, who knew??? I thought it was all one and the same! I decided to wait on the whole Broadway thing, 'cuz I was writing music and loving it and went to Pepperdine to get and a degree in music, 'cuz they gave me some money to do so. I stayed in Malibu, went to this very groovy church, which was conveniently located near Pepperdine and watched and learned from some great musicians and joined in from time to time. I do sessions whenever possible, eat chocolate, play with my deliciously plump baby and sing, sing, sing.....Thanks for reading,Charity I'll give you the short run down from the critics....Pop/Rock Vocalist Versatile singer/songwriter delivers pure, powerful vocals on can’t-get-ya-outta-my-head" melodies. Fresh sounds and pitch-perfect performances show "emotion of a Rickie-Lee Jones" and "Faith-Hill-like hit potential" (MUSIC CONNECTION). "As uplifting as a choice of religion." - MUSICDISH "Charity's ...
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"Julia Rich shows an allegiance to the big band forms of the '40's and '50's but also proves to be a very intelligent songwriter who can come up with a lot of witty tunes about love and life, such as 'If I Spoke French' and 'Boyfriends.' Her smooth, elegant voice sounds best on slow, languid tempos with Larry O'Brien's smooth, Tommy Dorsey-like trombone or Rickey Woodard's deep tenor behind her. Her tries at other styles are worthy as well. There's the perky calypso beat of 'Hula Girls,' the jazzy brassiness of 'Ding Dong! The Witch Is Dead,' a solemn version of 'The Tennessee Waltz' and a bossa nova treatment of the Beatles on 'I Will.' Mostly, though, there's the laid-back sexy assurance found on old swing chestnuts like 'Don't Blame Me,' 'I ...
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