| | Jerry Ernst Road To Richmond CD Jerry Ernst Discography of CDs
The Road to Richmond is my 5th volume of authentic songs from the time of the Civil War. As with the others, songs are a mix of north and south, of war themes and general popular music, of serious and comic songs. Also similar is the musical viewpoint of the collection; it is recorded not as professional musicians of the day, nor as a modern folk performance of old time songs. The musical viewpoint here is that of the common soldier, or a small group of them. So the performances are somewhat rustic, but the instruments and the styles of performance are correct for the time period. The 'milieu' is the camp fire, not the concert hall. The Road to Richmond accommodates the many loose ends I felt I had. A few should have been on other CD's, but somehow didn't get there before they filled up. A chunk of this collection reflects my efforts in learning the "proper" knock-down, or "banjo style," used exclusively on this CD. My previous efforts were a mix of styles, all period correct, but not text-book proper. For the most part, this volume contains songs that fit important criteria besides all being authentic: I enjoy playing them, and have never recorded them. Notes on some of the songs:Marching Along, The Last Man of Beaufort, and The Seventh: These are all from Frank Moore's Songs of the Soldier's, published in 1864. Many other songs from this and my other volumes can be found there as well. Much of this book was songs sent to Mr. Moore by the soldiers themselves, with comments to the effect that these were popular with the boys. Many are regimental songs, soldier-written songs adapted to popular tunes of the day. In the case of The Seventh, the given air, Gilla Machree, has eluded me for a few years now. In the tradition of the soldiers themselves, I found an alternate, Yankee Doodle, that fit the meter of the words perfectly, and used it. This tune was often used for such songs. The opening recitation for Last Man is exactly as it was written in the book, probably published in a newspaper when it first appeared. Tramp Tramp Tramp is the third of George Root's trilogy of all-time great songs from this war. The others, Battle Cry of Freedom and Just Before the Battle, Mother are in earlier volumes. America is just a great old patriotic song that seems to have been fading in recent years. We'll Fight For Uncle Sam and Young America and Ould Ireland are broadside songs found in the Library of Congress collection. The given airs are Whiskey In The Jar and Darling Ould Stick, which are used in these versions. Jeanie belonged on the Night March CD as a song known to be sung by the soldiers of the 140th NY, but she somehow got overlooked. So that is remedied here, and the list of 140th songs is now complete. The balance of the first grouping of songs are all personal favorites of mine. Dundee is the first verse of Bonnie Dundee, on which Riding A Raid is based. J.E.B. Stuart was one of my favorite Confederate generals, and near the top of the list of people from that time I would like to meet if they ever give me the keys to the time machine, so Riding a Raid was a must for me. I had instruments worked out for Short Rations. I did a practice track vocal only to determine what key was closest to my comfort zone, and just sort of kept going and decided to leave out the instruments. It was fun to make. Old Black Joe and Yellow Rose are just wonderful songs. If I had to pick one song that I would say I was satisfied with, in terms of my performance, it would be my version of Yellow Rose. Richmond is a Hard Road is a song I used to do in performances, somewhat edited for time. For better or worse, here is the whole bloody thing. One modern songbook actually thought this was a song of Northern origin. You can perhaps tell I enjoy the most often deleted James River verse. By the way, this is not the title song. The CD title means much more to me than this song. The instrumentals are a diversion fo Road To Richmond Music | Category | Folk Albums | | Label | Jerry Ernst | | Orig Year | 2002 | | CD Universe Part number | 7141496 | | Discs | 1 | | Release Date | Mar 27, 2002 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 71 minutes |
Jerry Ernst Road To Richmond Songs | 1. | Marching Along |
| 2. | Tramp Tramp Tramp (The Prisoner's Hope) |
| 3. | America (My Country Tis of Thee) |
| 4. | We'll Fight For Uncle Sam |
| 5. | Young America and Ould Ireland |
| 6. | Seventh, The |
| 7. | Jeanie With the Light Brown Hair |
| 8. | Old Black Joe |
| 9. | Yellow Rose of Texas, The |
| 10. | Dundee & Riding a Raid |
| 11. | Benny Havens O! |
| 12. | Tis the Last Man of Beaufort |
| 13. | Short Rations |
| 14. | Richmond Is a Hard Road to Travel |
| 15. | JUBA, 3 Variations |
| 16. | Three Reels (Cane Brake, Essence, Gum Tree) |
| 17. | Mathew's Waltz |
| 18. | Sweeney's Jig |
| 19. | Boston Jig & Hoop de Dooden Doo |
| 20. | Glendy Burk |
| 21. | Rose of Alabama |
| 22. | Oh Susanna! |
| 23. | Boatmen's Dance, The |
| 24. | Roll Jordan Roll |
| 25. | Ah the Voice of Bygone Days |
| Road To Richmond Review
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$12.65 "I've always had a passion for jazz," allows multi-instrumentalist and producer Hollihan. "I've always loved the music of composers like Henry Mancini, Michel Legrand, Johnny Mandel, and the one and only Juan Garcia Esquivel. It was only a matter of time before all those influences came bubbling up."Hollihan is no stranger to a recording studio, having performed with Russ Taff, Phil Keaggy and Amy Grant and produced sessions by Taff, Michelle Shocked and Marshall Chapman. Hollihan owns a Grammy for Taff's album Under Their Influence album, which he recorded in his own basement. He composed, arranged, performed, recorded, mixed and produced every bubbly Funky Misfit note himself.On the first two tracks, "The Funky Misfit" and "Groove DeVille," Hollihan's sounds and rhythms pop with colorful, charming futuristic-retro lounge kitsch. His guitar work SO sounds like Grant Green's in the title, opening cut, a melodic serpentine that creeps through surprising twists and starts, and his tight mid-song solo opens with what sounds like bubbling guitar laughter. "Groove DeVille" is precisely that, a luxury sedan groove with more (Grant) Green reflections from Hollihan's guitar. The rest of this is smooth and soft. Hollihan has a velvet touch not only as a guitarist but as a pianist, as in "Solitude" and "The Waltz of the Leaves." He returns to shades of guitarist Green in "The Hush of Love," which sets such a romantic mood that it almost aches for Luther Vandross vocals. The sound and feel of Brazil seem to dominate the remainder. "It Came From Brazil" not only sambas in the hypnotic rhythms of Jobim but also the keyboard sounds of Eumir Deodato, sparkling cool water splashed on the rocks in an interstellar spacejazz lounge. "Across the Desert Sky" and the soft waves of rhythm that lap upon "Cypress Shores" also whisper with the romantic, languid sounds and rhythms of Brazil, as Hollihan's acoustic guitar sparkles through their tropical mix like brilliant starlight. -Chris M. Slawecki, all*about*jazz---------------A citizen of Music ...
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