| | Carl Davison Nitelite: Brittanys Song CD Carl Davison Discography of CDs
As a child, I would have my parents leave a light on in the hallway during bedtime. It had "magical" powers that would chase away the "monsters" at night and make me feel secure. As an adult I found that the moon (by brightening up the sky) would have the same effect as the nitelite during my childhood. It's silvery touch would always make me feel secure while I slept. This feeling inspired the work called NiteLite: Brittany's Song for my daughter, Brittany. She is a gift I cherish and when she was born I wanted her to have her own nitelite that would guide her though life's journey. This recording of piano music was made to be our nitelite and yours. Carl has studied music formally for over 25 years. His training in the classics led him to a full University scholarship in piano performance when he was 16 years old. He studied with Steinway masters and was a student of piano at the Conservatory of Wiesbaden. He performed professionally as a pianist and entertainer in dinner theaters for ten years. Carl Has a Ph.D. in psychology from the University of Denver and is licensed as a psychologist. He also has a Masters in education from the University of Colorado. He holds a black belt in Judo and loves to jog. He has run the Pikes Peak Ascent Race and ran his first marathon in New York in November 1996. Nitelite: Brittanys Song Music Carl Davison Nitelite: Brittanys Song Songs | 1. | Brittany's Song |
| 2. | Seven Falls |
| 3. | Improvisation of Joy |
| 4. | Cool Night - Warm Fire |
| 5. | Something Different Improvisation |
| 6. | Minor Night - Snowy Night |
| 7. | Solitary Night |
| 8. | NiteLite |
| 9. | Colorado Boogie Bops |
| 10. | Sunshine Blues |
| 11. | Misty Light |
| 12. | Last Call |
| 13. | Magical View |
| 14. | Airlie Improvisations |
| 15. | Spring's Day Break |
| 16. | Summer Breeze |
| 17. | Thoughtful |
| 18. | Reprise |
|
Nitelite: Brittanys Song Review
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A nice idea -- although a better, more eclectic tribute can be found on Rhino's Bo Diddley Beats compilation, released a decade earlier. Hey Bo Diddley: A Tribute! follows in the celebrated '90s tradition of corralling established blues and rock talents and letting them pay homage to their heroes in the studio, often with the help of a common backing band. Unfortunately, Hey Bo Diddley suffers from a serious case of "karaoke syndrome" -- as good as Otis Rush, Taj Mahal, Charlie Musselwhite, and the rest of the gang are, they're seldom able to glue together convincing grooves from the ho-hum, pre-recorded backing tracks. Instead of frantic, muscular Bo Diddley beats to work with, they're provided a tinny, by-the-numbers Bo Diddley pitter-patter. Producer Carla Olson had good intentions, but the results are a mixed bag. With the exception of Corey Harris' slinky reworking of "Crackin' Up," none of the tunes on this album would make the cut for a solo album by any of these artists. Perhaps the real tribute to Diddley is the proof provided by this album that his sound is much harder to master than people would like to think. ~ Ken Chang
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LINDA GILBERTSONWith Karen Carpenter as her original adult role model, Lindabegan writing songs, and not surprisingly, love ballads became thegenesis of her huge writing talent.The true beginnings of her current abilities took place in a smalltown in Minnesota, where as a young girl, she was given pianolessons. Although she took to the instrument immediately, she didnot always follow her instructor’s guidelines, nor set down in the music books. Linda was not a rebel in the truest sense of the word,but she absolutely knew what she wanted with the music, and it was to be creative beyond what her lessons gave her. After beingsomewhat at odds with her piano teacher about this for a period of four years, she finally quit taking lessons.Fortunately, her mother encouraged her to at leastcontinue practicing while she sought the pleasures she knew werethere in the music. This she did, and while practicing she discoveredthat she could sing as well. Like many others at that time, she became enamored of Lesley Gore, and found great pleasure insimply ‘ singing along’ with her records. Later in her life she would dothe same thing with another fabulous voice, the late Karen Carpenter.In fact, to this day Linda is constantly told that her sound is the sameas Karen’s was. It was undoubtedly her affinity for that sound thatcause her original attempts as a song writer to fall into the samecategory of music…ballads. One ...
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