| | Oli Freke & Lucy Bugiel Look Back EP CD Oli Freke & Lucy Bugiel Discography of CDs
OFLC RecordingsA brand new label dedicated to the finest in high-octane, euphoric, pumping, hard-edged trance. Set up by Oli Freke & Lizzie Curious, two established artists on the trance/hard dance scene, OFLC Recordings' quality is assured. Ed Real of Riot Recordings and TrackitDown: "The production and tracks are wicked and it's great to see exciting new producers getting some great exposure and support."THE ARTISTSOli Freke ( olifreke. co. uk)The founding member of Contact Assist and Medikal Records, Oli Freke has been producing and engineering hard dance and trance for the last 5 years, and has built up an impressive catalogue of tunes in this time. His most recent release, 'Radium' on Phil Reynolds and Steve Blake's label (Impact Records), was recently featured on Radio 1's Essential Selection and the Sundissential 3 CD. Lizzie CuriousLizzie spins uplifting, hard-edged, trance and also dirty funky house & breaks. She has played at some of the country's leading events including: Riot!, Frantic, Logic & Slinky and holds a residency at London's biggest trance night, Knowwhere. Lizzie has had several releases on labels including Feersum and Transation: 'Substance Abuse' got a particularly good reception (4/5 DJ Mag) and was played by John Peel on Radio 1. Lucy BugielLucy is new to the dance scene, but surely not for long. Singing the vocals on 'Look Back', Lucy demonstrates her excellent voice and ear for melody. THE TRACKSOli Freke & Lucy Bugiel, 'Look Back'OFLC Recordings are proud to release 'Look Back' by Oli Freke & Lucy Bugiel. Featuring soaring vocals by Lucy Bugiel, this is set to achieve anthem status and is guaranteed to move any dance floor. Lucy is new to the dance scene, but surely not for long. Supporting the vocals is a phat solid trance tune with big beats and wicked melodies, which have all been proven on the dance floor to move feet, bodies and minds. -->Smoother MixThis builds superbly with interlocking melody lines and, of course, Lucy's vocals up to a powerful and seriously danceable vocal trance anthem. Not heard on the 2min sample on the right is the gated chord progression with soaring synth lines....you'll just have to purchase it to hear it! (If you like the first half you won't regret it!)-->Harder MixBuilding from a vocal break near the beginning to introduce the vocals and bassline, this mix has tough intelligent percussion and a searing melody line to compliment the vocals. This one is for the top of the night. Notch it up a couple of bpm - bring it on!The Radio and DJ Edit are identical except the DJ mixes have longer intros and outros for DJs to mix with. Oli Freke, 'Lithium'Comes with all Oli's signature trademarks: uplifting melody, phat beats, and attention to detail in the production. Always gets those feet moving! Oli Freke & Lucy Bugiel Look Back EP Songs | 1. | Look Back (Smoother Mix) - Radio Mix |
| 2. | Look Back (Harder Mix) - Radio Mix |
| 3. | Look Back (Smoother Mix) - DJ Edit |
| 4. | Look Back (Harder Mix) - DJ Edit |
| 5. | Lithium |
| Look Back EP Review
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Purchase Look Back EP CD To buy, Click on price to add to cart | Kraftwerk Catalogue CDs (2009) Remastered; Box Set
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| | Patricia Adams Blue For You CD (1998)
Look Back EP songs
$14.79 With a play list of classic standards and venerable pop tunes along with rarely heard material, Patricia Adams' debut album Blue for You provides more than 66 minutes of mostly emotionally thick ballads. Adams came to jazz relatively late in her life. She started singing jazz as an avocation at age 50 while working as a human resources manager at Digital Equipment Corporation in Massachusetts. Making a commitment, Adams gave up her day job and devoted herself full time to what she really wanted to do. Going full bore to become a true jazz professional, she studied music theory, harmony, and improvisation at the New England Conservatory in Boston. She was also coached on vocal techniques by Dominique Eade and Semenya McCord. Adams has since performed at Boston's Scullers Jazz Club, Ryles Jazz Club, and several Manhattan jazz spots including Arci's Place and Danny's Skylight Room.
Adams, born and bred in Yonkers, has a mature voice that is suited to the material on this album. Her unique style and delivery are shown to advantage on such tunes as "Come in From the Rain," where she displays an unusual staccato scatting, and on an authoritative, earthy "Blues in the Night." On the play list is "Where Do You Start?," perhaps the saddest, most heart-wrenching song ever composed (or at least one of them) and appropriate for inclusion on an album devoted to tales of woe. Not as mournful as Shirley Horn's seminal rendition, Adams' version is nonetheless not recommended as a cure for melancholia. But all's not gloom and doom here. There's a nice, slightly swinging "Nice and Easy" with good piano from Doug Hammer. The Duke Ellington medley of "Don't Get Around Much Anymore" and "Do Nothin' Til You Hear From Me" benefits from the bass intro by Dave Zinno and the bounce and lilt in Adams' voice. Tasteful string background is dubbed on several tracks, including an exceptionally poignant, questioning "How Did He Look?"
Adams is joined by her regular working quartet. Their long-standing association is evident, as the members of the group fit like a snug but comfortable glove in support of the singer. This album is a memorable and auspicious start for a late blooming -- but very good -- vocalist. Recommended. ~ Dave Nathan
The Critical Review, an e-zine"Opening with "Wonder Why?" [N. Brodzsky & S. Cahn] (4:48) the band displays good playing but her ...
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Look Back EP album
$14.79 "According to my perspective, this disc holds up well as a drapery for a modern art gallery full of impressionist work, as well as a notable modern musical statement. Soundly recommended." Jeff Melton, Expose #16"By track five, I was really pulled into your sound world - and I didn't touch ground again until it finished. Congratulations." The Silverman, Legendary Pink Dots"All the things one generally likes in synths ...
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