| | Rad Make Every Second Count CD - Import Rad Discography of CDs
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Singer and keyboardist Rose Ann Dimalanta (she usually goes by the lower-case acronym rad) and her producer and husband, Michael Kirsch, might call their collective Viva Brasil, but truth-in-advertising laws would suggest that Viva '70s might be a more accurate name. From its slinky opening ballad, "Old Worn Shoes," onward, Make Every Second Count is an unabashed throwback to the days of jazz-pop fusion, when the Blackbyrds, the Crusaders, Tower of Power (whose drummer David Garibaldi guests here), George Benson, and others created an unapologetically slick and smoothly melodic blend of adult contemporary pop, R&B, cool jazz, and mild touches of funk. The majority of Make Every Second Count is tailor-made for fans of that style, but the album's clear high point is its most uncharacteristic track. The elongated centerpiece "Fela" is an homage to the Afro-beat pioneer, featuring Dimalanta playing a lengthy and impressive electric piano solo in Fela Kuti's style over a gently swinging Afro-funk groove. It's the most passionate song on Make Every Second Count by some distance, although even it barely breaks a sweat. ~ Stewart Mason Make Every Second Count Music | List Price | $41.99 (You save $2.60) | | Category | Jazz Albums, Jazz Instrument CDs, Piano | | Label | P-Vine | | Orig Year | 2004 | | CD Universe Part number | 7117698 | | Catalog number | 72820 | | Discs | 1 | | Release Date | Jun 25, 2001 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Additional Info | Japan |
Rad Make Every Second Count Songs | 1. | Old Worn Shoes |
| 2. | Make Every Second Count |
| 3. | Long Journey Home |
| 4. | Mean & Lean |
| 5. | Fela |
| 6. | On & On |
| 7. | Cocoon |
| 8. | Soucis en Greve |
| 9. | Simply Forgot |
| 10. | How Many Times |
| 11. | San Pablo Ave |
| Make Every Second Count Review
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Buy Make Every Second Count CD Purchase Make Every Second Count CD To buy, Click on price to add to cart | Ella Fitzgerald Ella In Hollywood CDs (1961) Remastered; Box Set
Make Every Second Count songs
$63.49 (MP3 Available for Download) Originally released on Verve Records in 1961, ELLA IN HOLLYWOOD is a straightforward collection of 12 familiar standards mostly given very simple, pop-oriented arrangements. Songs tend to run well under four minutes (a gently swinging "Just In Time" clocks in just under two), with only a minimum of room for Fitzgerald to break into her legendary scatting. The main exception is the centerpiece track, ...
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$9.99 (MP3 Available for Download) With this album, Herb Alpert and the Tijuana Brass settle into their hitmaking groove, the once strikingly eclectic elements of Dixieland, pop, rock, and mariachi becoming more smoothly integrated within Alpert's infectious "Ameriachi" blend. They sound more like a band now; along with Alpert's now-indelibly stamped trumpet sound, we can recognize jazzman John Pisano's distinctive rhythm guitar, Lou Pagani's piano, the droll Bob Edmondson's dulcet trombone, etc. Pisano, who debuted as a composer on Going Places, comes up with a memorably whistleable song "So What's New," and the rest of Alpert's songwriting brigade (Ervan Coleman, Julius Wechter and Sol Lake) chime in with some lively, catchy tunes. There is also an assortment of pop, film, and Broadway standards of the day, all impeccably arranged by Alpert, whose production instincts grew sharper and surer with every release. Result: another hugely entertaining hit LP, one that stayed at number one longer than any other TJB album (nine weeks). ~ Richard S. Ginell
With this album, Herb Alpert & the Tijuana Brass settle into their hitmaking groove, the once strikingly eclectic elements of Dixieland, pop, rock, and mariachi becoming more smoothly integrated within Alpert's infectious "Ameriachi" blend. They sound more like a band now; along with Alpert's now-indelibly stamped trumpet sound, listeners ...
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$10.45 (MP3 Available for Download) Nearly a decade after Dean Martin's death, the crooner's fans were finally given the definitive Dino collection. While there was already a two-disc summation of Martin's Capitol recordings, as well as several compilations of his Reprise material, the single-disc, 30-track DINO: THE ESSENTIAL DEAN MARTIN contains a generous selection of the best of his work, culling from both labels' vaults. Steubenville, Ohio's favorite son became a singing star in the 1950s, mostly by virtue of his smooth, easy charm, apparent both in his vocal style and his public image. That charm is crystallized here--the South American lilt of "Sway;" the spare, countryish "Memories Are Made of This" (not insignificantly covered later by Johnny Cash); the laissez-faire ...
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$6.09 (MP3 Available for Download) Steve Tyrell has attracted enough attention for his two regular albums, A New Standard and Standard Time, that he is almost beyond journalists' usual tack of describing a new singer's voice by who he sounds like; pretty soon, they'll be saying that other singers sound like him. But it remains true that if you have never heard him but you are familiar with Dr. John, your first reaction upon hearing him is likely to be that you are listening to Dr. John. Well, maybe a younger Dr. John, and one whose accent isn't quite as swampy. But the basic elements -- the grit and gravel in the tone, the slurred, deep South phrasing -- are much the same. Of course, Tyrell comes by the sound of his voice honestly, hailing from Houston, TX, and boasting a musical career (albeit, behind the scenes) as long as Dr. John's. But it remains true that Dr. John got there first, and so the comparison remains inevitable. As on his regular albums, Tyrell lines up a cast of jazz heavyweights for these small-group sessions, allowing plenty of space for soloing, particularly by trumpeter Clark Terry, who shines on "Rudolph the Red-Nosed Reindeer" and "The Christmas Song." Tyrell is at his ...
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Make Every Second Count album
$18.99 The Sonic Dub Experience is the brainchild of multi-instrumentalist Christopher Gennert and was created in the spring of 2009 to feature his reggae dub music. Born to musical parents, he was improvising on the piano by age three and banging on pots and pans as well, so his mom and dad wisely signed him up for drum lessons and music camp. This encouragement resulted with Chris playing in the first of his several blues, rock and reggae bands at age fourteen, in and around the San Francisco Bay Area. Then, in 1987, he was deeply inspired by a performance of reggae giant Burning Spear. From that night on, he felt drawn exclusively towards reggae music and in 1988, recorded his first dub album, 'Paradise Valley Dub' which is being remastered for release later this summer.After 25 years of performing live at gigs and festivals up and down the Western United States, Chris teamed up with his brother (recording engineer and guitarist Tim Gennert) to fulfill his longtime dream of recording dub albums. He records in the multi-track fashion, first laying down an authentic drum track played by hand on a real drumset, and ...
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