| | Danny O'Keefe So Long Harry Truman CD Danny O'Keefe Discography of CDs
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So Long Harry Truman Music Danny O'Keefe So Long Harry Truman Songs So Long Harry Truman Music Review Average Rating: (5 out of 5 stars)   Great singer/songwriter album from the 70s Though this 1975 release might seem swamped with big names hired to beef up the recording, the resulting effort is nothing less than brilliant. At a first glance the list of guest appearances does look like a who’s-who in Californian country-rock and West Coast music circles, with names like Linda Ronstadt, Don Henley, Glenn Frey, Randy Meisner (The Eagles), Bernie Leadon, Andrew Gold, Sneaky Pete Kleinow, Gary Mallaber, Larry Knechtel, David Lindley, John Guerin, Tom Scott, Richard Greene & David Grisman! Danny O’Keefe’s own guitar-playing is great and another noteworthy musician is Roger Kellaway, who provides eminent piano on several songs. O’Keefe and Kellaway also collaborated on “American Roulette” (1977) and “The Global Blues” (1979) – two other releases you shouldn’t miss.
Danny O’Keefe is of course an excellent songwriter, which this – his 4th album – gives ample proof of. The title track sounds great with Ronstadt, Henley and Leadon harmonizing and Ronstadt also sings harmony on O’Keefe’s wonderful bittersweet divorce song “Quits.” Two of his compositions – “Covered Wagon” & “Steel Guitar” – were originally recorded on his 1971 debut “Danny O’Keefe.” But these new versions are much better – at least in terms of arrangements. Other fine examples of his songwriting are “The Kid/The Last Days” with its western theme sounding almost “cinematographic” and the gloomy “Hard Times” closing out this fantastic CD. He covers a lot of different styles as well, rock, country, jazz, rhythm & blues, honky-tonk songs and it all works out fine in the end. To top it off , Danny O’Keefe you’ve got his wonderful slightly nasal voice adding the final touch to each song.
Danny O’Keefe has recorded 10 albums since 1971 including his new 2008 release “In Time,” but has never been a huge name on the charts. That is one of the great mysteries of life. He’s a better songwriter than let’s say Jackson Browne, and in my opinion ranks as high as icons like Bob Dylan and Joni Mitchell. And then he is much more adventurous when setting words to music than his contemporaries, a fact that gives most of his albums longevity.
Submitted by sm.and (Hvidovre, Denmark) Was This Review Helpful? Yes No
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Purchase So Long Harry Truman CD To buy, Click on price to add to cart | Danny O'Keefe American Roulette CD (1977) Reissued
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$12.25 Liz Mandville Greeson spent the late 1980s running up and down the road with her R&B band the Supernaturals. She played thousands of gigs, from smoky biker bars to swanky theatres, casinos to yacht clubs, honing her musical chops and crowd-pleasing skills. In 1994, a chance meeting with bassist Aron Burton led to Liz’ subsequent performance with him at the 1994 Chicago Blues fest, two tracks on his 1996 Earwig release, “Aron Burton Live”, and a long-standing performing relationship. “Live” also marked Liz’s recording debut and the beginning of her professional association with Earwig Music Company. Liz holds the distinction of being the only white vocalist to perform regularly at the internationally known Blue Chicago nightclubs, where she held court from 1994 to 1999. Backed by former Junior Wells bandleader George Baze, Liz contributed two tracks to the 1998 Blue Chicago release, "The Red Hot Mamas". While at Blue Chicago, Liz had the opportunity to work with a veritable who’s who of contemporary blues men: Willie Kent, Michael Coleman and Maurice John Vaughn, among others. Albert Collins’ alumni, Aron Burton (bass), Allen Batts (keys), and Dave Jefferson, (longtime Albert King drummer), made up Liz’ rhythm section for the latter part of the 1990s, and played on her first two CDs released by Earwig Music Company of Chicago. On stage it’s magic! Hip shakin' Liz gets the crowd dancing with the first blast of her powerful, four octave, soul-drenched voice. She is a high voltage performer and a red hot mama. She is also solid as an acoustic and electric guitar player and her rub board playing adds a spicy back-porch feel. Equally at home in an intimate club setting or on a festival stage, she is a total professional, on time and in control! She continues to tour internationally to critical acclaim, gaining new many devoted fans at each show. She also has a large amount of recorded material and is looking at releasing one or two more albums in the near future. Quotes“Brassy, sassy singer with a knack for writing spicy, blues flavored songs that can rock and rollick." -Blues Revue"She delivers...with unimpeachable enthusiasm and lusty gusto. Look at her indeed." 
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$12.39 Koufax pack quite a punch and swagger on their indie-tastic long-player Hard Times Are in Fashion. Searching for musical touchstones might lead one to reference Brainiac without that band's manic energy, a mixed dose of Thom Yorke's modern whine and Rufus Wainwright's gargled glee, and an almost unsettling resemblance to the Walkmen. The racket these five lads muster really does make them a dead ringer for the Walkmen, as fuzzy guitars, piano highlights, cymbal-heavy drums, and frontman Robert Suchan's crooning wail all act as perfect mimics to the Walkmen's pounding and frazzled oeuvre. It's important to ignore the way some critics have emphasized Koufax as a piano band. While Jared Rosenberg's piano is omnipresent, it isn't abused in Ben Folds Five fashion or used as an overly sappy device ŕ la Keane or Coldplay. Instead, it's merely another instrument, sometimes battling Suchan and Ben Force's guitars point for point, other times blending deftly into the background. The album is infused with subtle political and social commentary, relating mostly to the war in Iraq, the Bush presidency, and foreigners' apparent increasing disgust with The American Way. But Koufax don't pound a listener over the head with their ...
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