| | June Taylor Honker, The Mixed Up Mother Goose CD June Taylor Discography of CDs
June Taylor as narrator, tells the story of Honker -The Mixed-Up Mother Goose . Honker was hatched on a ranch with the chickens and she thinks she is their mother. The chickens think so too. But chickens can't fly. Everyone on the ranch felt sorry for Honker and thought she needed a mate. Grand Dandy Gander enters the story and he and Honker get along so well they raised a family of little goslingswho could fly .Wild Canadian Geese visited the pond on the ranch everyyear when they flew south in the winter time and north in the summertime. The chickens couldn't leave with the wild geese because they couldn't fly, but the goslings could flyand they left with the wild geese every year.The characters in the story are :June Taylor-Honker and narrator. Wade Crookham - Grand Dandy- Jeb-Grandpa-Wild Geese-Email Honker at----junetaylorhonker@aol.comBig Gosling-Mr.Horse-Mrs.Moo-Moo Cow-Ducks- Brian Landes --Brian --- Bianco Sisters & Michele Ayres- Chickens Honker, The Mixed Up Mother Goose Music | Category | Children's Albums | | Label | Accent | | Orig Year | 2005 | | CD Universe Part number | 7155166 | | Catalog number | 55450 | | Discs | 1 | | Release Date | May 17, 2005 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 38 minutes |
June Taylor Honker, The Mixed Up Mother Goose Songs | 1. | Honker the Mixed-up Goose |
| 2. | Narration |
| 3. | Honker the Mixed- Up Goose (Verse 2) |
| 4. | Honker the Mixed-up Goose-Continued |
| 5. | Chickens Can't Fly |
| 6. | Narration |
| 7. | Come Fly With Us |
| 8. | Narration |
| 9. | Honker the Mixed up Goose (Verse 3) |
| 10. | Narration |
| 11. | I'm Not Coming in to Sleep on the Hay! |
| 12. | Narration |
| 13. | I'm Grand Dandy Gander |
| 14. | Narration |
| 15. | My Grand and Manly Dan |
| 16. | Narration |
| 17. | Tel-a-Vision |
| 18. | Narration |
| 19. | Just Look at Honker |
| 20. | Narration |
| 21. | Paddle!Paddle!Paddle!Paddle! |
| 22. | Narration |
| 23. | By Golly We Can Fly |
| 24. | Narration |
| 25. | Come Fly With Us |
| 26. | Narration |
| 27. | Good Bye |
|
Honker, The Mixed Up Mother Goose Review
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It is with great sorrow that we acknowledge the passing of Emmanuel Ghent at age 77 on March 30, 2003. "Emmanuel Ghent was an extraordinary and wonderful person, a warmly human pursuer of both science and art, as a psychiatrist,teacher, composer, and technological innovator for the arts. He was also one of the most lovable and also wisest people I've ever met and I'm sure he will be deeply missed by many." - Laurie Spiegel, friend and colleague About the Artist:Emmanuel Ghent wrote "Songs For Children and all their friends" shortly after his youngest daughter was born in 1967. Recorded 32 years later, this is his first children's album, and his last recorded work. Ghent was the recipient of many awards for music composition, including a Guggenheim Fellowship. His instrumental and computer generated music, as well as music for dance, has been widely performed. One of his most well known pieces, Phosphones, is available on a Wergo recording: WER 2022-50.Also available is the "Songs For Children and All Their Friends" songbook, with complete sheet music/chord charts for each song on the CD. Please visit weststreetrecords.com to order at this time. Full Artist Biography EMMANUEL GHENT (b. 1925) had his early training in Montreal, Canada, both privately and at the McGill Conservatory. Later, in New York, he was deeply affected by the work of Varese, and of Ralph Shapey with whom he studied. Early on Ghent was interested in multi-tempo rhythms -- the interest created by their tensions and also by the composite rhythms that resulted. In the 1960's, in order to facilitate the realization of his rhythmic ideas, Ghent developed a system of transmitting composed signals to performers, enabling them to play at independently varying tempi and meters, yet at all times synchronized with each other and, in some instances, with prerecorded tape. In 1968-69 he made use of a Guggenheim Fellowship to work at the Bell Telephone Laboratories on a project that used the GROOVE computer system for the control of sound-generating electronic equipment. The electronic music in HELICES was one of the first results of this experimental system. In the early 1970's Ghent put the GROOVE computer system to a new use -- using it not only to generate the music, but also the computer-controlled theatrical lighting for a number of pieces commissioned and choreographed by Mimi Garrard. PHOSPHONES, the first of these pieces, has received over a hundred performances. Beginning in 1974, Ghent has turned his interest to teaching the computer to be his compositional assistant, or even associate. The first of the works co-composed by computer was LUSTRUM, a piece commissioned by the Fromm Foundation. It is performed by an ensemble consisting ...
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