| | Chill From The Heart CD Chill Discography of CDs
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Our Price: $16.45  CDFor Sale Usually ships in 1-2 days
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From The Heart Music | Category | R&B Albums, Contemporary R&B CDs | | Label | Chill | | Orig Year | 2004 | | CD Universe Part number | 7128240 | | Discs | 1 | | Release Date | Mar 18, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 42 minutes |
Chill From The Heart Songs | 1. | Shout to the Lord |
| 2. | Grace |
| 3. | Some Timez |
| 4. | Forgive Me |
| 5. | Lord I Lift |
| 6. | All I Got |
| 7. | Heart of Worship |
| 8. | Love |
| 9. | Worship |
| 10. | Breath |
| 11. | For Me |
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From The Heart Review
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Purchase From The Heart CD To buy, Click on price to add to cart | Pink Funhouse CD (2008) Explicit
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This album was recorded live on November 12, 2001. It constitutes New York poet Steve Dalachinsky and Italian-born-turned-New-York-City-resident drummer Frederico Ughi's response to the atmosphere reigning in the city after the terrorist attack that brought the World Trade Center down two months earlier. The press release describes the set as "improvised words and music," but at least some parts had to be planned out or scripted -- the timing in "We Play Just Like Dominoes" is simply too perfect. The short CD (36 minutes) opens with Dalachinsky reciting a cappella a poem titled "The Submarine Kyrsk," this one obviously not improvised (it is also the only text reproduced in the booklet). Then Ughi starts to provide light textures: bowed cymbals, scratched skins, very occasional rumbles on the drums, plus light live sampling. His playing never steps in front of the poet's voice. Tracks two to seven form a cohesive whole. In each one the poet develops new ideas, but a handful of punchy sentences come back regularly, almost insanely, losing power with each iteration, not unlike the images of the plane crashes seen over and over on television. I Thought It Was the End of the World, Then the End of the World Happened Again is captivating but hardly an album you would describe as "pleasing" or would go back to on a regular basis. On a side note, the CD has been mastered at a relatively low level, making it difficult to focus on Dalachinsky's words in some places. ~ François Couture
Steve Dalachinsky and Federico Ughi are based in New York and involved with the creative music scene.The Artists:Steve Dalachinsky is a legendary New York downtown poet, very active in the free jazz/creative music scene. He was born in Brooklyn, New York. He has been writing poetry for many years and has worked with such musicians as William Parker, Susie Ibarra, Matthew Shipp, Roy Campbell, Daniel Carter, Sabir Mateen, Mat Maneri, Federico Ughi, Rob Brown, Tim Barnes and Jim O'Rourke. His work has appeared on: Long Shot, Alpha Beat Soup, Xtant, Blue Beat Jacket, Night, Nomad Choir, Connections, Big Hammer, Pagan Place, Strider, Unbearable Assemblage Magazines, NY Arts Magazine, the Lost and Found Times, the catalogue of sculptor Alain Kirili, Pitchfork, Freeverse, Zzzyne, Cer. Ber. Us, N.Y. Nights Greetings, 6X6, Weavers, etc. The anthologies:Downtown ...
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Based in the Rock, the dynamic duo the McGraw Twinz are a hip-hop musical sensation with a soulful flavor that incorporates contemporary gospel, jazz, rap, and a taste of R&B. Their musical careers began in the early 80's in the "Dirty South" in the twin cities, Helena and West Helena, Arkansas on the school grounds where Linda a.k.a. 'Ore00' would freestyle to Gwen's a.k.a. 'Double' human beat box challenging other rappers. They quickly became well known for their 'gut-busting' lyrical flow and hip beats. After hearing a radio commercial for 'The Really Big Shoe', a local talent contest held at Phillips Community College, their fans encouraged them to audition, thus the Rappin Twins was born. Though they didn't take home the trophy, the roars from the crowd inspired them to persist and perfect their craft. With their hearts and minds set on being big rap stars the Twinz adopted the By-Any- Means- Necessary philosophy exposing them to a very promiscuous life. They relocated to southwest Little Rock in the late 80's to live with their mother blocks away from the projects known as Sin City where they drew crowds of youngsters that loved their flow. Unfortunately the negative press that gangster rap was receiving in the media changed the perception of all forms of rap music for some. Rapping at school amongst large crowds of their peers had come to be perceived as a disturbance. School officials immediately broke up large crowds that gathered daily to hear them rap-battle during recess. Misunderstood by school authorities they developed a reputation for creating havoc ultimately resulting in them being placed in Stepping Stones, a home for troubled teens. During this intervention, they focused on more constructive goals for the future which in due course influenced the essence of their lyrics. Determined not to give up on their childhood dreams and the music that they had come to love; they began writing original songs with hopes of one day getting signed to a major label. While gospel rap slowly began to emerge and hit the airwaves; they pressed ...
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