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Animals - All About The Animal CD Cover Art
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Animals All About The Animal CD - Import

 Animals Discography of CDs

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Get Animals ringtones on your cell phone!
Japanese limited edition issue of the 1966 anthology album classic in a deluxe, miniaturized LP sleeve replica of the original vinyl album artwork.
All About The Animal Music


Detailed All About The Animal Music Information



List Price $42.99 (You save $2.24)
Category Rock/Pop Albums, Rock CDs, Oldies, British Invasion
Label Toshiba EMI
Orig Year 2006
All Time Sales Rank   269325  
CD Universe Part number 7109494
Discs 1
Release Date Jul 03, 2006
Mono/Stereo Stereo
Additional Info Import; Limited Edition; Japan
Animals All About The Animal Songs


Animals All About The Animal Album Track Listing



1.House of the Rising Sun  $0.99
2.Bring It on Home to Me  $0.99
3.Boom Boom  $0.99
4.Memphis
5.I'm Crying  $0.99
6.Baby Let Me Take You Home  $0.99
7.Right Time  
8.Don't Let Me Be Misunderstood  $0.99
9.We've Gotta Get out of This Place  
10.Blue Feeling  
11.Around & Around
12.Gonna Send You Back to Walker  $0.99
13.Halleluyah I Love Her So
14.It's My Life  $0.99
15.We've Gotta Get Out of This Place  
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Eric Burdon and the Animals at the Whiskey A-Go-Go

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CD $19.59  5 stars Top 500 Audio Samples
Recorded live at Leeds University, Leeds, England on February 14, 1970. Includes liner notes by Chris Charlesworth. Originally released on Decca (79175) in May 1970. All songs written by members of The Who except "Fortune Teller" (Naomi Neville), "Young Man Blues" (Mose Allison), "Summertime Blues" (Eddie Cochran/Jerry Capehart) and "Shakin' All Over" (Johnny Kidd). Recorded live on February 4, 1970. Includes liner notes by Chris Charlesworth. This 2-CD Deluxe Edition of LIVE AT LEEDS, recorded on February 14, 1970, contains the entire show including all of TOMMY which was previously unreleased. Recorded live at Leeds University, Leeds, England on February 14, 1970. Originally released on Decca (79175) in May 1970. In addition to making some of the finest studio albums in rock history (ranging in approach from proto-pop-punk to the first rock operas), the Who, live, epitomized the brash, electrifying energy that put a new face on the music in the 1960s. The original LIVE AT LEEDS album, released in 1970, looked straight into the eye of this hurricane on a single ...
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Today the most recognition the Animals get is "House of the Rising Sun" being played on oldies radio, but in the mid-1960s they were a powerful part of the British Invasion, often reckoned on a par with the Beatles, the Stones, and the Who. Like those bands, the Animals had strong roots in blues and R&B, but, in their original incarnation, they stayed closer to those roots than their peers did. This definitive compilation, masterfully assembled by the ABKCO ...
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By the early '80s, the Rolling Stones were one of the last remaining groups leftover from the original "British Invasion" two decades prior. One of the main reasons for this was the Stones' ability to keep pace with the musical climate of the time, without losing any of their original blues-sleaze. Their 1982 live set (fourth overall) STILL LIFE, was taken from performances from their hugely successful U.S. ...
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One of many in the Bluebird's Best series to present ancient classics from the 20th century's seminal jazz and big-band artists, this recording presents a beautiful portrait of the artist as a young man. The 15 titles selected here by Ruby Braff, fellow trumpeter and Armstrong devotee, document a 14-year period (1932-1946) following Satchmo's revolutionary recordings of the '20s. His raspy voice is often well-parodied, but his unique approach to the opening cut, "I've Got the World on a String," shows a unique genius for phrasing. It's more raw than the Frank Sinatra version everyone is familiar with. The vocal is prefaced by a good minute of lush trumpet playing backed by Armstrong's own orchestra. Some of the '30s tracks sound a bit muddy and unpolished, but later recordings like "Endie" feature richly textured big-band horn arrangements. "The Blues Are Brewin'" is another standout, featuring a smoother-voiced Armstrong than later generations usually hear. There are some sonic challenges (i.e., some technically poor live recordings), but those shortcomings offer a definite charm in helping ...
Totally Hits 2004
Totally Hits 2004 CD  (2004)

All About The Animal
CD $12.29  Audio Samples
The always-varied world of pop music is on full display with TOTALLY HITS 2004. Rock gets a nod by way of the anthemic pop-punk of Simple Plan's "Perfect," the light ...
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New York Dolls Great Big Kiss CDs  (2002)

All About The Animal
CD $17.15
GREAT BIG KISS contains 2 previously released albums: SEVEN DAY WEEKEND (1992), a series of demos recorded in March 1973 in New York, and RED PATENT LEATHER (1984) recorded live in New York in 1975. The New York Dolls were a band whose pervasive and lasting influence has far outstripped their official recorded output, which amounted to a mere two albums before they called it quits. Not unlike bands with similar career trajectories (such as the Stooges, MC5, the Misfits, and the Sex Pistols), the current New York Dolls catalog is packed with posthumous albums of demos, live tapes, and various stray recordings, and Great Big Kiss brings two of the better-known semi-official releases together in one double-disc package. Disc one is a collection of live-in-the-studio demos (previously released under the title Seven Day Weekend; a slightly expanded version of the same material is also available as A Hard Night's Day) recorded shortly before the Dolls cut their self-titled debut album, while disc two is the 1975 Little Hippodrome concert which proved to be one of the band's last stands in New York City, which has been distributed under the title Red Patent Leather. The demos are more stripped down and straightforward than the later studio recordings of the same tunes, but they're also sloppier and often less energetic, and neither David Johansen or Johnny Thunders are having one of the best days of their career on this set. The live disc is more fun, but equally problematic; the recording quality is not especially good (through the Hippodrome tracks sound better than the three tunes from a 1973 Paris show added as a bonus), and while the band is game, most of the set ...
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