| | Wes Homner Land Above CD Wes Homner Discography of CDs
A collection of heartfelt Bluegrass Gospel at it's best from noted writer and artist Wes Homner. Enjoy new and traditional gospel favorites in colorful, authentic bluegrass style. Land Above Music | Category | Country Albums | | Label | CD Baby | | CD Universe Part number | 7135827 | | Catalog number | 33245 | | Discs | 1 | | Release Date | Sep 13, 2005 |
Wes Homner Land Above Songs | 1. | Coming Down |
| 2. | Thank You, Lord |
| 3. | The Land Above |
| 4. | Rock Me Gently |
| 5. | Leaning On The Everlasting Arms |
| 6. | Always There |
| 7. | I'm Going Home |
| 8. | Look To God And Pray |
| 9. | Dividing Line |
| 10. | Farther Along |
| 11. | Angel Band |
| 12. | It Won't Be Long Now |
| Land Above Review
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Purchase Land Above CD To buy, Click on price to add to cart | Oak Ridge Boys Christmas CD (1982)
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$11.45 In the manner of Natalie Cole's UNFORGETTABLE, Elvis Presley's CHRISTMAS DUETS is a collection of Christmas songs that Elvis recorded throughout his career, remixed in 2008 to add new vocal parts by many of today's biggest female country stars, some of whom had not yet been born when Elvis died in 1977. Guest vocalists include ...
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$14.69 Taylor Swift abandons any pretense that she's a teen on her second album, FEARLESS--which isn't to say that she suddenly tarts herself up, running away from her youth in a manner that's all too familiar to many teen stars. Swift's maturation is deliberate and careful, styled after the crossover country-pop of Shania Twain and Faith Hill before they turned into divas. ...
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$11.99 "Give My Love To Rose" won the 2003 Grammy Award for Best Male Country Vocal Performance.
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$16.45 Dear friends and music aficionados, After fooling around playing and writing music for 35 years or so, I decided to get serious about it and publish a CD. A couple of serendipitous evens occurred that caused this to happen and eventually let to the CD that is being offered to you here on this website. The first thing that happened was that I got transferred from Houston to San Diego on a temporary job assignment. This “temporary “ assignment was to last only a few months, but as I type these words on my laptop in the Extended Stay Hotel, it has become18 days short of being a year. Being stuck in a hotel room for this period of time has forced me to concentrate on my music hobby, as there are a limited number of television channels here. And as I have insinuated in the track “Down and Out in Dudeville”, I have been less than successful in making any new friends here. Not that I haven’t put out the effort. It just seems that the intensity of the struggle for the legal tender here on the lower west coast is such that folks here just plain don’t have a lot of time to invest in friendships. Living in a hotel room doesn’t help from my end. The second thing that happened was that I got a fairly handsome offer on a piece of property that I own in Little Rock, Arkansas. My plan was to produce some pilot tracks and then go to Congress House Studios in Austin, Texas and have Mark Hallman produce the final cut. I was going to set aside some of the proceeds from the sale of the Little Rock property to fund this project. So in the spring of 2005, I started recording pilot songs on a Tascam 2488 multitrack recorder in my hotel room. Things were moving along well. On the few weekends that I had away from my real job, I would take hiking trips up into the mountains east of here with my dog Medina. Spring is a fine time for hiking here. The photo of the stone pyramid on the CD was taken at the summit of the trail that leads up to the top of Vejas Mountain. I thought that it was fitting to put it on the CD face, given my background in Architecture and Construction. I also felt it to be a metaphor for the publishing of this CD, which I consider to be a summit of sorts. In the evenings I would record or write music, and during the days I would do my work. In September, thinking that my stay in San Diego was coming to an end and because Medina was getting to be pretty restless (living in a hotel room and a pickup truck), I hauled her and most of my recording gear back to Texas. It was then I met with Mark Hallman at Congress House and discussed the project. On my return to San Diego, I kept writing and recording, but was limited to a single stereo track on my Sharp mini disc recorder. I would dub and then later master these recordings on my laptop using Goldwave software. In late October, I had enough material for my pilot CD to take to Austin and start rounding up studio musicians to do the final CD project. But then, I learned from my realtor that the deal in Little Rock had died and was not going to close, so I lost my funding for the project. After a little soul searching I decided not to wait until I could get the work near perfect, so I published the pilot CD that you see and sample on this site. It’s a little rough around the edges, but it is what it is and I make no apologies. At this point in my life, I have the feeling that if I get too serious about this music thing, it will become too much like having a job. How appropriate that we work at our jobs but we play music. Any artist will tell you that they do it for the love of it, not the money. So here’s ...
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