| | Steve James Greyghoste CD Steve James Discography of CDs
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Steve's career has spanned over three decades and two coasts. He has opened for such greats as Blackfoot, Alvin Lee (Ten Years After) and shared the venue with artists Robyn Hitchcock, Sebadoh, The Blue Hawaiians and The Flaming Lips.On the east coast there has been a bluesy album recorded in the late 1980's with the band “The Bully's” titled "The Fist Album" which was recorded at Greentree Studios in Greensburg, PA and a CD in 1996 with the band “The Bystanders” named "Ruff World". This album was recorded at the famous Windmark Studio in Virginia Beach, Va., owned by Michael Marquart, solo artist and former drummer for Flock Of Seagulls. The engineer was the great Skip DeRupa.The Bystanders also recorded two of Steve’s songs on a compilation CD to benefit The Chesapeake Bay Foundation, entitled "Soundings."About 10 years ago Steve relocated to The Bay Area to continue his career. His 2003 CD, "greyghoste", contains 10 of his newest original songs. It is a sparse solo album using one lead vocal track and one acoustic guitar; recorded “live” in his studio. No overdubs at all; just a recorded performance in that moment.And right now Steve is in the beginning stages of recording his next CD! The songs are written and being recorded. His friends will be joining with him on this project to add a variety of instrumentation and vocals.The albums “The Fist Album” and “Ruff World” are out of print (except for a few copies of original vinyl of “The Fist Album.”) In fact, I don’t even own a copy of “Ruff World” because after I sold all of them, the company in Florida who manufactured them went out of business without a trace. I plan to sell these tunes on these albums digitally at some point in the future so you can listen, purchase individual songs or the entire albums right here on CD Baby as well as other venues. Steve James Greyghoste Songs | 1. | Everything Comes in It's Own Time |
| 2. | Mystery Unsolved |
| 3. | Blue Skies |
| 4. | You Can't Have It All |
| 5. | I'll Be Smiling Down |
| 6. | Greyghoste |
| 7. | Living w/o You |
| 8. | War of Love |
| 9. | You Set Me Free |
| 10. | For Your Birthday |
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Greyghoste Review
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Erik Borelius' music has always been hard to put a label on. Now, as he releases his eighth album - the sixth from his own record-company, he is pushing back the frontiers further. . It's still hard to say if it is pop, rock, jazz or music for guitar-freaks. One thing is for certain though - with this album Erik leaves the instrumental genre for a while - he sings on all the eleven melodies. And the guitar? Of course, it's still there! When work on Erik's latest album, the collection Guitar, was coming to a close he felt it was time for something new. Erik has always enjoyed singing and was curious to hear what it would sound like if he composed from the basis of his own voice - if he made songs that suited him. "It's a completely different matter to make music with vocals. The voice in itself gives room for so many emotions. With the guitar it can be harder to reach all the way. Because of that composing was easier and more pleasurable than I had anticipated. With the voice, possibilities are unlimited - you can use it as a background, rhythm-instrument, choir or bass. Creatively it is the ultimate instrument", Erik says.His lyrics deal with unusual subjects. For example he writes about the older generation that is forgotten by their children in Woman on the floor. The romantic The fan is a story about a boy who worships a soccer-hero and how he gathers courage to contact his idol. In the title-tune What is success? he gives a description of how humans have a tendency to value success and happiness in terms of money and assets. "Part of the fascination with working as I do is to see the album develop with me as the director. A great deal of work concerns technical matters but it is always connected to the artistic dimension in this job. "For example Fredrik Bergström's drum sound took some time to find. We experimented with paper, microphone-angels and multiband-compressors to get the short, tight sound that doesn´t take much space but is simply there", Erik says. As on all of Erik's albums since Duende, Aare Pöder plays the keyboards. Among other melodies, you can hear him in Woman on the floor where he also plays a solo. A young, promising singer - Rebecca Zätterström, sings harmonies and backing-vocals. Johan Adelstål has designed the album.Reviews:"... He plays and sings with a supreme sense of closeness. Well varied compositions, with lyrics that reach deep down. Erik Borelius uses both his guitar and his voice in order to produce a personal and warm address. He succeeds all the way. Well worth listening to!" (Nerikes Allehanda) "... an incredibly fine piece of craftsmanship which forms the base and when the songs grow each time you listen to them, the total sum becomes really good. This year's surprise from Sweden?" (Sundsvalls Tidning) "On the verge of full points. The owls smile, or ...
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