| | Brian Seymour Thousand Tarzans CD Brian Seymour Discography of CDs
Brian Seymour's "A Thousand Tarzans" showcases ten songs sparingly arranged and shaped by producer Edan Cohen at Soundgun Studios in Philadelphia. "I love the raspy vocals and sampled techno pop flavor...first cousins to all the sensitive guy stuff DavidGray's been up to lately."-Jonathan Takiff, Philadelphia Daily NewsThe music soars alongside Brit-smart-popsters like Coldplay but with a tough American sensibility that recalls Seymour's roots in Springsteen's Red Bank, New Jersey. as a songwriter, Seymour's song 'Always Leaving' is covered by Cowboy Mouth on their cd 'Easy'on Alantic Records. Thousand Tarzans Music | Category | Rock/Pop Albums, Rock CDs | | Label | Bamu Ventures | | Orig Year | 2000 | | CD Universe Part number | 7123444 | | Catalog number | 83167 | | Discs | 1 | | Release Date | Nov 21, 2000 | | Studio/Live | Studio | | Mono/Stereo | Stereo |
Brian Seymour Thousand Tarzans Songs | 1. | Dark and Stormy |
| 2. | Memories of High School |
| 3. | I Only Want You Happy |
| 4. | Cassandra |
| 5. | Little One |
| 6. | Redhead |
| 7. | Great Disappointment, The |
| 8. | Thousand Tarzans, A |
| 9. | Light and Sweet |
| 10. | In Silence All the Way |
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Thousand Tarzans Review
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There's no shortage of legendary producers in line to work with music world titans U2; when work with Rick Rubin broke off, Brian Eno and Daniel Lanois stepped in. The resulting NO LINE ON THE HORIZON, 2009's offering from the Irish rockers, continues in the grand U2 tradition, as soaring pop anthems like opening single "Get on Your Boots" pair with experimental melanges like "Tripoli," on a striking album featuring touches of all the albums come before, yet hinting at new worlds for Bono to conquer.
After spending the 1990s experimenting with electronic music and returning to arena-ready rock during the first few years of the 21st century, U2 stakes out territory somewhere between those two points ...
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ELASTIC"My muse hadn't found meOr she was keeping it hidBut then she caught me in the jungleand she ripped off the lid."With these lyrics, ELASTIC frontman T.J. Holsen describes how two years he spent in the remote mountains of New Guinea seemed to open up new creative sources for him. "I started writing music in college, when I was going after a degree in classical and jazz guitar. But when I went to New Guinea for the Peace Corps I still only had a handful of original tunes. Maybe being away from my album collection and the music scene forced me to figure out how to really plug in to my own stuff. I had to come up with my own songs to interest and entertain me, and the music's been flowing ever since." Returning from the jungle with a trunk full of songs, Holsen began playing around Chicago with various musicians and bands. Inevitably his unique approach to songwriting, blending sophisticated chord voicings and jazz-tinged progressions with funky rhythms and a rock sensibility, attracted drummer Marc Gratama and bass man Michael Weimann. The three of them form the core of ELASTIC, so named because it describes their ability to stretch and incorporate many musical influences, and because they always envisioned their trio-based band as incorporating guest musicians to fit whatever the music demanded. Dutch-born drummer Marc Gratama is a graduate of Berklee College of Music in Boston. He has performed with many well-established musicians including Cuba Gooding ("Everybody Plays the Fool"), Phil Wilson, Hal Crook, Dave La Spina, Hans Dulfer, John Abercrombie, George Garzone, and Jerry Bergonzi. Marc has performed with various rock groups, funk groups, jazz small groups and Big Bands in the United States, Holland, Austria, Switzerland, Germany, Sweden and Hungary. Visit www.marcgratama.com for more details.Hailing from the home of the funk, Cincinnati, OH, is bassist Michael Weimann. Mike played in groups in Ohio, Colorado and the Pacific Northwest before moving to Chicago in 2001. ...
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Phideaux is a project between drummer Rich Hutchins and singer Phideaux Xavier. Utilizing the engineering wizardry of Gabriel Moffat, they create a complex, humourous, pretentious type of overly artsy progressive psychedelic rock music.With a SLIGHT post punk attitude, they have unleashed an epic with their new album Chupacabras. With cellos, flutes, dobros and a host of nasty electric guitars and several singers, this spree is polyphonic and polytheistic. It's our party -- stay forever -- say you will!"With some great performances from all the musicians involved, tasty arrangements and high quality writing, Chupacabras is far more than a collection of oddities and previously unreleased pieces flung together from "excavations of the Bloodfish boneyard". The album hangs together very well providing a cohesive and coherent fifty minutes of entertainment. Add to that a superbly presented 20-page booklet and a very reasonable price, what you get is a class album.Conclusion: 8 out of 10"Mark Hughes, The Dutch Progressive Rock Page Dprp.net "Chupacabras is the type of album that makes me still enjoy listening to Prog Rock today. It's the type of album that needs to be heard by the widest audience possible. Highly recommended."Marc Roy, ProGGnosis.com"Another indispensable addition to your prog records collection!"DisAgreement.net underground music e-zine from Luxembourg"If you enjoyed his previous albums this is a must have. If you’re a fan of Porcupine Tree, Blackfield, Pink Floyd, Bowie or similar then you owe it to yourself to add Chupacabras to your collection immediately!"Ron Fuchs, ProgNaut.com"...this is a fun collection of songs that would appeal to a wide variety of listeners, as it has enough elements of prog, space/ambient, pop, and heavy rock to fit many molds."Pete Pardo, SeaOfTranquility.org"Phideaux wrote to meabout a totally over the top prog-rock epic called "Chupacabras" about the life of the so called "puerto rican goat sucker" creature. Clocking in at over 20 minutes, the piece would dominate any album, and so it appears on this semi-official release. Chupacabras begins with the deliberation of a Peter Hammill epic and then a load of new elements get thrown in: female vocals, melodic guitar solos, changes in rhythm, bubbly synth, steel guitar, flute. Each element is introduced with care and fits in naturally. There's a lightness of touch even when Phideaux is at his most Prog and you always welcome his expressive voice. Now, I grew up in the 70s and I've listened to a good many 20 minute songs but Chupacabras ...
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MusiciansEmir Hot – All Guitars and Bass.John West – VocalsMike Terrana - DrumsBosnian guitarist Emir Hot makes a serious statement of intent with his debut release ‘Sevdah Metal’. The album represents something fresh for the metal realm with its blend of melodic, progressive and neo-classical metal styling mixed with traditional Eastern Balkan music with strong influence taken from the ‘Sevdah’ style of Bosnian music (a Bosnian style of blues) to create the unique Emir Hot sound. Adding more fire to Emir’s impressive song writing and guitar work is the soaring voice of ex Royal Hunt / Artension vocalist John West and drum legend Mike Terrana (Masterplan, ex Malmsteen, Axel Rudi Pell, Artension) whose precise and powerful play add even more energy to the 10 tracks on offer. On their input Emir comments, “John and Mike made it sound live and real. Although the arrangements and the songs are all my ideas, the way they performed on this record definitely put it on a much higher level than I had in mind when I was writing it”.‘Sevdah Metal’ is an album born out of ...
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