| | Charlatans Simpatico CD - Import Charlatans Discography of CDs
Simpatico Music | List Price | $39.99 (You save $1.90) | | Category | Rock/Pop Albums, Rock CDs | | Label | Phantom | | CD Universe Part number | 7109600 | | Catalog number | 843999 | | Discs | 1 | | Release Date | May 02, 2006 |
Charlatans Simpatico Songs | 1. | Blackened Blue Eyes |
| 2. | NYC (There's No Need To Stop) |
| 3. | For Your Entertainment |
| 4. | Dead Mans Eye |
| 5. | Muddy Ground |
| 6. | City Of The Dead |
| 7. | Road To Paradise |
| 8. | When The Lihgts Go Out In London |
| 9. | Architect, The |
| 10. | Glory Glory |
| 11. | Sunset & Vine |
| 12. | Arise, Arise |
| 13. | Don't You Worry |
|
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Susan Boyle's grand unveiling on Britain's Got Talent was with a song from Les Miserables - the very song that lends this album its title -- and if she could become an international sensation based on a show tune standard, there's no reason for her to change her approach on her debut, since that's the sound that made her a star. Plus, a large part of Boyle's appeal is that she's a middle-aged woman recalling a bygone era when there were singers that appealed to an adult audience by offering soft, stately versions of pop hits and standards. That time was the late `60s and early `70s, and apart from a rather faithful version of Madonna's "You'll See," I Dreamed a Dream could very well have been released all those years ago, as it mixes up the show tunes, gospel, and Christmas carols with covers of Skeeter Davis' "The End of the World," the Rolling Stones' "Wild Horses," and a version of "Daydream Believer" that is easily the slowest on record. Boyle sings beautifully throughout, delivering more of the same of what she did in her moment in the sun on television. Those won over by Boyle, either her voice or story, will surely be satisfied.
There's ...
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Like the HIGH SCHOOL MUSICAL franchise, GLEE became more than a TV show when several of its songs cracked the Hot 100, including the number four hit "Don't Stop Believing." That song kicks off this soundtrack, the first in a series of albums cataloging the music performed by the show's cast. Not all GLEE members are created equal--some cast mates are far better actors than singers--but this soundtrack has enough star power to keep things trucking along, especially when powerhouse alto Lea Michele takes the wheel. She sounds fantastic throughout, whether she's holding her own during a duet with Broadway queen Kristen Chenoweth or covering the likes of Jordin Sparks, Avril Lavigne, and Queen. The soundtrack is mostly a vehicle for her voice, yet it also ...
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With a sludgy, chainsaw guitar sound that owes as much to early Black Sabbath as to Kurt Cobain's heroes The Melvins, whose drummer puts in an appearance here, Nirvana emerges from Seattle's underground scene as standard-bearers of a style that embraces the anger and energy of punk alongside the thick, muddy sonic attack favored by early '70s proto-metal bands. Cobain's lyrics are fueled by outrage and self-loathing, combining literary flair with a direct, visceral quality that makes him a viable candidate for the John-Lennon-of-Gen X award.
Nirvana's debut album showcases what sounds more like a force of nature than a rock band. The unrelenting fervor with which the group delivers these 13 tunes is almost frightening. There is also a strong melodic flair that leavens the ferocity occasionally, hinting at the scope of Cobain's compositional talents. "Love Buzz" and "About A Girl" show off enough pop smarts to make it clear that as strong as BLEACH is, Cobain's hiding even more tricks up his sleeve.
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Pink's insistently hooky, attitude-filled pop-rock has kept the singer a fixture on the radio and on singles charts since the early 2000s. The artist's fifth effort, FUNHOUSE, doesn't tamper with the formula: Pink's powerhouse vocals and in-your-face approach, backed by stadium-sized production, are in full effect on all 12 tracks. Even though the album deals primarily with aftermath of her divorce and includes serious moments of self-confrontation like "Sober," fans needn't worry that Pink has lost any of her chutzpah.
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The Groundhogs were an at-times better than average 1960s British blues band led by T.S. McPhee, whose Jack Bruce-like vocals and raggedly aggressive guitar style made the group sound at times like a looser version of Cream. This two-disc set, divided into studio and live recordings, makes a pretty solid introduction to the band. The studio disc ...
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