| | Tino Aureli They Shoot Notes Don't They! CD Tino Aureli Discography of CDs
Tino Aureli is a composer and Italian by origin. Although he has lived in England for the last 30 years, his music has retained a very strong Mediterranean feel for which he is very proud.The blues tinged riffs of his guitar, demonstrates fluid inventiveness and composition flair throughout his music. He takes away the Player's attitude in the composition, and writes music that has its own logic and reason for being.“They Shoot Notes Don’t They!”An album which was conceived in 2002 and released in 2005, from material gathered and noted through the years. It took all this time to complete with a lot of help from my friend Jason Emberton of ‘The Music Lounge’ studio. Jason has all the skills and talent needed for recording, and only through his guide and patience, I was able to take this project to the end. The result of this ‘work’ is a collection of 15 tracks of blend world music with a strong jazzy feel which hopefully will give lot of satisfaction to the listener.Tino Aureli's music manages to combine immediacy with certain off the wall unpredictability. You think that you have herd guitar music like this before, and then the music dodge sharp right through an opening of chord progressions completely unexpected. Not so much complicated, just an unexpected choice of chord progressions.The clever arrangements tips, in his music, include tempo fluctuations, unusual chord progressions and a touch of unexpected transpositions.Tino’s music has its roots in more then one period and it is difficult to pigeonhole 'FREE JAZZ' is a good word for it. They Shoot Notes Don't They! Music Tino Aureli They Shoot Notes Don't They! Songs | 1. | Brixto |
| 2. | Chrissy's Bossa |
| 3. | Empty Street |
| 4. | Hot as Paprica |
| 5. | Birthday Girl |
| 6. | Pastie Ale |
| 7. | Salted Ice |
| 8. | First Blood |
| 9. | Crowded |
| 10. | Italian Rhapsody |
| 11. | Slow Gin |
| 12. | Blue Nite Blues |
| 13. | Stiletto |
| 14. | Stardust |
| 15. | Funktastic |
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They Shoot Notes Don't They! Review
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The Marshmellows are Ian Marsh doing absolutely splendid vocals and keys, Marshall Stackwith doing very psychedelic guitars and vocals, Grant Deed on bass and vocals, and Dez Baker on drums. Chris Shryack guest guitars on "Smoke."
Drumming is Ringo-steady, bass McCartney-poised, and guitars exude that Harrison warmth and tone. Marsh's voice is 80% Lennonesque but you can hear Supertramp too. Think retro-pop psychedelia. Marsh's vocals are eerie echoes of John Lennon and that Beatles' harmonizing. His song composing is topnotch. Hooks are strong and multi-barbed. Vintage Beatles sound comes through loud and clear on "Mad Sense of Alice," "Rainy Day," "Silver Jets," and "Good Enough." With a lively, upbeat, melodic bassline driving things, "Beast of the City" is very Oasis. The keys and dance floor beat in "Glass House" is mid '80s Tears For Fears or Wang Chung teen angst. "All the Way to the Bank" has a late Lennon introspective testimonial with cynical sarcasm in its lyrics. We sign off with "Goodbye #917" which is most likely the signature Marshmellows sound. We outro with classic Beatles pyscho-babble and other aural marginalia. ~ John W. Patterson
From AMG ReviewsThe Marshmellows are Ian Marsh doing absolutely splendid vocals and keys, Marshall Stackwith doing very psychedelic guitars and vocals, Grant Deed on bass and vocals, and Dez Baker on drums. Chris Shryack guest guitars on "Smoke." Marsh's voice is 80 Lennonesque but you can hear Supertramp too. Think retro-pop psychedelia. Marsh's vocals are eerie echoes of John Lennon and that Beatles' harmonizing. His song composing is topnotch. Hooks are strong and multi-barbed. Vintage Beatles sound comes through loud and clear on "Mad Sense of Alice," "Rainy Day," "Silver Jets," and "Good Enough." With a lively, upbeat, melodic bassline driving things, "Beast of the City" is very Oasis. The keys and dance floor beat in "Glass House" is mid '80s Tears For Fears or Wang Chung teen angst. "All the Way to the Bank" has a late Lennon introspective testimonial with cynical sarcasm in its lyrics. We sign off with "Goodbye 917" which is most likely the signature Marshmellows sound. We outro with classic Beatles pyscho-babble and other aural marginalia. John Patterson - All ...
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