| | Dan Beers Bras For A Cause CD Dan Beers Discography of CDs
Soroptimist International of Glendale presents their 3nd annual Breast Cancer Benefit, Bras for a Cause, on April 15, 2006, at the Oakmont Country Club in Glendale, CA.The Benefit features a unique exhibit and auction of one-of-a-kind bras decorated by individuals, companies and organizations from the community.Proceeds will benefit The Marcia Ray Breast Center of Glendale Memorial Hospital as well as other Soroptimist International of Glendale philanthropies.The evening promises to be entertaining, memorable and fun-filled for everyone.Thank you for your commitment to Soroptimist International of Glendale and support of breast cancer research and awareness. Dan Beers Bras For A Cause Songs | 1. | Bras For a Cause |
| 2. | Color of Courage |
| 3. | All Tears |
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Bras For A Cause Review
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What exactly makes a rock legend? Chances are you'll never get two identical answers to such a question, but one surefire quality is the ability to excel in virtually any recording or performing situation -- no matter how short a notice. And let's not fool ourselves, as long as it was rumored to be in the cards, the pairing of classic rock icons Pat Travers and Carmine Appice via 2004's It Takes a Lot of Balls was probably whipped together on a mutually convenient free weekend or two -- all 13 songs of it! Of course, seasoned pros (legends even, remember?) that they are, Travers and Appice treat every one of these songs as if it was their last, resulting in a sense of enthusiasm that ends up carrying the day as much as their unquestionable musical chops. Faithful listeners will find instant recognition of Travers' stinging leads and enviable control of tonal textures in the excellent "I Don't Care," and fans of Appice's patented, thunderously echoed kit-sound (always showing a perfect balance between simple beats and explosively improvised syncopations) also form the backbone of a solo-friendly "Keep on Rockin'." Speaking of -- hard rock is not surprisingly the main fare on order here (best exemplified by standouts "Remind Me" and "Never Saw It Comin'"), but there's also room for a little balladry ("Hey You"), funkiness ("Stand Up"), Police-styled white-boy reggae ("I Can't Let You Go"), and even world music ("Can't Stand the Fire") to go with the hard stuff that's always been both men's specialty. Well-dosed portions of humor also pepper in the more unusual offerings such as the bluesy "Taken (The Iguana Song)," the rap-driven "Gotta Have You" (which has them sounding like metallic funk avatars Mother's Finest!), and, believe me, it's a cold but welcome day in Hell when acknowledged rock royalty manages to take themselves so lightly. And in the event anyone should pick up this album who isn't actually ...
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Twilight Dementia’s music is a testament to the strength of partnership and that the whole is often much more than the sum of its parts. Their debut, self-titled album, Twilight Dementia, is a bold and daring statement of purpose that demonstrates the group’s unwillingness to play anyone’s game other than their own. The Washington D.C. based duo’s engrossingly atmospheric and ethereal rock is the product of a duo that seemed destined to find each other.Formed in 2006, Twilight Dementia is comprised of Jennifer Mendiola on vocals and John Krauss on guitars, bass, keyboards and programming. “When we first met at the studio, we hit it off immediately,” recalls Jennifer. “Although our musical influences were not identical, our philosophy of music was the same.” Those wide-ranging influences include Lunascape, Evanescence, Led Zeppelin, Jimi Hendrix, Bob Dylan, Portishead, and Pink Floyd, among others. Jennifer adds, “Besides, when I first heard John play guitar, I remember thinking, I need to be in a band with this guy.” Conversely, John also relates that after working on their first song together, and hearing Jennifer’s vocal approach, he too, knew he wanted to keep writing songs with her. Seeing the possibilities in the immediacy of their chemistry, the two began meeting several times a week to write and experiment, always at twilight. Thus, Twilight Dementia was born.From their initial songwriting session, both Jennifer and John spoke of the magic that was present. Says John, “While writing our first song, Twelve Oceans, we realized we had stumbled upon something special. When you are writing songs with someone it can either be a labor of love, or just be functional – this immediately felt like the former.” Twelve Oceans, a lush and dreamy soundscape, is fueled by John’s sensual, swirling guitars, and Jennifer’s lilting, siren-like vocals. The combined elements help to lure the listener into an almost-melancholic state of tranquility. The chemistry felt by the duo on this first song, would set the tone, but not a template, for the songs which followed.John sums up recording thusly, “Making the album took about a year. We met ...
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