| | Provision Consequence CD Provision Discography of CDs
Pushing the boundaries even further with aggressive songs of lust, loss, karma, and regret; Provision hereby solidifies their own unique style. This release presents a new mix of sounds and structures that comprise Provision’s most emotional & polished effort to date. The wait is over, The Consequence is here! Consequence Music | List Price | $12.97 (You save $3.12) | | Category | Electronica Albums | | Label | CD Baby | | CD Universe Part number | 7153224 | | Catalog number | 23264 | | Discs | 1 | | Release Date | Apr 04, 2006 |
Provision Consequence Songs | 1. | Ideal |
| 2. | Behind Your Disguise |
| 3. | The Only Thing |
| 4. | Defying Culture |
| 5. | Attraction |
| 6. | Someone Like You |
| 7. | The Consequence |
| 8. | Fade |
| 9. | Cruxified |
| 10. | Perversions Of Conventional Warfare |
| 11. | Trust |
| 12. | Everytime |
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Consequence Review
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Audio Mixer: Tom Shear.
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CYBER MUSICMIDI AND SAMPLING In order to specify a note, in the scientific sense, four things are needed. First is the pitch. Second the volume or loudness. Third is the length of the note. These three properties are called the MIDI data. The size of the file for the midi data is small, only a few kilobytes. Fourth is the timbre or tone of the note. Technically speaking, this property of the note is the combination of the overtones unique to the instrument. Our ears hear quite different tones when we hear an oboe and a violin even though they may be playing the same note. The file needed to assign timbre to a note is very large indeed. It is measured in megabytes.A SHORT HISTORY OF SAMPLING In the 60's RCA Victor was studying the question of whether an electronic circuit could be made to generate the overtones needed to make a pure sine wave input come out sounding like an oboe. The goal was to synthesize the sounds of the orchestral instruments. Where did this lead? Today we have the electronic piano which can be switched from piano tones to others like violin sounds. The piano is passable but not so the violin. Stradivari it is not. Enter the computer. With the computer and digital signal processing comes a new way to look at the question. The solution is this: use a real oboe. Have an oboist play a note like A-440 and record the sound as a digital WAV file on the computer. When the midi sequence comes to the place where it requires an oboe to play A-440, have the computer play the recorded oboe. Have the oboist play each note in the range of his instrument and record these SAMPLES on the computer. Do this for all the orchestral instruments. Now type the midi data sequence needed to play Beethoven's 5th symphony into the computer and run the sequence through the sampler and - out comes cyber music - a performance produced on the computer. A performance where one person, call him the sequencer, alone is responsible for the tempo, the ...
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