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Darryl Read Beat Existentialist+F449 CD

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Poet, provocateur, pinup, and punk forerunner: British drummer/guitarist Darryl Read has packed all these roles into four decades of music, film, and TV work. Read won his first notice at 14 with an award for his film Daylight Robbery. He began chasing the rock & roll dream in 1968 as a drummer for the Crayon Angels, a psychedelic punk group managed by pirate DJ Emperor Rosko. In 1969, Read and guitarist Jesse Hector formed Crushed Butler, a thunderous power trio that spent two grueling years chasing a record deal (and memorably panned as "three ugly, heavy musicians, playing music to match"). The band is now seen as a progenitor of punk; its recordings have been reissued as Uncrushed (1998). Read's rock & roll dreams went on hold after the group's 1971 demise, but he landed on his feet with a job at Track Records.He then won a part that allowed him to combine acting with music: guitarist Keith Richards in the play Let the Good Stones Roll, which opened at Scotland's Edinburgh Festival. Read followed with another role in Bastard Angel, a play based loosely on the Kinks. When the British music scene proved unreceptive, Read shifted priorities to Germany and the U.S., where he's divided most of his time since the 1980s. He's worked with a dizzying array of musicians, including former T. Rex drummer Bill Legend and late percussionist Mickey Finn, which led to the Walking in Shadows (1995) and Gods 'n' Angels (1996) EPs. Read forged another significant relationship with Third World War's Terry Stamp, with whom he collaborated on two gothic punk-leaning albums, Book of the Dead (1990) and Beat Existentialist (1991). As the '90s ended, Read expanded his multimedia profile with Doors keyboardist Ray Manzarek, who'd guested on Beat Existentialist. The pair collaborated on Freshly Dug (1999), which mated Read's poetry to Manzarek's salutary keyboard style. (In 2000, 55 more poems appeared in Read's book Set.) Read spent 2002 collaborating with former Sex Pistols producer Dave Goodman on a new album, Shaved, and promoting a new film, Remember a Day. Read played Roger Bannerman, a character inspired by the flameout of Pink Floyd's own troubled founder, Syd Barrett. As 2003 rolled on, Read began readying a limited edition of his book Stardom Road, which recounts his acting and musical experiences.
Beat Existentialist+F449 Music


Detailed Beat Existentialist+F449 Music Information



Category Rock/Pop Albums, Rock CDs
Label CD Baby
CD Universe Part number 7135195
Catalog number 10637
Discs 1
Release Date Aug 09, 2005
Darryl Read Beat Existentialist+F449 Songs


Darryl Read Beat Existentialist+F449 Album Track Listing



1.Love With A Perfect Stranger
2.Who'll Be The Next In Line
3.Vipers OF Harlem
4.Ride Your Pony
5.Shake Off The Devil
6.If You Should Loose Me
7.Blue Fandango Man
8.Brand New Cadillac
9.Gin House
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in this world Personnel:Mark Ettinger - vocals, acoustic guitar, slide slack dulcimer, string bass, mandolin, ukulele, accordion, piano, harmonium, Wurlitzer, trumpetChristine DiTolvo - harmony vocalsKate Copeland - harmony vocalsRachelle Garniez - harmony vocals, ClaviolaJohn Olufs - Dobro, electric guitarDoug Weiselman - clarinets, bass harmonicaSteven Bernstein - trumpet, slide trumpetBilly Oskay - violinMichael Panes - violinDavo Bryant - shekere, shaker, tambourineKenny Wollesen - drums, log drums, bongosNo expense of love, labor, time and money was spared: recorded and mixed in fine studios, designed by the inimitable Tony Saunders with a full color full lyrics and pix insert in a tasty cardboard digi-package, this baby is priced to sell fast, so hurry - only hundreds left!in this worldMulti-instrumentalist, singer, conductor, composer, juggler, and toaster enthusiast Mark tours regularly with the Flying Karamazov Brothers, and writes songs and other music the rest of the time. After years of backing songwriters on a variety of instruments on both coasts, he is now pleased to send forth his first singer/songwriter release, in this world, for your amusement. These songs have been growing for the past five years in every corner of this country, a by-product of his ongoing survey of the guitar acoustics of hotel rooms encountered on tour with the Brothers. They are about many things: teacups and death, love and loneliness, night light, half-light, and about 3 to 4 minutes long. instrumentsHe plays a Mahagony Guild d-19 parlor guitar, salvaged by David Hayford seconds before destruction at the Madison NH dump, and acquired by self for the scandalous price of $10. On the disk he also plays Li'l Reeb's mandolin, the Mittenwald acoustic bass he got at 18, and an old Italian accordion, among other things. He used Billy Oskay's excellent Yamaha grand at Big Red Studio, and Steve Addabbo's fine funky old wurlitzer ...
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