| | Nanette Workman Roots N Blues CD - Import Nanette Workman Discography of CDs
Roots N Blues Music | List Price | $29.99 (You save $5.04) | | Category | Blues Albums | | Label | Bros Can / Zoom | | CD Universe Part number | 7109487 | | Discs | 1 | | Release Date | May 01, 2008 | | Additional Info | Import |
Nanette Workman Roots N Blues Songs | 1. | Breaking up Somebody's Home |
| 2. | So Hard to Do |
| 3. | Trouble comes Around |
| 4. | I'm a Woman |
| 5. | None of my Business |
| 6. | All in My Head |
| 7. | Just Another Night |
| 8. | Belly Achin' Blues |
| 9. | Take the Devil by the Horns |
| 10. | At the Mercy |
| 11. | Hallelujah |
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Roots N Blues Review
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Purchase Roots N Blues CD To buy, Click on price to add to cart | Sir Charles Jones Tribute To The Legends CD (2009)
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While its predecessor, 2005's HOPE AND DESIRE, found blues-rocker Susan Tedeschi getting on a soul train, BACK TO THE RIVER represents that phrase beloved by hardcore fans of any artist, "a return to form." Tedeschi is back to the hard-hitting, bluesy sound with which she made her name, and her joy at this stylistic homecoming is clearly audible; you can hear it both in the throaty abandon of her vocals and in the unfettered fury with which she digs into her guitar solos. While there's still a soul flavor present in some of the tracks here, it takes a back seat to the visceral, string-bending, blues-belting sound that will forever be identified as Tedeschi's true trademark.
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Also available in a 3-pack with SECOND WINTER and CAPTURED LIVE.
Among white blues singers of the 1960s, there were some who studied the music so intently they amazed even the genre's creators with their technical mastery. A select few, however, seemed to be born oozing authenticity, sounding just as soulful as the greatest black bluesmen while forging a completely new sound. Johnny Winter belonged in the second category. A long-haired hippie albino, he astounded initially skeptical listeners with his Howlin' Wolf-like vocals and wild Johnny Guitar Watson-esque guitar stylings. THE WOODSTOCK EXPERIENCE showcases Winter's first taste of national exposure, first with his 1969 self-titled debut album, and then with his set at the Woodstock festival later the same year. The latter recording is the revelation here--a tornado of raging slide guitar and shouted vocals that sounds as if a late night Lone Star State roadhouse gig has been magically transported to the upstate New York farm. With several tracks clocking in at over 10 minutes ("Mean Town Blues," a hellacious Edgar Winter-led jam on "Tobacco Road"), the album showcases Johnny at his freest and most explosive.
When Johnny Winter burst upon the American music scene in the late 1960s, he was initially looked upon as a something of an oddity--an albino guitarist playing and singing the blues--until people actually heard him perform. The Texas native played a sharp, bracing style of (mostly) electric ...
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Fans of legendary New Orleans musician Allen Toussaint may at first be surprised that, for his first album in over a decade, the producer, songwriter, and pianist would choose to forgo recording his own stellar material in favor of a collection of cover tunes. The songs here aren't just any songs, however, but a rich selection of Big Easy standards, as interpreted by one of the city's most gifted musical sons. The resulting Joe Henry-produced gumbo draws upon all of Toussaint's myriad musical experiences, but often focuses on his incredibly soulful piano playing. Even when other instruments take the lead (the trumpet on "A Dear Old Southland," the clarinet on "Just a Closer Walk With Thee") it's the master's sublimely ...
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Up until Faith No More's third release, 1989's THE REAL THING, the San Francisco quintet was considered too eccentric for rock's mainstream. Unlike other bands of the era, FNM refused to be limited to just one musical style--the group was indeed heavy, but it also touched upon many other styles (alternative, rap, Middle Eastern, punk, funk, jazz, etc.). But prior to the writing and recording of the album, the band parted ways with its longtime singer, Chuck Mosely, and hired newcomer Mike Patton.
Unlike his predecessor, Patton was a very talented and versatile vocalist who could easily adapt to any of the different musical styles his new bandmates threw at him. While it took a few months for sales to crest, THE REAL THING went on to become the group's much sought-after commercial breakthrough. The rap-metal anthem "Epic" was a surprise Top-10 smash (pushing the album to multi-platinum status), while such other tracks ...
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Recording information: 1992.
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Brighton band AUNTY NANCY launches the greatest ENGLAND WORLD CUP SONG for this summer.Paul Kingston, who saw BOBBY MOORE and his team beat Germany in the 1966 World Cup, wrote the lyrics to 'COMING BACK ...
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