| | Ashley Monroe CD Ashley Monroe Discography of CDs
 (1 Customer Review)
Ashley Monroe Songs | 1. | Has Anybody Ever Told You |
| 2. | Angeline |
| 3. | Drink For Two |
| 4. | And You |
| 5. | Everything I Wanted |
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Ashley Monroe Music Review Purchase Ashley Monroe CD To buy, Click on price to add to cart | Taylor Swift Fearless CDs (2008) With DVD; Bonus Tracks; Special Edition
Ashley Monroe album
 $13.99   
Taylor Swift abandons any pretense that she's a teen on her second album, FEARLESS--which isn't to say that she suddenly tarts herself up, running away from her youth in a manner that's all too familiar to many teen stars. Swift's maturation is deliberate and careful, styled after the crossover country-pop of Shania Twain and Faith Hill before they turned into divas. Despite the success of her self-titled 2006 debut, there's nothing at all diva-like about Swift on FEARLESS: she's soft-spoken and considerate, a big sister instead of a big star. Nowhere is this ...
| | Jim Reeves Twelve Songs Of Christmas CD (1963)
Ashley Monroe CD music
$5.99  
| | Carrie Underwood Play On CD (2009)
Ashley Monroe music CDs
$12.95
Daisy in her hair aside, Carrie Underwood looks flat-out glamorous on the cover of PLAY ON, which is a pretty fair indication of what awaits listeners on her third album. Carrie is still nominally a country artist and sometimes will sing supported by fiddles and steel guitar, but this is crossover pop pure and simple, whether it's the thundering rhythms on the Shania-styled strut "Cowboy Casanova" or the succession of maudlin melodies on the preponderance of power ballads. Carrie takes a much stronger presence as a writer here, co-authoring seven of the 13 songs, and she's attracted to hookless showstoppers designed to showcase her powerful voice. When she sticks to tunes written solely by the professionals, PLAY ON does have some slick pleasures, particularly on the breezy "Quitter" and "This Time," songs built on solid melodies and delivered without flash, relying on craft and Carrie's considerable small-town charm.
Daisy in her hair aside, Carrie Underwood looks ...
| | Burl Ives Have A Holly Jolly Christmas CD (1965)
Ashley Monroe songs
$4.65  
| | Keith Urban Greatest Hits CD (2007)
Ashley Monroe album
$11.65
Urban has long been one of the few contemporary Nashville country stars whose taste for old-fashioned rock seems genuine, as proven by many of the earlier hits found here. Highlights include the sly "Who Wouldn't Wanna Be Me" and the wistful "Where the Blacktop Ends." GREATEST HITS was also released in a special limited-edition version that includes a bonus DVD of live tracks and music videos.
. 2007 compilation from the Australian Country superstar packed with proven hits. Features two newly recorded tracks, a remake of Steve Forbert's 1979 hit, 'Romeo's Tune' and a new full band recording of 'Got It Right This Time (The Celebration)'. Greatest Hits is the highly-anticipated album from the Grammy award winner and three year reigning CMA Male Vocalist of the Year. Keith has sold more than 10-million units worldwide, climbed country ...
| | Willie Nelson Pretty Paper CD (1979)
Ashley Monroe CD music
$5.95
| | Rick Trevino DOS Mundos CD (1993)
Ashley Monroe music CDs
$6.39
| | Juliana Theory Music From Another Room CD (2001) Extended Play
Ashley Monroe songs
$9.85
As emphasized in the text of bandleader Brett Detar's liner notes, Music from Another Room is a portrait of the Juliana Theory in a period of transition. Culled from B-sides and assorted cuts old and new, this six-song EP is a remarkably coherent collection. Though "This Is the End of Your Life" centers on an arpeggio motif clearly cobbled from Pink Floyd's "Shine on You Crazy Diamond," the song accurately illustrates the band's textural three-guitar attack and resilient emo rock attitude. ...
