| | Pat Cisarano Ah CD Pat Cisarano Discography of CDs
Imagine Aretha meets Joplin, Etta James, Sarah Vaughn & the Brand New Heavies at a bluesy/retro-acid-soul/rub-a-dub jazz party.The tunes are uplifting, ironic, intelligent, honestly written & passionately executed.Tony Bennett called Pat 'the real deal!'When she lets her voice rip, it stabs you right in the heart with a golden blade.Her bandmates have worked with Lenny Kravitz, Natalie Merchant, Shawn Colvin, Prince, Sting & more. And they play like they mean it. The camaraderie comes through in the music.Pat has masterfully combined all the styles here into a cohesive, individual sound that will speak to your soul! Ah Music | Category | Rock/Pop Albums, R&B CDs, Blues | | Label | hapimusic | | Orig Year | 2000 | | CD Universe Part number | 7153436 | | Catalog number | 73609 | | Discs | 1 | | Release Date | Dec 21, 1999 | | Studio/Live | Studio | | Mono/Stereo | Stereo |
Pat Cisarano Ah Songs | 1. | Prelude |
| 2. | All in This Together |
| 3. | So Dedicated |
| 4. | Ways of Life |
| 5. | Carried Away |
| 6. | True Love |
| 7. | Somebody Talk to My Baby |
| 8. | Thank God For the Blues |
| 9. | So Glad You're Gone |
| 10. | Love, Save the Day |
| 11. | Sugar Melts in the Rain |
| 12. | Hold My Hand Forever |
| 13. | I Promise You Peace |
| Ah Review
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Purchase Ah CD To buy, Click on price to add to cart | J J Cale Naturally CD (1971)
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$8.15 NATURALLY has stood up over the years as a perfect debut. When released in 1971, it introduced J.J. Cale's rootsy, laid back grooves to excellent effect, and in the ...
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| | Muddy Waters Folk Singer CD (1964) Remastered
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$8.49 Ultradiscs are mastered from the original master tapes using Mobile Fidelity's proprietary mastering technique, then plated with 24-karat gold and housed in a stress-resistant lift-lock jewel box.
"You Can't Lose What You Ain't Never Had" and "The Same Thing" did not appear on the original version of FOLK SINGER. They were recorded at a separate ...
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| | Barbara Martin Touch The Sky CD (2004)
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$14.79 slice of life songs that ring with truth, wit and experience" The Washington Post, Barbara Martin's and Mac Walter's music is a rich stew of earthy blues and folk peppered with sassy, swinging jazz. Their performances are rooted in a healthy respect for the traditions of American music ...
| | Supreme If It Don't Make Dollars, Then I... CD (2000)
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$18.99 When stars collide they form what is known as a supernova. SUPREME COURT is a supernova! Five central Jersey-based musicians, each a star in his and her own right, combine their talents to radiate blues, funk, fun, and frolic to the Nth power. A SUPREME COURT date is not so much a gig as it is an unscripted, bubbling cauldron waiting to explode with creativity, special guests, humor, and superb musicianship. All selections are seamless, although they are improvised and arranged on stage. The band's sound is always fresh and serendipitous. Blues artists like Johnny “Clyde” Copeland, Sonny Rhodes, Ann Rabson (Saffire - the Uppity Blues Women), Smokin’ Joe Kubek, Bobby Radcliff, and commercial artists such as Glen Burtnik (Styx), the Spin Doctors, Bernie Worrell (Parliament/Funkadelic), Vinnie “Mad Dog” Lopez (E Street Band), and Lenny Kaye (Patti Smith Band) have dropped in to play with Supreme Court. All of the musicians in SUPREME COURT are veterans of the East Coast jazz, blues, and rock scenes. Band leader "Big Nancy" Swarbrick is known as a prime mover in the tri-state area blues scene, bringing players together, organizing benefits, and making music happen everywhere she goes. Former Albert Collins guitarist Debbie Davies writes, "(Nancy is) one of the rare breed of really good female harp players. She has toured in the past with lots of big names, and garnered a lot of respect. There's no fluff; this is a real deep blues harp player." Nancy has appeared on stage with the legendary blues forefathers Willie Dixon, Sammy Price, Honeyboy Edwards, Jimmy Rogers, Pinetop Perkins, Clarence “Gatemouth” Brown, and Hubert Sumlin, and with more contemporary blues artists such as James Cotton, Ronnie Earl, and Taj Mahal. But blues is not all that Big Nancy plays: she has been seen wailing back to back with E Street band member Clarence Clemons and has sat in with the Spin Doctors, Warren Haynes (Government Mule), Stanley Jordan, Levon Helm (The Band), Jimmy Vivino (Max Weinberg Seven), Southside Johnny, Rock and Roll Hall of Fame inductee Bernie Worrell, and David Johansen (Buster Poindexter, New York Dolls). BERNIE BRAUSEWETTER'S blistering guitar weaves a web that is the band's sound. His depth has earned him legendary status -- he is known throughout the industry as a "guitar player's guitar player." He has won the admiration of the stellar guitarists that he's sat in with: ...
| | Mark Jackson Love May Take The Long Road Home CD (2005)
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$16.45 Reviews for "Love may take the long road Home":North County Times - Rating: "A"Hailing from the (usually) sun-soaked hills of San Diego, the Mark Jackson Band is about as far as you can get from Nashville and still be in the continental United States.And yet, MJB's newest album .....is more deeply steeped in country traditions than most anything coming out of Music City these days.In its straight-ahead approach to country music minus the frills and window dressing,the Mark Jackson Band reminds of old-school musicians like Waylon Jennings and GeorgeStrait. With Jackson's smooth singing voice and a sound built around traditional acoustic instruments, the band is somewhere between traditionalists such as Ricky Skaggs and the more modern newgrass acts such as Nickel Creek.But what is going to keep "Love May Take the Long Road Home" in your CD player spin after spin is the collection of great songs found on it. From the opening cover of "Two Hearts" (written by Fallbrook's Bruce FitzSimmons) through Jackson's own songs like "I'm Sorry (For Making You Feel Like I Do)","I Wanna Listen to a Love Song" and the title track, this album is full of little gems you won't be able to get out of your head.San Diego Troubadour - March 2005There's no reinventing the wagon wheel here - just good old-fashioned country music the way they used to make it. The twangy vocal harmonies shadow each other tightly in idiomatic fashion, close yet relaxed, like undercover cops on a tail. The harmonicas are wheezy and nostalgic like a hobo huddled over this night's campfire; the slide guitars croon languidly like a front porch dog in a summer swelter; the pedal-steel swoons like a long echo up a dusty canyon; and the lyrics are full of those beloved, whimsical, often metaphorical twists and turns of phrase one has come to expect from this love-it-or-leave-it genre (Exhibit A: the title track).You'll find many country song archetypes represented here. There's the rave-up barnburner ("Western Radio"), the mid-tempo tears-in-beer shuffle ("Pardon Me"), and the serene end-of-hoedown wind-down (the instrumental "Old Love's Come Again"). An excellent crossover moment comes during the last selection - the aforementioned "Western Radio‚" which ...
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