| | Mott The Hoople Live Fillmore West: San Francisco CD Mott The Hoople Discography of CDs
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In 1970, Mott the Hoople embarked on a U.S. tour, closing out their excursion that July with a four-night extravaganza at the Fillmore West, second on the bill to a headlining Quicksilver Messenger Service. It wasn't the band's first trip to the States, but now they were promoting their debut album, which had hit the shops the previous fall in the U.K., but was held back in the U.S. for a spring release. The bulk of Live Fillmore West: San Francisco is drawn from these shows, and although the sound quality is far from pristine, still the CD captures the ferocity of the Hoople's performance. The CD picks up the gig with their incendiary cover of "Darkness Darkness," one of a pair of non-album covers they performed live that night, along with a storming take on "Keep- a-Knocking." Mott's eponymous album featured a few covers as well, and onstage they let loose with a ferocious "You Really Got Me," while their own "Rock'n'Roll Queen" is positively thunderous. Their version of "At the Crossroads" is chiming British blues at its best, while "Thunderbuck Ram," one of two tasters for their second album, leaves the blues behind, as the Hoople stake a banner in the hard rock/metal realm. It's pretty evident that Mott must have blown Quicksilver straight off the stage. Counter-intuitively though, the disc opens with four numbers recorded live at the Fillmore West the following year (most likely because of their superior sound quality), kicking off with a glorious "Angel of Eighth Avenue." Here Mott sounds much freer, at times even a bit ramshackle, but absolutely exhilarating. And if all that wasn't enough, the disc finishes with a previously unreleased demo of "The Wreck of the Liberty Belle," recorded circa late 1969/early 1970 with Chris Kimsey. Although never brought to final fruition, this instrumental still boasts a surprisingly savage power even in this raw state. ~ Jo-Ann Greene
Formed in June 1969 the original line-up MOTT THE HOOPLE consisted of VERDEN ALLEN (organ), DALE GRIFFIN (Buffin)(drums), IAN HUNTER (vocals/piano), MICK RALPHS (guitar) and OVEREND WATTS (bass). By the time they embarked on their first US Tour during the summer of 1970, the band had built up a fearsome reputation in the UK and Europe as a dynamic live attraction - a ranting, raucous, raving, riotus, rip-roaring, and above all, a real, rock'n'roll band. Their gigs were wild, chaotic, packed-to-the rafters affairs where Mott The Hoople would challenge their audiences. Apathy would not be tolerated; a reaction, either pro or anti was demanded. 'Live Fillmore West, San Francisco' features a rampaging live show from Mott The Hoople recorded in July 1970 at the legendary West Coast venue during the band's first US Tour. These vibrant, compelling live recordings are an important historic document as they provide a fascinating snap shot of Mott The Hoople performing live at s
Recording information: Fillmore West, San Francisco, CA; Olympic Studios, London, England.
Mott the Hoople: Verden Allen (organ); Overend Watts (bass guitar); Dale Buffin Griffin (drums); Mick Ralphs (background vocals); Ian Hunter.
Personnel: Ian Hunter (vocals, guitar, piano); Mick Ralphs (vocals, guitar); Pete Watts (bass guitar).
Live Fillmore West: San Francisco Music Live Fillmore West: San Francisco Music Review Purchase Live Fillmore West: San Francisco CD To buy, Click on price to add to cart | Mott The Hoople Mad Shadows CD (1970) Bonus Tracks; Remastered
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$8.55 The term "OAK" can be used as part of a common name formed from members of the Tight Bros From Way Back When, Spermatozoa, and Flocking Eduardo. This genus is native to the northern hemisphere, and includes species extending from the cold latitudes of Olympia, WA and Long Island, NY.Our new 6 song CD is called "bravo!" and was recorded by legendary rocker Toshi Kasai. Toshi has recorded all of the Melvins albums since 2002 and plays guitar for Big Business. He did a fantastic job of course, so we named the album accordingly. Marc (Bass/Vox)Gerard (Guitars)Justin (Drums)Review From: San Diego CityBeat MagazineOAKS bravo!San Diego, meet your new metal kings. In the tradition of sludge-slingers Karp and Big Business, OAKS have come to provide the soundtrack to your next bongload. And if you don’t smoke, this trio will still drink your ass under the table, draw a dick on your face with permanent marker and proceed to have sex with your girlfriend on the kitchen table while blasting Ace of Spades. With bludgeoning riffage, airtight drum fills and a shit-kicking backwoods vibe, OAKS are what would happen if The Melvins made an album of Lynyrd Skynyrd covers. Two words: totally awesome. ...
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