| | In Crowd Man From New Guinea CD - Import In Crowd Discography of CDs
Man From New Guinea Music | Category | Jazz Albums | | Label | Phantom | | CD Universe Part number | 7116916 | | Catalog number | 626724 | | Discs | 1 | | Release Date | Jun 27, 2006 |
In Crowd Man From New Guinea Songs | 1. | Natural Rock (Introduction) |
| 2. | We Play Reggae |
| 3. | Marcus Garvey's Back In Town |
| 4. | Man From New Guinea |
| 5. | His Majesty Is Coming |
| 6. | Reggae Groove |
| 7. | Back A Yard |
| 8. | Little Dread |
| 9. | Time Is Running Out |
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Man From New Guinea Review
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Buy Man From New Guinea CD Purchase Man From New Guinea CD To buy, Click on price to add to cart | Jazz Icons Series 4 Box Set DVDs (2009)
Man From New Guinea
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Standard Screen
| | Return To Forever Returns - Live At Montreux 2008 DVD (2008) DTS Sound
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After a quarter century apart, the core line-up of the jazz quartet Return to Forever--Chick Corea, Lenny White, Stanley Clark, and Al Di Meola--reunited for a world tour in 2008. This remarkable concert film captures the foursome on stage at Montreux, playing bewitching renditions of "Vulcan Worlds," "Sorceress," "Romantic Warrior," and many others.
The band ...
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Man From New Guinea
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| | Robben Ford Soul On Ten CD (2009)
Man From New Guinea
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Some of guitarist Robben Ford's weaknesses, such as song composition and vocals, are rectified or at least made less obvious, on this predominantly live release. On his fourth release for the Concord label, Ford is able to cherrypick better material from inconsistent albums, unearth choice covers, and generally broaden the music with his fiery playing. This, along with the natural energy generated by the stage environment, ...
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Recorded live at Auleen Hall, Oslo, Norway. Originally released on Atlantic (1586).
Like much of saxophonist Charles Lloyd's output from the late '60s, Flowering is a concert recording, this time from Oslo, Norway. Live performance was the natural home for the Lloyd quartet's open-ended, but not prohibitively free-form approach. While this group enjoyed a certain hippie-era cachet, what endures in their music is the timeless value of powerful performances from musicians with few equals. The fact is, it's hard to go wrong with Lloyd's tenor sax and flute and a rhythm section made up of pianist Keith Jarrett, bassist Cecil McBee, and drummer Jack DeJohnette. Flowering is slightly more mainstream than some recordings by Lloyd's group. The players generally stick with their principal instruments, Jarrett limits his playing inside the piano, and the tunes are more focused. Even the 14-minute-plus modal vamping of Gabor Szabo's "Gypsy '66" is free of the noodling to which this group occasionally succumbed. The tracks on Warne Marsh are from dates the tenor saxophonist recorded in December 1957 and January 1958. The earlier date is a quartet outing with pianist Ronnie Ball, who, like Marsh, was a Lennie Tristano acolyte. The later tracks are a trio date. Paul Chambers, the bassist throughout, is well recorded, as he walks a relentless counterpoint to Marsh's long lines. Philly Joe Jones is on the quartet tracks; Paul Motian is the drummer for the trio set. Ball is a bit superfluous in this context, which is really about Marsh unspooling his linear, discursive logic in close communication ...
| | W C Handy W.C. Handy's Memphis Blues Band CD (1994)
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Though composer/cornet player W.C. Handy is widely known as the "father of the blues," he might just as easily be considered the "father of jazz." With the benefit of historical hindsight, the music he and his Memphis Blues Band (a number of whom were actually from Chicago) recorded in 1917 bear a closer relationship to early Dixieland-style jazz than to blues. Nevertheless, those tracks, as heard on W.C. HANDY'S MEMPHIS BLUES BAND were equally seminal to both styles.
Handy may not have literally invented the blues form, but he codified and popularized the style from elements he heard while floating around the South. He was also the first to notate and proliferate the music. Many of Handy's compositions, especially this collection's "St. Louis Blues," were recorded by scads of early blues and jazz artists, and became standards. Hearing the originals, full of sassy, contrapuntal horn lines and syncopated drumming, is like witnessing the musical version of the first moon landing.
Everbody knows W. C. Handy as "The Father of the Blues," but the original recordings by his Memphis Blues Band have never been reissued! Recorded in 1917, 1922-1923.
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Man From New Guinea
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A mainstay of the downtown avant-garde scene for decades, and a noted connoisseur of reggae and dub, bassist Bill Laswell has led a musical career marked by an avid interest in unorthodox musical forms from around the world. His 2001 release, RADIOAXIOM: A DUB TRANSMISSION, is a collaboration with another experimentally minded, dub-infatuated bass player, Jah Wobble, formerly of Public Image Ltd. Over the course of RADIOAXIOM, the two enlist a host of guest artists, including Sly Dunbar, Hamid Drake, Graham Haynes, and others, to help them create fevered musical soundscapes that evoke the disorienting effects of the works of dub producers like Scientist and King Tubby.
W/Hamid Drake,Aiyb ...
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Man From New Guinea
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Joining Andrea are some of the jazz scene's finest soloists: saxophonist Bob Mintzer, guitarist Mike Stern and ...
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Saint Etienne, the U.K.'s foremost purveyors of indie dance pop, returned in 2006 with TALES FROM TURNPIKE HOUSE. The trio is in excellent form here, revisiting the propulsive disco and house-inflected fare of their earlier releases on cuts like "A Good Thing" and "Stars Above Us." Yet songwriters/producers Pete Wiggs and Bob Stanley are as steeped in music history as ever, harking back to the 1960s harmony-heavy pop of the Beach Boys ("Sun in My Morning") and ...
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Man From New Guinea
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| | Our Lady Peace Burn Burn Burn CDs (2009) With DVD; Bonus Tracks; Digipak; Deluxe Edition
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The major thing to happen to Our Lady Peace since the 2005 release of HEALTHY IN PARANOID TIMES, is the public embrace of David Cook, winner of the 2008 American Idol. Cook often called OLP his favorite band, enlisting the band's Raine Maida to co-write three songs on his debut, a development that could theoretically lead to a bigger audience for the Canadian post-grunge band, something that the band appears to have kept in mind for their 2009 album BURN BURN if its streamlined sound is any indication. For all intents and purposes, is another Our Lady Peace album, still sounding like a hybrid of JOSHUA TREE-era U2 and latter-day Goo Goo Dolls, but the quirks, including the political indication of HEALTH, is toned down in favor for a gleaming adult-alternative sound. Because OLP are ...
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