| | Salif Keita Lost Album CD Salif Keita Discography of CDs
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The Lost Album resurrects six lengthy and largely acoustic tracks recorded in 1980 by West African singer Salif Keita and his longtime collaborator, guitarist Kante Manfila. Musical partners since the late '60s, first in the Rail Band and then in Les Ambassadeurs Internationaux, Keita and Manfila seem to be moving away from that group's somewhat westernized Afro-pop sound with these sessions. This is not to say that these are all traditional African musical forms: although the hypnotic "Toura Makan" sounds like it could have fit on one of the Nonesuch Explorers collections, Manfila's opening showcase "I Djo Fama" begins with a double-tracked acoustic guitar figure that's been processed to sound like Mike Oldfield's trademark half-speed guitar experiments. The arrangements are stripped down and the production medium-fi at best; some percussion, kalimba, a bit of trumpet, and a female vocal chorus make occasional appearances (frustratingly, there are no personnel or recording credits), but throughout, the focus remains on Keita's spellbinding vocals. Free of the synthesized gloss of his breakthrough solo albums from later in the decade, The Lost Album features a young Keita in a slightly rougher but warmly intimate musical setting. ~ Stewart Mason Salif Keita Lost Album Songs | 1. | I Djo Fama (MP3) | |
| 2. | Finzamba | |
| 3. | Toura Makan | |
| 4. | Djigui | |
| 5. | Nakana | |
| 6. | Wara (MP3) | $0.99 | |
| Lost Album Review
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Purchase Lost Album CD To buy, Click on price to add to cart | Stephan Micus Desert Poems CD (2001)
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| | Mark Murphy Memories Of You CD (2003)
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$9.79 | | Angelique Kidjo Oyaya! CD (2004)
Lost Album MP3 Album
$8.49 (MP3 Available for Download) Something of a stylistic chameleon, Angelique Kidjo has moved through radio-friendly pop, soul-diva stylings, rock, folk, and the vocal and rhythmic currents of her native Benin, Africa. OYAYA!, another step in Kidjo's musical odyssey, finds the artist exploring the sounds of the Caribbean, underscoring the link between African tradition and Latin music, as it evolved in Cuba, Puerto Rico, Jamaica, and elsewhere. Strains of bolero, merengue, salsa, and ska all figure into the mix here, and are expertly blended with the aid of Kidjo's versatile voice and her superb backing musicians.
Kidjo impresses as much with the variety contained on OYAYA! as she does with the accuracy and aplomb with which she approaches each style. The opener, "Seyin Djro," is a passionate, high-octane salsa number with polyrhythms that will coax even the most sedentary listeners to the dance floor. "Mutoto Kwanza" mines a high-energy ska groove, while the down-tempo, calypso-tinged "N'Yin Wan Nou We" showcases Kidjo's earthy, seductive ballad singing. More cohesive and focused than many of the vocalist's previous releases, OYAYA! is packed with beautiful, exuberant music, making for Kidjo's most mature and musically compelling recording.
Recording information: Alberto's Shack In The Back, Southgate, CA; AYE Studio, France; Ferber Studio, Paris, France; Glenwood Place Studios, Burbank, CA; The Sonora Recorder, LA, CA.
Photographer: Kwaku Alston.
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