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Plaintiffs To Helen, A Handbasket CD

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Three guitars. Bass. Drums. Keyboards to taste. All charging behind one of Seattle's great rock singer/songwriters. Ladies and Gentlemen: The Plaintiffs. Now gigging ahead of the September release of their debut CD on RockBoss International, the Plaintiffs build on the experience and loyal fans of Joe Kline's 20 years leading Seattle bands and backing the likes of Roy Loney. A mix of seasoned performers and a fresh face (new songwriting partner and Plaintiffs bassist Frank Trevino), the Plaintiffs deliver the goods: great songs, hot guitars, and a steady beat. Audible influences range from the Stones and Ramones to Muddy Waters and on to the Chili Peppers, sometimes in the same song, but the resulting jolt remains 100% original. Kline's trademarked whimsy pops in on occasion, but for the most part has moved to the background or transformed itself into a biting surrealism. Live, a Plaintiffs show breaks down any notion of age-segregation in the music scene. Fans from Kline's 80s Prudence Dredge and Cropduster days knock 'em back alongside the latest crop of tattooed hipsters. In addition to Trevino on bass, The Plaintiffs bring together Rupert Kettle (The Casuals, Disney Gillespie) on guitar and e-lec-tri-fied lap steel, drummer James Cookman (Crawdaddys), and Richard Mockler (Saltine Falcons, Strike Three) on guitar and keys. Kline's guitar and voice lead the charge, and the cavalry roars in behind. What more is there to say?
To Helen, A Handbasket Music


Detailed To Helen, A Handbasket Music Information



Category Rock/Pop Albums, Rock CDs
Label The Plaintiffs
Orig Year 2003
CD Universe Part number 7126222
Catalog number 22494
Discs 1
Release Date Dec 23, 2003
Studio/Live Studio
Mono/Stereo Stereo
Recording Time 36 minutes
Plaintiffs To Helen, A Handbasket Songs


Plaintiffs To Helen, A Handbasket Album Track Listing



1.Open Late
2.Million Miles Away
3.Hour Strikes Ten
4.Joe Public
5.Doin' My Best
6.Slapstick Dirtnap
7.Back to the Gills
8.Like the Isleys Say
9.That Martini
10.Be My Replacement
To Helen, A Handbasket Review


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(alto saxophonist, clarinetist, composer, arranger, hip-hop artist, producer, keyboardist, and general bad-boy of Jazz and Swing!) "A revelation!" proclaims the Jazz Hot Club du France Newsletter. "Sensational!" states the New York Daily Challenge. "Really something to behold...without a doubt, something special," says Mary Snyder of Downbeat "The kid is tearing up New York," claimed late trumpet legend Doc CheathamThe artist these people are raving about happens to be alto saxophonist/clarinetist Joey Cavaseno. Over the last few years, Cavaseno has shown himself to be a prominent sideman and potential leader in the world of jazz, and after leading his own small groups for a few years, is now the leader and musical director of the most influential and prominent band in swing, The Yalloppin' Hounds. As young musicians go, Joey is quite unique. One of his main musical attributes is an extensive background in the history of jazz music. Whereas most jazz musicians his age don't even go farther back than John Coltrane, Cavaseno's influences are as diverse as Sidney Bechet to James Brown. He cites Duke Ellington as his main influence. Joey Cavaseno was born in Queens, NY and was raised in West Hempstead, Long Island. He began playing clarinet at eleven and saxophone at fourteen, studying with reedman Chasy Dean. Cavaseno has studied at the Eastman School of Music, Rutgers University, and the New School as a jazz performance major. His career took off at the age of seventeen, when he was discovered from the ranks of the McDonald's Tri-State Jazz Ensemble by none other than vibraphone legend Lionel Hampton. Hampton then featured Cavaseno on clarinet with him at an N.Y.U. Highlights in Jazz concert. Since then Cavaseno's career has blossomed into as full an agenda of jazz experience as any pro. He was, until 1998, sitting at the lead alto chair with the world-renowned Illinois Jacquet Big Band (on-and-off for 12 years total , since 1986.) In fact, Joey is featured on that band's only commercial release, Grammy nominated Jacquet's Got It, on Atlantic Records. He has also acted as lead alto and musical director for Panama Francis' Savoy Sultans, with whom he has been worked for twelve years, replacing Bobby Watson. He is still actually also performing with, on occaision, ex-Louis Armstrong bassist Arvell Shaw's Armstrong ...
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The Smashing Pumpkins meet Radiohead meet Hum meet Dredg. From the heart of San Diego comes a band featuring Alex Ferguson (El Paso, TX), David Reith (Lemoore, CA), and Casey Flowe (Fresno, CA). Kramer's Rule's eclectic approach to music is generating a buzz that is pushing the San Diego music scene in a direction of its own. San Diego music has produced some great bands, but Kramer's Rule polishes the scene by developing smooth songs with spacelike guitars, simplistic bass lines and intricate drumming that has the listener wanting more. Kramer's Rule blends music's purest elements of alternative rock, college rock, punk, and emo creating a sound and feeling that is hard to put into just one genre of music.The focus for the first year and a half as a band has been the release and promotion of their first CD entitled, "The Demos Sessions". The four song demo CD was released in 2003 on their own and received great reviews. This CD is just the beginning of great music to come and was used primarily as a promotional tool while they were writing new music. Starting with "Converge", which is a timeless rock anthem that has moving guitars, and a huge chorus that you can't help but sing. The CD moves into an instant classic...."Breeze" which reminds the listener of the bands soft side. ".3" launches the band back to the roots of their being with sweet vocal melodies with an 80's like feel, and ends with some great guitar work that will keep the listener excited to know what will be on their debut release."From The Fall", the title track off the the debut record starts with a ton of energy and drives the record like the Dukes of Hazzard. Punk? Emo? Rock? "Things Fall Apart On Their Own" is a modern song with an eighties feel. This is a staple song showing diversity in what the band can do. "Hour Eleven" and "Reversing The Circle Part I" is a creative process depicting time and space, leading into ".3". If there's a radio hit on this record, this is probably it. The record as a whole is awesome to say the least. Released in ...
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