| | Javier Arau Javier's Jelly And Jam Session CD Javier Arau Discography of CDs
Acclaimed composer and multi-instrumentalist Javier Arau has been teaching music to children and adults for over 12 years. He has received awards from such professional and educational institutions as Down Beat Magazine, ASCAP, MENC, MTNA, and IAJE, among others. Also active as a clinician, performer, arranger and author, Javier has published in the Jazz Educators Journal and was inducted into Disney's "Mickey Mouse Club Hall of Fame." Born and raised in northern California, Javier currently resides in New York City with his wife Kelley and their cat Isabella. Javier's Jelly and Jam Session includes inspired, interactive songs that teach both music and language. Listeners are sure to have a great time learning about all the different musical instruments, how to scat-sing bebop solos, how to play and sing different rhythms, how to remember the names of the notes on a musical staff, how to say the alphabet backwards faster than a cheetah, and more.RECENTLY REVIEWED IN KIDSDAY (Copyright Newsday Inc., 2003):The whimsical songs on the new CD Javier's Jelly and Jam Session capture the imagination of young children. Javier Arau, a music teacher, just released this album, which tries to keep kids learning while having fun at the same time. His voice sounds like "Bear in the Big Blue House" to me - this probably will encourage younger kids to like his music. All the diverse songs that combine styles from jazz, blues, folk, R&B, island and classical were written and sung by Javier, with help from a few 6-year-olds. The silly songs are about concepts like onomatopoeia, the backward alphabet, animals, instruments, notes and compound words. Javier says he gets his ideas from observing life around him. Javier hopes kids will be educated and inspired by his music. I would recommend this CD to kids ages 2 to 7. Check out Javier's Web site: www.JavierArau.com. --Elanna White, KIDSDAY REPORTER, AGE 11, ASTORIA Javier's Jelly And Jam Session Music Javier Arau Javier's Jelly And Jam Session Songs | 1. | Onomatopoeia Song, The |
| 2. | Backwards Alphabet, The |
| 3. | Monkey Family, The |
| 4. | My Favorite Instrument |
| 5. | Compound Words |
| 6. | Rainbow Orchestra, The |
| 7. | Nonsense Song, The |
| 8. | Note Zoo, The |
| 9. | Snack Song, The |
| 10. | Jellyfish Jazz Band |
| Javier's Jelly And Jam Session Review
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| | Daniel Scott King Two Kinds Of Mind CD (2006)
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$8.69 rooted dreaming countryblues and soul by this poet, storyteller, guitar pickin' harvard drop-out, drunk-addict philosopher, dan king has been kicking around gloucester, mass. historic artist/music scene for years, leaving only to play the odd gig in new york, ...
| | Matt Kalin Feelin Good CD (2005)
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$15.95 FEELIN' GOOD is a collection of five original songs and new arrangements of five American folk tunes that composer, performer, and producer Matt Kalin has enjoyed singing with his young friends and their families. These songs give kids, their parents, and their teachers a great way to start the day feelin' good!Matt has taught students of all ages, but has a special place ...
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| | Aswad Not Satisfied CD (1982)
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$6.05 Principally recorded at Island and CBS Studios, London, England in March 1982. Includes liner notes by Tom Terrell.
Much to the shock of all involved, New Chapter did not prove to be the breakout album everyone assumed it would be. Aswad returned to the studio chastened, but not bowed. Accompanying them were most of the sessionmen who had contributed to New Chapter, along with producer Michael Campbell (aka Mikey Dread). The result was a natural continuation of their sound, but insidiously, Not Satisfied would sound lighter than their last effort, at least superficially. Songs like "Pass the Cup" and "Down the Line," in particular, were bright and breezy numbers, while "No More Living a Lie" was dance-inflected with a decidedly pop edge. "I Need Your Love," "Reality," and "Your Recipe" all waved the lovers rock banner; "African Children (Part Two)" was a lovely ballad filled with acoustic guitars; and "Girl's Got to Know" was filled with lush melody. Even harder numbers, like the jittering title track, were masked in a sweet melody, while "Drum and Bassline" sizzles off into the dancehall before quickly pulling back into a rootsier room. It seemed that Aswad was deliberating dulling their musical edge in order to reach the mainstream. But contrarily, some of their prettiest numbers contained their hardest-hitting lyrics. "Reality" is insistent that "You've got to stand up now and face reality"; "Girl" is adamant about "That girl has got to know that all life's riches cannot be found in vanity"; while the roots reggae "Oh Jah" is filled with suffering. And underpinning all the tracks are the tough rhythms, whose slamming beats are evident even in the lovers rock numbers. While New Chapter had reveled in innovation and hybridization, dense arrangements, and intense electronic ...
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