| | Danny Vasquez Lo-Fi & Lonesome CD Danny Vasquez Discography of CDs
"Sad and beautiful, melancholy yet uplifting", these are just a few words to describe the music created by Black Lung Serenade. Black Lung Serenade's (aka Danny Vasquez) vocal delivery, at times, is reminiscent of the great Gram Parsons. However, his voice is all his own. Much like Ryan Adams, Elliott Smith and Jason Falkner, his insightful lyrics explore the deeper aspects of love, life and meaning. And his music is a poetic combination of country, folk rock and the sonic experimentation of ground breaking artists like Sonic Youth and Wilco. Either playing with a band or performing solo Danny's live shows are introspective and compelling. Hear him play, see him live and join the many others who agree, Black Lung Serenade is one of indie music's best kept secrets who will soon be widely known. Danny Vasquez Lo-Fi & Lonesome Songs | 1. | Life Goes On |
| 2. | Walk On By |
| 3. | Promise Ring |
| 4. | Signs |
| 5. | Stained Glass Heart |
| 6. | Across The Line |
| 7. | Heaven From Hell |
| 8. | Glovebox |
| 9. | Simple Song Of Regret |
| 10. | The Truck's On Fire |
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Lo-Fi & Lonesome Review
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Purchase Lo-Fi & Lonesome CD To buy, Click on price to add to cart | Dr Andrew Weil Breathing: Master Key To Self Healing CDs (2000)
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| | Rod Stewart Soulbook CD (2009)
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| | Taylor Swift Fearless CDs (2008) With DVD; Bonus Tracks; Special Edition
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Taylor Swift abandons any pretense that she's a teen on her second album, FEARLESS--which isn't to say that she suddenly tarts herself up, running away from her youth in a manner that's all too familiar to many teen stars. Swift's maturation is deliberate and careful, styled after the crossover country-pop of Shania Twain and Faith Hill before they turned into divas. Despite the success of her self-titled 2006 debut, there's nothing at all diva-like about Swift on FEARLESS: she's soft-spoken and considerate, a big sister instead of a big star. Nowhere is this truer than on "Fifteen," a kind warning for a teen to watch her heart sung from the perspective of a woman who's perhaps twice that age--a sly trick for the 18-year-old Swift. There may be a hint of youthfulness to her singing but that's the only ...
| | Judas Priest Concert Classics CD (2009) Reissue
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| | Carrie Underwood Play On CD (2009)
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Daisy in her hair aside, Carrie Underwood looks flat-out glamorous on the cover of PLAY ON, which is a pretty fair indication of what awaits listeners on her third album. Carrie is still nominally a country artist and sometimes will sing supported by fiddles and steel guitar, but this is crossover pop pure and simple, whether it's the thundering ...
| | Lady Antebellum CD (2008)
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| | Proper Dos Mexican Power CD (1992) Parental Advisory
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| | Alan Freed's Moon Dog Show CD (1998) (Import) Import; Germany
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| | Berlin Tut Gut CD (1991) (Import) Germany
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| | Sly & Robbie Mambo Taxi CD (1997)
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| | Trojan Ragga Box Set CD (2004) (Import) United Kingdom
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| | Rick Nelson Ricky Sings Again CD (1959) Import; Digipak
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By the time of his third album, most of which was recorded when he was 18 years old, Ricky Nelson had lots of performing under his belt, and the roadwork showed in his much more confident vocals. Also, as a major recording artist, he was having material written for him instead of having to fill up his LPs with covers of other people's hits. In those songs and in the covers he still did, he hewed to the rockabilly sound developed by Elvis Presley and others in and around Memphis, TN. In particular, he had become a follower of Dorsey Burnette, who co-wrote his 1958 hit "Believe What You Say" with his brother Johnny and took sole writing credit on the album's first two tracks, "It's Late" (soon to be a Top Ten hit) and "One ...
| | Cliff Richard Wonderful Life CD (1963) (Import) United Kingdom
Lo-Fi & Lonesome CD music
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Cliff Richard's fifth movie, released in the summer of 1964, was another wonderful knockabout, absurd and adorable in more or less equal doses, and accompanied, of course, by a soundtrack which squeezed every last ounce of effervescence from the plot. The formula was, by now, firmly entrenched. The Michael Sammes Singers twitter, Norrie Paramor produces, and the Associated British Studio Orchestra lavish everything beneath monstrous slabs of sweet strings and wind. Meanwhile, the Shadows rattle along as both an understated backing band and, when the mood hits, frontmen in their own right, throwing two characteristic guitar-led instrumentals into the brew -- "Walkin'" and "Theme for Young Lovers." Equally predictably, the hits flew from the album -- "Theme for Young Lovers" reached number 12 in the U.K., Richard's understatedly grand "On the Beach" made number seven, and both the title track and "Do You Remember" remained favorites long after the movie slipped off the screens. Ah, but there is where comparisons with past soundtracks end. The others were fun because they were so ridiculously enjoyable. This one's fun because...actually, it's no fun at all. It is, however, contrived, condescending, and, for the most part, utterly overblown. Calm down -- it does have a few great moments. "Wonderful Life" itself comes over like something from a Broadway spectacular, all racing orchestration, broad backing vocals, and imbibed with the same timeless bravado which one normally associates with the classics of the 1940s and 1950s. But that, too, is a damning confession. The hit singles aside, there is no denying the audience which Wonderful Life was gunning for -- the mums and dads (and beyond) who still had time for pop, but maybe found the ...
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