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LAST CALLHave you ever partied till you puked, awaken in a strange environment, thrown in jail at a shitfaced POISON concert! Well your not alone. Last Call was formed in the mid 90's by a few friends trying to find a pass time to keep out of trouble (needless to say it didn't help) but anyhow to make a long story short we began writing songs this past summer 2001 for our second release self titled LAST CALL released nov.31 2001 With a variety of songs like the heavily drum driven song 1. U.S.A.(dedicated to the victims and heroes of 9/11) to the mid tempo song 5.Got Nothing To Say, to the sweet sick melody of 12. Gravy Lips Thanks for stoping by LAST CALL Last Call Music | List Price | $10.00 (You save $0.65) | | Category | Rock/Pop Albums, Rock CDs | | Label | Last Call | | Orig Year | 2001 | | CD Universe Part number | 7146947 | | Catalog number | 27609 | | Discs | 1 | | Release Date | Apr 09, 2002 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 44 minutes |
Last Call Songs | 1. | U.S.A. |
| 2. | Alone With You |
| 3. | All I Know |
| 4. | Father (Hail Mary) |
| 5. | Got Nothing to Say |
| 6. | That Kinda Guy |
| 7. | All Fall Down |
| 8. | Love Me, Leave Me |
| 9. | Yesterday's Gone |
| 10. | Rock N' Roll |
| 11. | Play Me That Song |
| 12. | Gravy Lips |
| Last Call Review
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Purchase Last Call CD To buy, Click on price to add to cart | Trans-Siberian Orchestra Night Castle CDs (2009)
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| | Michael Buble Crazy Love CD (2009)
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$14.49 Buoyed by the popularity of the hit contemporary pop ballad "Home," singer Michael Bublé's 2005 album, IT'S TIME, clearly positioned the vocalist as the preeminent neo-crooner of his generation. Easily the singer's most stylistically wide-ranging album so far, 2009's CRAZY LOVE is also one of his brightest, poppiest, and most fun. Bublé kicks things off with the theatrical, epic ballad "Cry Me a River" and proceeds to milk the tune with burnished breath, eking out the drama line by line. It's over the top for sure, but Bublé takes you to the edge of the cliff, prepares to jump, and then gives you a knowing wink that says, not quite yet -- there's more fun to be had. And what fun it is with Bublé swinging through "All of Me," and killin' Van Morrison's classic "Crazy Love" with a light and yearning touch. And just as "Home" worked to showcase Bublé's own writing abilities, here we get the sunshine pop of "Haven't ...
| | Bob Dylan Christmas In The Heart CD (2009)
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$12.85 After the initial shock fades, the existence of CHRISTMAS IN THE HEART seems perhaps inevitable. After all, the thing Bob Dylan loves most of all are songs that are handed down from generation to generation, songs that are part of the American fabric, songs so common they never seem to have been written. These are the songs Dylan chooses to sing on CHRISTMAS IN THE HEART, a cheerfully old-fashioned holiday album from its Norman Rockwell-esque cover to its joyous backing vocals. Apart from the breakneck "Must Be Santa," which barrelhouses like a barroom, Dylan doesn't really reinterpret these songs as much as simply play them with his crackerjack road band, dropping in a little flair -- restoring "we'll have to muddle through ...
| | Pink Martini Splendor In The Grass CD (2009) Digipak
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$13.39 Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of their debut, SYMPATHIQUE, and the mellowness of '60s and '70s pop. SPLENDOR IN THE GRASS' first half is especially smooth, opening with the beautifully soft Neapolitan ballad "Ninna Nanna" and the title track, on which Forbes sings "I think we should take it slow" over swooping strings, brass, and piano that resurrect the glory days of AM pop; that feeling is echoed by the cover of Joe Raposo's "Sing," the Sesame Street song that gained popularity when the Carpenters performed it (Emilio Delgado, aka ...
| | Bad Lieutenant Never Cry Another Tear CD (2009)
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$8.79 With Peter Hook's departure in 2007, prospects for new material from New Order were looking increasingly dim, so the surprisingly workmanlike Bernard Sumner formed Bad Lieutenant to record his new songs. Sumner looked for help to various sources: latter-day New Order keyboardist Phil Cunningham; bassist Tom Chapman; a young Manchester head named Jake Evans for guitar, ...
| | Andy Smythe Love Unspoken CD (2003)
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$11.39 Love Unspoken isn't Andy Smythe's first full-length album, but it was definitely one of his most focused and consistent. The British singer/songwriter showed a great deal of potential on his previous album Changing Seasons and his self-titled debut EP of 1999; many of the creative pieces were in place, but he still had some growing and developing to do. On Love Unspoken, Smythe does some of his best writing -- and the end result is a creative step forward for the Shropshire native turned London resident. Smythe continues to favor the more contemplative, gently reflective side of folk-rock, and that approach serves him well whether he is providing lyrics that are melancholy ("Why Is Nothing Simple") or hopeful and optimistic ("Lucky ...
| | Execrator Hideous The Mind CD (2002)
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| | Tim Reid Any Given Day CD (2003)
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$17.75 Tim Reid's Any Given Day is a really strong adult guitar pop record. You could file it in the same drawer as early Josh Rouse, Michael Penn, or Freedy Johnston. You could compare it to the quieter moments of Teenage Fanclub or Elliott Smith. You could even skip the comparisons and give the record a shot on its own merits. You might like it. Reid recorded the album mostly in his house and it has an intimate feel that only records free from the pressures of a big-time studio seem to have. No big arrangements, no dramatics, no big moments on Any Given Day. Just peaceful, subtle, and suitably introspective pop from Reid's heart. Just songs like "Two Left Feet," "Love with You," and "Home Movies" that wrap you in a tender blanket of '70s-style harmonies and laid-back soft rock splendor. The only drawback is that there are so many other people walking the same path, there isn't much to make this a standout record in the way that, say, Josh Rouse's 1972 or Elliott Smith's XO are. Still, if you stumble across Any Given Day and you are in the mood for something new and completely obscure, by all means investigate. ~ Tim Sendra
Anyone who has met Australian singer/songwriter Tim Reid or listened to his music knows that he occupies a magical space. Its a space where a distinctive blend of unassuming flair and ambition collide to produce an artist who is at once approachable and intelligent. Tim Reid's music is characterised by an easy openness of lyric that only comes with genuine ...
| | Spell Merchants First Impression CD (2006)
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| | Project Greenfield Edge Of Time CD (2006)
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$9.55 Pat Morris combines rock, jazz, fusion, funk, classical and reggae in a powerful, expressive style. Pat studied classical guitar with Josef Raposo of the New England Conservatory of Music, jazz and theory in the private studies program at Berklee College of Music, and with jazz legend Dave Creamer. He toured the East with funk & soul bands Brothers Six and Kith & Kin, opening for acts such as Harold Melvin & the Blue Notes, and recorded backing tracks for R&B singer Margo Thunder. After moving to California, Pat toured with rock and fusion bands Elements, Hot Face, Mystery Train and Automatic Blue, and with roots reggae band George & the Wonders. Pat did session work at Fantasy studios with producer Paul Harvey for A & M and Warner Bros. Records, John Lee Hooker, and ...
| | Philip Samartzis One Plus One CD (2006) (Import) Australia
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