| | Texana Roots Run Deep CD Texana Discography of CDs
Audio Mixers: Matthew McClure; Gene Eichelberger; Ken Isham.
Recording information: The Mission, Neptune, TN.
Photographer: Ric Boyer.
Texana: Pat McGrath (guitar); Ken Isham, Barbie Isham (background vocals); Paul Leim, John Gardner.
Personnel: Pat McGrath (acoustic guitar); Kerry Marx (electric guitar); Pat Severs, Steve Hinson (steel guitar); Hoot Hester (fiddle); Jim "Moose" Brown, Catherine Styron Marx (piano, keyboards); David Smith (bass guitar); Paul Leim, John Gardner (drums); Ken Isham, Barbie Isham (background vocals).
Texana Roots Run Deep Songs | 1. | Smoke and Mirrors |
| 2. | Lost in the Shuffle |
| 3. | Hungry Side of Love |
| 4. | Walking Back to You |
| 5. | Here Comes Your Memory Back for Me |
| 6. | Can't Take Texas out of Me |
| 7. | Never Again, Again |
| 8. | Fadin' Fast |
| 9. | Don't |
| 10. | He Won't Talk Texas Anymore |
| 11. | Head for Home |
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Roots Run Deep Review
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Purchase Roots Run Deep CD To buy, Click on price to add to cart | Carrie Underwood Play On CD (2009)
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Whenever Nicole Ari Parker’s character on the Showtime series Soul Food had a panic attack, you’d hear the voice of Eisa Davis. The two friends met while working on a play together in New York, and years later, Eisa’s music was given a recurring role on the series. The viewer response to one song, “Too Early”, was so overwhelming that producers tracked the singer-songwriter down in Capri, Italy for an interview. “People were writing in and literally saying how the song came on, stopped them in their tracks, made them sit on the couch, rethink their choices in life and cry,” Eisa remembers. “I never knew my music could have that kind of impact.”Impact runs in her family: Eisa’s aunt is the professor, political activist and icon Angela Davis. Eisa’s childhood in the Bay Area was accordingly radical, with Angela tutoring her in Marxism before she went off to college at Harvard. “We’ve always been very close,” Eisa says. “When I was in junior high, Angela used to peg my pants on her sewing machine.” But it was her grandmother’s insistence on piano lessons and her mother’s collection of jazz, soul, and African music that began to shape her life’s path.“I would make my sister and my next door neighbor Rainbow do music shows with me after dinner—complete with choreography, skits and magic,” Eisa recalls, laughing. “My godbrother would sprinkle baby powder and shine a flashlight through it so it looked like we were in a smoky club.” She began writing her own songs on the piano at 13, her style evolving into a stripped down, laidback, acoustic soul that bears the mark of an early eclecticism. Versatility manifests itself throughout her life: Eisa is also an award-winning actress and playwright who was named a finalist for the 2007 Pulitzer Prize in Drama. A member of both the prestigious Actors Studio and playwrights’ organization New Dramatists, Eisa has moved easily from roles on film and television shows like The Wire and Law and Order to having her plays presented around the country at theatres including the Hip Hop Theater Festival. Her theatre aesthetic—and sense of narrative—shapes what you hear on her solo debut. “Some of the best theatre I’ve seen is striking just because of the revelatory communion we can experience through language, through gesture,” Eisa states. “And it’s the same in music. You don’t have to show off. You don’t have to have a dozen vocal runs in every word to get someone to pay attention to you. There’s a richness that comes just from saying what you feel very simply and very well.”Something Else was made on a dare. Eisa was acting in a play at the Sundance Institute when a castmate she’d just played a song for remarked, “I need to have that. You need to have a CD.” When Eisa offered that she had an upcoming date at Joe’s Pub, she suddenly found herself vowing to have a record ready by the show. ...
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