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2NZ - Bee CD Cover Art
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2NZ Bee CD

 2NZ Discography of CDs

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It could have come from anywhere in the sonic universe...that's one reason this recording defies description. Is it Easy Listening, Jazz, or Electronic? It was hard putting this much music data on one space-disc. Whatever planet you are on this instrumental will be in your survival must-haves.
Bee Music


Detailed Bee Music Information



Category Rock/Pop Albums, Electronica CDs
Label CD Baby (distributor)
Orig Year 2002
CD Universe Part number 7148006
Catalog number 256
Discs 1
Release Date Mar 22, 2005
Studio/Live Studio
Mono/Stereo Stereo
Recording Time 38 minutes
2NZ Bee Songs


2NZ Bee Album Track Listing



1.Chase, The
2.Goodbye
3.Communique
4.Triumph
5.Cause & Effect
6.Elements
7.Crossroad
8.Reflection
9.Far Away
Bee Review


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Kaffe Matthews is well known for her numerous avant-garde projects as a keyboardist and sampler artist. If the name of guitarist Andy Moor fails to ring a bell, it's only because he usually performs under his pseudonym Andy Ex (in the Ex, of course). Locks is this duo's first offering, an unusual and impressive album. The two artists improvise, the lady using a "live converter" to sample the gent's guitar and add noises and glitches. She tweaks and loops, creating strange repetitive tunes over which the guitar occasionally roars ("Delta"). There is rhythm, there are riffs, and some punk energy blows through the laptop. The album has been pieced together from studio tracks recorded at STEIM (Amsterdam) and Annette Works (London), plus three cuts from a concert at Instants Chavirés (Paris). The pieces have been carefully arranged in suites and the whole thing flows nicely, despite the fact that parts of a particular suite can come from different sources. The five-part "Here Is Your Coat" (the longest at 17 minutes) stands out because of its wide range of dynamics and clever multi-layered guitar loops that give the impression of a thoroughly written composition. "AK-47 MH" surprises with its gentle, twinkling first section -- really not the kind of music you'd expect with a title like that. In the age of glitch electronica and laptop-based experimental music, the guitar tended to become less and less incorporated and more and more ambient (Fennesz, Oren Ambarchi). Andy Moor shows you can import its more delinquent edges into the genre. Recommended. ~ François Couture Live convertor Kaffe Matthews and sonic guitarist Andy Moor first performed together as an improvised duo in London in 1998.The combination of Andy's energetic guitar work and Kaffe's serene, highly focused live sampling technique worked well...they produce a dark, textural sound with extremes in dynamics from barely audible blips and squeaks to massive walls of joyful noise often backed by bizarre rhythmic patterns and melancholic drones.Their live performance is totally improvised, Kaffe sampling and processing Andy's guitar sounds in real time and together building tension, with a restless energy that never allows the form to collapse. Andy Moor began his musical life in Edinburgh, Scotland, playing ...
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WG is Detroit's best kept secret, but that's getting ready to change. He's been working as a staff producer with Web Entertainment, a new record label/production company started by Jeff and Mark Bass, the Oscar and Grammy winning duo behind Eminem and his hit 'Lose Yourself'. WG has worked on projects for Madonna, Garbage, Dr. Fink, Pitchshifter, Bob James and Dr. Fink from Prince's band.Currently Wayne is writing and producing on Web Entertainment's flagship release CDs, the first being a blistering rapper called King Gordy and a hip hop/jazz group called '8 Mile Style'; working w/ Bob James as well as writing and producing for many rap and electronic acts worldwide. Wayne has also formed a media prduction company called Hedrock (http://www.hedrock.com) which will focus on music for new media (cd-roms, dvds, film and broadcast, web and kiosk application) and traditional composing, arranging and production.History-An artist from the breeding grounds of Hip Hop and Techno, Wayne has had varied success while flying under the radar. His style is a collage of Hip Hop, 70's funk, breakbeat, and rock. It's been described as 'a cross between Prince, Dr. Dre, MJ Cole and 'every David Fincher movie you've ever seen!'. The producer/remixer/composer made his name as a hired gun guitarist playing for artists as varied as Bob James, Patti Smith, David Sanborn and Wayne Kramer. His intriguing mixture of styles would serve him well, as he would later find out, although at first he had a hard time. "I went to Wayne State University for jazz studies but I grew up listening to Prince, Kraftwerk, Stevie Ray Vaughn and Miles so I was labeled as 'too eclectic'. But my gift is being able to draw on many influences to make a cohesive whole. I may have been ahead of my time!" The faculty must've have seen something in Wayne because he was awarded the prestigious Liberace Scholarship for composition. "I think because I was playing professionally and attending classes, I was their poster boy. I made a good showing." In 1996, he got tired of the road and started doing computer programming. "I was part of the web in it's heyday. I loved the web, but I always knew the computer and music would play a role somehow". And as fate would have it, an assignment came through where the client wanted custom-tailored music for an interactive presentation. "I volunteered and all of a sudden word spread. I started composing and recording for clients such as Ford, Chrysler, the Weather Channel, Pulte, Michigan State Lottery and The Detroit Tigers". Wayne eventually got the "artist itch" once again and recorded a CD's worth of contemporary urban jazz. He couldn't get a deal and found he had no outlet. "I was out of the music biz loop for a few years so most of my contacts had dried up and moved on. I was an unknown and no one wanted to take a chance". He stumbled across a then-little ...
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Composers Thames and Harris set out to combine elements of different musical genres into a hybrid of soundscapes; sometimes soothing, sometimes haunting... but always beautiful. Harris brings to the mix his love of breakbeats and basslines while Thames plays his heart out on guitar, synths and piano. The result is an exciting experience for ear drums of all tastes: sometimes funky and other times poignant ...
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