| | Maple Street Project Attitude On The Street CD Maple Street Project Discography of CDs
THE MAPLE STREET PROJECT have been playing progressive acoustic music for the better part of 18 years. We don't feel "old" but... we ain't kids! While most of us are in our mid 50s we're totally committed to composing and performing original material. Thanks to CD Baby, we can share what we do with the whole wide world!We are noted for our tight vocal harmonies and original compositions. "Attitude on the Street" was our first CD, finally making our music available outside of a live performance environment. Our sound is a mixture of myriad influences each member brings to the stage and recording studio. The principle voices include Mel Green (Guitar/Harmonica/Vocals), George Pultz (Guitar/Vocals), Bob Littman (Mandolin/Violin/Vocals) and Eric Luskin (Bass/Vocals). Jim Mavor rounds out the group with percussion and stoic non-vocals (occasional accordion). Each of us has an interesting musical history in his own right. Some will even tell you about it ad nauseam, so it's best not to ask! While we all have day jobs and families, this dream of writing, performing and recording lives on.Our songs are about "life themes" as well as fun, whimsical slices of life. A performance from THE MAPLE STREET PROJECT will feature a variety of moods and sonic colors and always results in a warm audience response. Attitude On The Street Music | Category | Folk Albums | | Label | Tuesday | | Orig Year | 2003 | | CD Universe Part number | 7153054 | | Catalog number | 27026 | | Discs | 1 | | Release Date | Dec 14, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 42 minutes |
Maple Street Project Attitude On The Street Songs | 1. | Coyote Attitude |
| 2. | In Between |
| 3. | Holy Sky |
| 4. | Greyhound |
| 5. | Kokopelli |
| 6. | Gravity Is Curved |
| 7. | Talk Radio |
| 8. | Valentine |
| 9. | Fresh New Start |
| 10. | Movie Dream |
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Attitude On The Street Review
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The Atlanta swamp blues rocker's fourth album in four years introduces a new bassist, and more importantly a new female lead singer into the fold. All the elements coalesce immediately as the opening track, "You Don't Have to Go," kicks off with easygoing slide guitars setting up the low-boil funk as vocalist Kristin Markiton purrs the suggestive lyrics in a feisty but sexy croon. Certainly different than previous lead singer Gina Leigh, she nonetheless comfortably meshes with the band's established groove, trading lead vocals with songwriter/guitarist and occasional keyboardist Tom Gray on many of the tracks and bringing an old Delaney & Bonnie feel to the proceedings. A few rearranged covers from relatively obscure blues artists such as the late Frank Edwards ("Put Your Arms Around Me") and Jessie Mae Hemphill ("Lovin in the Moonlight") slot into the band's self-written originals that dominate the disc. The twin slide guitars of Gray and Mark Johnson generally control the vibe, bringing a simmering intensity to the Southern boogie of "Midnight Train," "Officer," and the driving "Let Tomorrow Be." Good and greasy, the arrangements find the space between the instruments, so this never shifts into twin guitar overdrive. Rather, the two lead players hover and intertwine their parts without overwhelming the atmosphere or escalating the dueling nature of the instruments. Like the best blues players, they understand that less is ultimately more, bringing acoustic into the mix on the country-funk of "Low Country Boil." Between Gray's flinty voice, Markiton's sultry croon, and a set of terrific songs built around memorable ...
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Unreasonable is the dynamic new release from Canadian songwriter / spoken word / performance artist evalyn parry, produced by renowned roots music producer Ken Whiteley. Politics, poetry, humour and insight are combined in equal measure on this unique album, with a host of Canada's finest musicians backing evalyn's powerful songs. "Unreasonable" includes the 2003 Colleen Peterson Songwriting Award-winning song, The Stone and the Bumblebee. "...what lingers after UNREASONABLE stops spinning is the witty delivery of her politics....UNREASONABLE showcases Parry's intelligent and layered lyrics....a modern day Joni for the young political..." Xtra Magazine "Melding honesty, conviction and street-smart coolness...Parry's theatrical approach to songwriting and her clear vocals are a joy to listen to!" CBC Radio "it's Parry's unique way of examining the collective emotions of the world with such a charmingly dry wit that makes her stand out, and makes her bitterness so pleasing to the palate, and easy to digest..." Between the Lines, Michigan Incisive, witty songwriter and performance poet evalyn parry weaves together the political, hilarious, personal, and poetic in her signature combination of music and spoken-word. Whether costumed as a life-sized, singing maxi-pad or rhyming off savvy poetic commentaries (often heard on CBC Radio), this award-winning, independent artist is making a name for herself across Canada and the USA with her bold, funny and thought-provoking performances.Since the release of her debut album "things that should be warnings" (Ponygirl Records, 2001) evalyn was chosen as the 2001 recipient of the Beth Ferguson Award for Upcoming Songwriter (Ottawa Folk Festival). The album was chosen as a CBC Radio Disc of the Week, and has charted in the top 10 on campus and community radio stations around the country.
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Hi, Lyssa here.All about me... I was born on a dark and stormy night in mid November. Seriously just ask Ma. Was it singing or screaming she was doing as I arrived a month late and 30 hours of labor later? Anyhow, Ma loves music and she's been singing as long as I remember. As a kid I would try and mimic her and so it goes: Ma taught me to sing. I grew up the daughter of two theater nuts: my Mom the singing actress and my Dad the perpetual artist/director. I've been around live performance virtually all my life and have an innate love for it. As I grew older my folks nurtured my love to sing and the Xmas I turned 18 the family got together and bought me an acoustic guitar and some lessons. The guitar teacher (hi Scotty) noticed I could sing as he taught me ...
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