| | Billy Joel Greatest Hits, Vol. 3 CD (1997) Japan; Remastered; Mini LP Sleeve
Ashley Monroe album
$27.79
In his own inimitable fashion, Billy Joel has crafted some of the catchiest pop hits of the '80s and '90s, and most of them--17, to be exact--are on this disc. The jaunty, nostalgic "Keeping the Faith" opens things up, and we cruise right down memory lane with Billy: through the pop-soul of "A Matter of Trust," the brash, rocking "I Go to Extremes" and "All About Soul" (remixed here to good effect). Joel has grown over the course of his long career, and you can trace his maturity as an artist through these later songs. The tone is a bit darker, a bit edgier than on his earlier tunes. This is an artist who has always been about making pop ...
| | Ray Price Legend Begins CD (2005)
Ashley Monroe CD music
$9.75
| | Turf Terminators Welcome 2 Da Turf CD (2006)
Ashley Monroe music CDs
$16.29
| | Rio Nido I Like To Riff CD (2006) (Import) Japan
Ashley Monroe songs
$43.69
| | Gaia E Luna Come Vasco Rossi (2007) (Import)
$13.15 | | Moviegoers Or The Gun CD (2008)
Ashley Monroe album
$6.69
Known at the time as Your Future in Plastics, The Moviegoers was formed in 2004 by Richard Hunter-Rivera, Jordan Heimer, and Jessica Monday, who met while attending Columbia University in New York City. Richard's brother, Robert Hunter-Rivera, was roped into the project soon after. Formed initially as a recording project, the band began cultivating their indie rock sound with all members writing music and alternating on guitars, keyboards, bass, and vocals. Rhythm tracks were laid down using drum machines, samplers, and a variety of handheld percussion. In this manner, the band completed a large collection of songs by the end of 2004 and used five of those cuts to create its first EP, The Code is Obvious. While decidedly lo-fi, The Code is Obvious was a strong first step in the development of the band's sound, which can be described as a bastardized amalgamation of their musical influences, which include The Beatles, The Kinks, Talking Heads, My Bloody Valentine, The Magnetic Fields, Philip Glass, and Radiohead.After graduating, the band's founders left New York for the South. Richard and Jessica moved to New Orleans, Jordan to Austin. The group continued recording together and spent the summer of 2005 working on new tracks in a sweltering attic in Shreveport, Louisiana, Monday's hometown. Robert continued to participate long-distance, doing vocal and guitar overdubs once the trio had finished the basic tracks. Richard enlisted the help of Monday's brother, Bobby, to play drums. During this time the band began writing songs in a more collaborative fashion. The recordings that ensued, though not released, were something of a turning point for the band, helping them to get comfortable incorporating their eager experimentalism with a more traditional indie rock aesthetic. Even more influences came into play during this period, including Sufjan Stevens, the Pixies, Stephen Malkmus, Bob Dylan, and Wilco. They realized that writing songs with catchy melodies and angular guitar riffs can be quite fun to play and listen to, which led them to pursue a more cohesive sound with a live performance component. Soon after that summer, Jordan moved to Los Angeles to pursue his screenwriting ambitions. In September 2005, Hurricane Katrina forced Jessica and Richard to leave New Orleans. They decided to join Jordan in southern California in order to start focusing on the band's live sound. Richard soon met Carlos Robles, originally from Mexicali, and the band finally had a drummer. In October 2006, Richard entered a songwriting contest with one of the songs from those steamy summer 2005 recording sessions. The song 'Andy' won the grand prize: two 8-hour recording sessions at Studio West in San Diego. By February 2007, the band was in the studio recording its second EP, Or the Gun. Robert, who had decided to become an upstanding citizen of Durham, North Carolina, flew out to San Diego for the sessions and appears on the EP as a special guest guitarist and vocalist. The band changed its name to the catchier, but equally referential, The Moviegoers and released Or The Gun with Mangoose Records ...
| | Harold Melvin Love I Lost CD (2008) (Import)
$10.49 |
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