| | Bill Campbell Streets Of Sohao CD Bill Campbell Discography of CDs
FOR IMMEDIATE RELEASE!!! Exciting new CD from Stonesilk Records Bill Campbell's Streets of SohaoAvailable on CD from Stonesilk Records On February 17th 2006Atlanta, GA (February 04, 2006) Stonesilk Records is proud to announce the release of Streets of Sohao, the stimulating sophomore release from smooth jazz artist Bill Campbell. With Streets of Sohao, Bill has expanded on the tone and flavor of the critically acclaimed Jazz Colours, infusing it with a rich, vibrant energy and an even more soulful sound. Full of memorable melodic elements and Latin rhythms, Streets of Sohao will be available for sale on the internet at www.stonesilk.com and www.cdbaby.com beginning February 17th 2006.Praise for Jazz Colours:"I found this to be a most enjoyable listening experience… his smooth guitar style, keyboards and funky rhythms had me wanting to hear more. My favorite tune off the CD is Stick E, (which) reminded me of a Paul Hardcastle style rhythm and George Benson cross over. I'm looking forward to hearing more from this outstanding artist."N. BensonThe ManBill Campbell is a product of the late Billy G. Densmore’s Northside High School of the Performing Arts, and graduated from Berklee College of Music in Boston, Massachusetts. After college he signed as a writer with the publishing arm of Motown Records (Jobete Publishing). Jazz Colours had favorable sales on both www.stonesilk.com and www.cdbaby.com, and its release was covered at www.smooth-jazz.de. Several songs off Jazz Colours hit high download counts off www.iTunes.com, and the track Stick-E was a #1 jazz song on www.broadjam.com. Bill, who received countless emails and support from fans regarding his Jazz Colours release, is also a featured artist at www.nbeatmusic.com.The New Music Bill wrote, produced, and performed all the tracks on Streets of Sohao at Bill’s Stonesilk Studio and Dezz Records in Atlanta, GA, with the exception of Latin Mistress, which has an additional keyboard arrangement by Nadestra “Dezz” Benson, and Stars on the Rise, which has additional vocals by “Marvelous” Melvena White! Bill’s son Nigel, ever the influence, asked why none of the songs had words, which prompted Bill to write Stars on the Rise, the only track with vocals on the disc. Streets of Sohao signifies the next step in Bill’s evolution as a musician and artist, and he is keen to win over a new group of supporters, as well as welcome back old fans, with his latest effort.End Release Bill Campbell Streets Of Sohao Songs | 1. | N2 D' Lite |
| 2. | Glide |
| 3. | Bof M' Feets |
| 4. | G'by Ol Friends |
| 5. | New Day Dawning |
| 6. | Latin Mistress |
| 7. | Spirits Lifted |
| 8. | Stars on the rise |
| 9. | Sohao |
| 10. | Just Foolin' |
|
Streets Of Sohao Review
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Purchase Streets Of Sohao CD To buy, Click on price to add to cart | Beegie Adair Jazz Piano Christmas CD (1999)
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This release signals in the then 33-year old, Norwegian pianist Tord Gustavsen's debut outing for the ECM Records label. His fellow compatriots, bassist Harald Johnsen and drummer ...
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Here is an overlooked gem from a most unlikely source, recorded in a most unlikely genre -- commercial '70s jazz/funk -- just as the disco era was gathering steam. Tom Scott controlled the production, with Severinsen overdubbing all of the brass choruses and occasionally passing his horns through a phase shifter and wah-wah pedal. The coterie of overworked sessionmen from L.A. and NYC -- Richard Tee, Eric Gale, Lee Ritenour, Anthony Jackson, Ralph MacDonald, etc. -- work this session as you ...
| | Peter White Glow CD (2001)
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This is a multi-channel Super Audio CD playable only on Super Audio CD players.
More than most jazz lite artists, Peter White flaunts a restless improvisational sense, which is fully evident on Glow. Aside from a few incidental fills tossed into the breeze by this or that horn player, this is entirely White's show. His performance on all these tracks, typically over a backdrop of gauzy major-seventh string pads, provides a lesson in long-form jamming against ...
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| | Andrew Cheshire Magic CD (2000)
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There aren't that many topflight jazz guitarists -- in comparison to saxophonists, for instance, or pianists. Most guitarists gravitate to rock, for obvious reasons, which makes the discovery of a really fine guitar player uncommonly welcome. Andrew Cheshire doesn't have the name power of Bill Frisell or Pat Metheny, but he plays on the same very high level. Cheshire has a manifest need to stretch, as this album makes pointedly clear. On the first five cuts, Cheshire plays with bassist Ron McClure and drummer Billy Hart, who -- with Richie Beirach and Dave Liebman -- made up Quest, one of the best post-bop outfits of the '80s and '90s. On the last five tracks, Cheshire is teamed with bassist Dominic Duval and drummer Jay Rosen, a consummate free jazz rhythm section that's recorded literally dozens of albums together over the past several years. The contrast between the two groups is marked and instructive. With McClure and Hart, Cheshire plays an infinitely elastic music. His modal/tonal originals are tuneful and swinging. Cheshire's gentle improvised melodies slide in and out of time, occasionally rhythmically ambiguous but always purposeful. One could hardly imagine a more tasteful rhythmic accompaniment than that of Hart and McClure. Their grace is utterly appropriate to Cheshire's melodic concept. A different kind of grace is presented by the Duval/Rosen side. These two are far less inclined to adhere to any strictures of time or tonality; their bag is free playing in its more extreme forms. Of course, there are two sides to that coin: Rosen and Duval play a convincing (if very loose) blues behind Cheshire on the aptly titled "Blues on Mars." Interestingly, Cheshire chose to play standard jazz tunes with this unrepentantly free rhythm section; on tunes like "Invitation," "Nefertiti," and "Afro Blue," the contrast between Cheshire and his mates is interesting and entertaining. Cheshire is clearly more comfortable with the music than Duval, but the latter does a credible version of the tunes, adding to the music an unpredictability that is, after all, the essence of jazz. Rosen swings just as hard whether playing in or out of time. Duval and Rosen's unhinged style is held together nicely by Cheshire's sense of each tune's form and harmony. The point should be made that Cheshire's range actually requires that he make records ...
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The is the first collaboration of the Thornton brothers and contains all original music inspired by the likes of Miles and Coltrane, combined with the family's classical music upbringing. Bassist/composer Scott Thornton has performed extensively throughout North America, Europe and Russia on double bass and electric bass, as well as horn and trumpet. He performs regularly in and around New York City and has numerous recordings covering a wide range of styles including jazz, classical, world, blues, and pop-rock. Scott's performing groups include ...
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Personnel:Brandon Tarricone - electric & acoustic guitars & vocals Michael Ray - trumpet John Ellis - tenor & soprano saxophones Michael Pellera - piano [7,8] Alan Broome - double bass [1,3,4,5,7,8] John Stonbley - electric bass [2,6] Dan Caro - drums & vocals, vibes and tablas [6] Liner Notes: Brandon Tarricone and his Brotherhood of Groove have come a long way in a very short time. Organized just under a year ago by guitarist Tarricone and drummer Dan Caro, who met in November 2000 on a jazz standards gig in hometown ...
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