| | Hai Arrival CD Hai Discography of CDs
"Streets alive Let's catch the vibe... And step in time" Sweet Goodbye(Step in Time)Step in time with this vibrant new sound. Catch the vibe of this emerging new artist. Welcome to the Hai musical experience where UK inspired electronic pop meets lounge/chill and the groove has never sounded so fresh. This 3 track introductory E.P. is a shining example of Hai's musical diversity and marks the beginning of a brilliant new career filled with bravado, soul and unique musical styling. Influenced by the sounds of UK pop, and after hours house, Hai merges the world of commercial pop, jazzy house, and electronic crossover resulting in a musical charge that can set a mood (Fantasy) rev you up (Sweet Goodbye) or chill you out (Find). Hai's "Arrival" is a tease, leaving the listener wanting more. The sound of this 3 track effort is brilliantly varied and Hai's catchy writing style is eclectic, real,pure and emotion-filled. Wanna' get 'Hai'? Chill to this groove....Hai : Arrival. Arrival Music | Category | Rock/Pop Albums, Pop CDs | | Label | Hai | | Orig Year | 2005 | | CD Universe Part number | 7152174 | | Catalog number | 18401 | | Discs | 1 | | Release Date | May 17, 2005 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 15 minutes |
Hai Arrival Songs | 1. | Fantasy |
| 2. | Sweet Goodbye (Step in Time) |
| 3. | Find |
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Arrival Review
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Purchase Arrival CD To buy, Click on price to add to cart | Neil Diamond A Cherry Cherry Christmas CD (2009)
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$13.90   | | Rush Working Men CD (2009)
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Rush is no stranger to best-of compilation albums, they've released a slew of them. They are also no stranger to DVDs. To mark their 35th anniversary, they've released Working Men, which is both; it marks their first best-of live compilation exclusively from the DVD sets Rush in Rio (2003), R30 (2005), and Snakes & Arrows Live (2008). There is also an unreleased cut from R30 -- a killer version of One Little Victory. While fans may simply regard this as a record company cash grab, hardcore fans know how closely Rush monitors each release and controls all aspects of their career. On hearing these ...
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| | Rolling Stones Still Life (American Concert 1981) CD (1982) Reissue; Remastered
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| | Sofajunkie Schism CD (2005)
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SOFAJUNKIE - Band BioRock is dead they say. Not so for Sofajunkie. Like a pissed off Lazarus they have come to revive and revitalize the rock scene with their insightful lyrics and infectious melodies. From the first note of supercharged energy they deliver driving rhythms and catchy hooks that pound like a jackhammer into your brain. If these guys wrote jingles for commercials, their songs would be the ones you couldn't get out of your head. But they don't write jingles. They leave that to the Prozac-laden Muzak lovers who have nothing better to do than write elevator music. Instead Sofajunkie focuses on the resuscitation of the spirit of Rock itself. Their mission is to return Rock to its former glory days when people weren't afraid to damage their hearing in their quest for that elusive "music high". In a world filled with too many boy bands and teenage diva wannabes, Sofajunkie emerges with a sound that bitch slaps them all into a state of submission. There are no bubble gum tunes here to be chewed quickly and spit out when the flavor is gone. No, their songs are more like an everlasting gobstopper that just gets sweeter as time goes on. In fact, Sofajunkie infuses all the sweetness of pop into their angst-ridden sonic playground to take hard rock to a new level. They are loud, but not crass. Powerful, but not overbearing. Emotional, but not wimpy. Sofajunkie straps you in and launches you to the stratosphere.Sofajunkie was founded in 2001 by vocalist/guitarist Dave Ruedger during the crest of over produced, teen pop boy bands that have thankfully outlasted their novelty to allow the resurgence of rock back onto the mainstream music scene. Through serendipity and the demise of his previous band Loose Id, Dave was able to solicit the assistance of long-time friend Fred Lee on guitar to start the ball rolling in the formation of a new group. Since the two had played together before during their college days at Berkeley, it was a natural fit for the sound that would become Sofajunkie. Within weeks they were already starting to make their mark on the San Francisco Bay Area music scene with the help of friends holding down the rhythm section.In 2003 Sofajunkie experienced some personnel changes that resulted in the departure of their drummer and bassist. Although it looked bleak for the band, all was not lost. Armed with years of recording know how he had picked up while performing live engineering duties for his previous bands, Dave took the opportunity to focus on recording and spent the next two years tracking, mixing and ...
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| | Grandpa Griffith Jay CD (2005)
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Grandpa Griffith is a five-headed hydra of rock and pop. All hailing from Oklahoma City, each member brings a different set of influences and performance styles to the table. Aaron Copeland is the exuberant front man of the band. He comes from the school of great 80’s extroverts like David Lee Roth and Axl Rose and demands an audience’s attention.Sharing the lead vocal and diva duties is Jeff Logan. While not quite as exhibitionist as Copeland, he is a sucker for an infectious melody and is influenced by all manner of blue-eyed soul. Jeff also has a genuine, nay, creepy love for the music of the Bee Gees, both pre- and post-disco.Banging the skins is Willie Koenig, the ethnomusicologist of the group. Actually a serious student of Latin percussion at heart, Willie knows the value of self-sacrifice as he resigns himself to the drum set for the noble cause of Grandpa Griffith’s eclectic, genre-bending aesthetic. Bass-player Matt Hancock rounds out the rhythm section as a faithful slave to the groove. As the resident indie-rock connoisseur of the band, he takes a “less-is-more” approach in holding down the humorous chaos that sometimes ensues in a Griffith ...
| | Talisker Dreaming Of Glenisla CD (1975)
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In the '70s when the doors flew open for ethnic fusions of all kinds, drummer Ken Hyder decided it was about time to explore his Scottish roots within a contemporary jazz framework. His group Talisker pretty much achieved their vision of combining reels, march styles, and assimilated folkloric musics with an instrumental progressive jazz-oriented sound influenced by John Coltrane. With double bassists Lindsay Cooper (native of Glasgow, not to be mistaken for the bassoonist with the same name from the group Henry Cow) and Brit Marc Meggido, Hyder's concept has the wings to lift the music and soar it overhead. Fellow Scot and alto saxophonist Davie Webster alongside Anglo-Irishman John Rangecroft on tenor sax and clarinet provide the roughage and bulk necessary to ensure that the music is substantive and not fluffy. What makes this music most interesting are the contrasts it provides. "Heel an' Toe, Foot an' Moo," for instance, provides a hopping tartan sound juxtaposed against the spiky saxes, both dueling and cavorting. The two bass pizzicato forays during ...
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