| | Gary Tanin Sublime Nation CD Gary Tanin Discography of CDs
Gary Tanin: Gary Tanin (vocals, keyboards, sequencer); Greg Koch (acoustic guitar, electric guitar); Scott Finch (acoustic guitar); T Lavitz, Jr. Brantley (piano); Jef Eaton (organ, synthesizer); Jerry Harrison (keyboards, marimba); Victor de ... Sublime Nation Music | Category | Rock/Pop Albums, Rock CDs, Jazz Instrument, Keyboard / Synthesizer | | Label | Rockit | | Orig Year | 1994 | | CD Universe Part number | 7154086 | | Catalog number | 74131 | | Discs | 1 | | Release Date | Mar 08, 2005 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Personnel | Jerry Harrison - keyboards, marimba
Victor De Lorenzo - background vocals
Greg Koch - acoustic guitar, electric guitar
Gary Tanin - vocals, keyboards, sequencer
Scott Finch - acoustic guitar
Jef Eaton - organ, synthesizer
T Lavitz Jr. Brantley - piano
Also: Nate Perkins, Connie Grauer, Eileen Carr, Bobby Keeler, Carl "Blue" Tolbert, Dave Dorfman, Jesse Bilal, Jon Stoll, Maria Tanin |
Gary Tanin Sublime Nation Songs Sublime Nation Review
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Purchase Sublime Nation CD To buy, Click on price to add to cart | Tom Waits Glitter And Doom Live CDs (2009) Digipak
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Glitter and Doom Live, a double-disc set, marks Tom Waits' third live effort in his nearly 40-year career, each one summing up his career to the point of its release. The first, Nighthawks at the Diner issued in 1975 on Asylum, is regarded by many as one of the greatest live albums of all time. The second was Big Time, released during his tenure at Island in 1986. The musical performances on disc one of Glitter and Doom Live were culled ...
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On their debut release, "Seductivity", ...
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Lee Rude: The (Imagined) Rolling Stone Interview, by Lee ZukorWhen I was a kid learning how to play the trumpet in New York, I dreamed of releasing my first recording to rave reviews. I would be stalked by obsessive fans and Rolling Stone would interview me, probing deeply to understand my artistic vision and the meaning of my songs. As I write this (Summer 2004), I'm on the verge of releasing my fourth CD. Happily, much of my boyhood fantasy has been realized. My wife and boy provide rave reviews, and my mother is an obsessive fan. Alas, Rolling Stone hasn't called. If they did, here's the interview they would have conducted:Rolling Stone: Congratulations on the release of your 4th CD, "Be Groovy or Leave". What's with the album title?LR: It's a line from the Bob Dylan movie "Don't Look Back". It's from that scene with Donovan when someone throws something out the hotel window and Dylan comes in swaggering. Remember the scene?RS: Um, no.LR: I guess it's a more obscure reference than I thought. The point is that the CD is a mix of all different styles, and I think it helps to have an open mind when you listen to it. There's a cappella and rock and a lullaby and --RS: There's even an 80s Blondie-style rap tune.LR: I've got a basement studio now, and I've been working with a lot of loops and things. After my last acoustic CD I wanted to try something a little more...RS: Groovy?LR: Exactly. I've also really come to terms with the idea of digital music.RS: What do you mean?LR: I'm really an album guy, rather than someone who listens to singles or greatest hits. But this time, rather than looking at each song as part of a collection, I just let them be whatever they were. Most of my friends listen to their iPods on shuffle. That's what I wanted my CD to sound like.RS: You're a weirdo.LR: Not really. Most people listen to all sorts of music, not just one. Plus, I put the whole thing together in my basement over the course of more than 2 years, so you do start to feel like a mad scientist. RS: That's a great name for your next CD.LR: "The Mad Scientist". I kind of like it.____CD Review: Here It ComesThe Daily VaultNovember 20, 2000By Christopher ThelenI think I've heard the future of pop rock - and its name is Lee Rude.Normally, you'd think I wouldn't jump at the chance to review a band with such a name - the context brings back memories of the time I mistakenly gave The Jerky Boys a chance. (Hoo boy, now there's the kind of mistake that follows you around like gum on your shoe.) But make no similar mistake with this group; singer/songwriter Lee Zukor and crew are serious about their craft, and their disc Here It Comes shows off the skills and maturity normally heard only on a major-label release, not on an independent disc.Zukor proves himself to be an astute observer of modern life, love and loss throughout the course of these 12 songs. Even by taking a tongue-in-cheek look at his own job on "Song Of Nothing New," Zukor and his bandmates prove that wonderful thngs can even come out of nothing or uncertainty. This particular track is less of a complaint about the state of pop rock, but more of a whimsical slap at songwriting wanna-bes who do nothing but complain about the state of music while doing nothing themselves to change ...
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