| | Pan Out Now Progress CD Pan Out Now Discography of CDs
So what do you do when after months of searching for the right band members, your drummer decides the Love boat is calling, your bass players wants to be the next Gary Kasparov and his replacement commits to his day job?Well, if you're PAN OUT NOW , you decide that 3 heads and better than 6 - put technology to work for you, with a MAC filling in the gaps.This band's debut disk consists of 6 songs that combine funky grooves with textured hamronies and a solid rock drive.While at times anglar and edgy, other times moody and subdued, PROGRESS maintains a quiet optimism that runs throughout.Upon its release in 1997, PROGRESS went to campus radio across Canada with very good results.Although the band was pleased with the positive feedback of press and radio, they were eager to start recording a full length album - a concept album, and so in 1998, Tim and Stephanie began putting together "Strange Tales From The Urban Circle"... Progress Music | Category | Rock/Pop Albums, Rock CDs | | Label | Dragonfly Productions | | Orig Year | 1997 | | CD Universe Part number | 7156075 | | Catalog number | 21741 | | Discs | 1 | | Release Date | Oct 31, 2000 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 23 minutes |
Pan Out Now Progress Songs | 1. | Progress |
| 2. | Eat It Up |
| 3. | Explain |
| 4. | Living in a Dream |
| 5. | Stirred, Not Shaken |
| 6. | Untitled |
|
Progress Review
GuidelinesRemember to focus your comments on Pan Out Now Progress CD. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase Progress CD To buy, Click on price to add to cart | Gov't Mule By A Thread CD (2009)
Progress album
 $11.89   
BY A THREAD is Gov't Mule's first studio album since HIGH & MIGHTY was issued in 2006. Since that time, bassist Andy Hess has been replaced by Jorgen Carlsson, though Hess appears on two tracks at the end of the album. Carlsson's playing style is much more aggressive than Hess', and is therefore closer - in spirit anyway - to Gov't Mule's original ...
| | Michael Jackson - Video Greatest Hits - History V. 2: On Film DVD (1997)
Progress CD music
 $9.69
| | Backtracks CDs (2009) With DVD; Box Set
Progress music CDs
$32.15 
| | Michael Buble Call Me Irresponsible CD (2007)
Progress songs
$10.09 
Michael Buble ranks among the best of the contemporary crooners working in a classic pop-vocal ...
| | Breaking Benjamin Dear Agony CD (2009)
Progress album
$12.19 
| | Wolfgang Amadeus Phoenix CD (2009)
Progress CD music
$7.99  
| | I Sing! CDs (2004) Soundtrack
Progress music CDs
$28.95
| | Chrisie Santoni Going Home CD (2000)
Progress songs
$9.59
| | Mike And Duane Show CD (2004)
Progress album
$12.65
| | STEVEN T Damage CD (2004)
Progress CD music
$14.79
In 2004, a year of triumphant comebacks and sad transitions, when Brian Wilson finally gets to SMiLE and Warren Zevon has found peace on a higher plane, Steven T. re-emerges from self-induced obscurity ...
| | Zillaman It's On Now CD (2005)
Progress music CDs
$6.69
| | Fine Line Sampler CD (2006)
Progress songs
$8.55
(Warning: boring background band info, feel free to skip to the next paragraph) A Fine Line is Zack, The Wad, and the Prodigal Duke. We started playing music together in 2002 at an army base in Korea. Our eponymous first album was recorded there in Shag's apartment and completed in September 2003. We travelled ...
| | Molly Zenobia Wind Chains CD (2001)
Progress album
$17.05
This cd is just breath-taking. That is the best way to describe this. "Wind Chains" has the piano reminiscent of Tori Amos and the raspy, deep, sensual voice of Fiona Apple yet it has a dream like quality that is all its own. "Wind Chains" has a vast combination of all genres of music put together in an unbelievable way. I've never heard anything like it. It is exquisitely and refreshingly different. Zenobia's voice is as haunting as a dark forest yet as beautiful and immaculate as blanket of freshly fallen snow. Molly Zenobia is revolutionary.-Katie Kiedyk Glittergrrrls Feb. 2003"Molly's specialized vocal style is like looking into the hypnotic eyes of a snake. Time flies and suddenly when you reach the end of a track, you don't know where you are. From the bass-piano depths of 'Whirlpool' we are launched into the keyboard caverns of 'Mermaid' where many mournful voices reflect themselves from wall to wall, never giving a direction, but beautifully rendering these pictures of either self-enforced solace or a dreamy interpretation of the languid life of bubbly creatures of the deep. That's only one brief glimpse into the dramatic personae that is Zenobia... Sometimes she is ghosting herself with only multi-floating vocals and scale-running piano, as in the pontific 'Porcelain'... Freaky, spooky or your dead girlfriend come back to life, Molly is all things to all saints in the netherworld. From the glorious to the usual, it's rather hard to guess where we are next taken on our thematic visit thru the dark castle. We might be invited to partake of some 'Paper Clip', emerging its rolling acoustic piano and the ever-increasing walk of someone's bass tub thumping tourism thru candle-flickering halls. We could be induced into the backwards guitar-walk intro of the breath-starting 'Lullabee', a haunting melody that takes me back to Psycho II and all things exquisite while at the same time scary. Whatever mood Molly enraptures us with, she wants you to remember that it is the Voice that makes the peace. I've not heard gothic (should you want to call it that) this pristine since Desar and the days of Savatage sparks. On certain tracks, like 'King Aeolus', Molly's voice is so soft you think it just might break, but then she brings in the whole band and gets uncharacteristically angry for a second. However, she is her own character. Like a brilliant foreign film, you can't 2nd guess her, you can only follow. She may not Wish you to follow, and so will promptly disappear for a moment of song. But she will return. In sweet full force." -Musesmuse - 2001 "She's invented her own pianist-songstress niche-soulful, yet with an air of manic surreality." -Kyle Gann, Village Voice critic.*Molly Zenobia has been compared to Dido, Portis Head, Sarah Mclachlan, Fiona Apple, Tori Amos, Paula Cole. Her genre is alternative. Her vocalizations have ...
| | Showoff Waiting For You CD (2006)
Progress CD music
$10.15
Since forming in Villa Park, IL in 1997, SHOWOFF ...
| | Nashville Sputnik: The Deep South/Outer Space Productions Of Jack Blanchard And Misty M CD (2008)
Progress music CDs
$14.35
Jack Blanchard and Misty Morgan will forever be remembered for the novel pathos of hits like Tennessee Bird Walk and Somewhere In Virginia In The Rain. Jack and Misty for a long time have been busy working, writing and producing superb cuts for a fascina
Liner Note Author: Greg Adams .
Recording information: Criteria Studios, Miami, FL; Frank Linale's Studio, Miami, FL; Howell Studios, Buffalo, NY; Mercury Studios, Nashville, TN; Music City Recorders, Nashville, TN; Starday Studios, Nashville, TN; The Music Mill, Muscle Shoals, AL; Woodland Studios, Nashville, TN.
Unknown Contributor Role: Charlie McCoy .
Arrangers: Jack Blanchard; Misty Morgan.
Nashville Sputnik: The Deep South/Outer Space Productions of Jack Blanchard and Misty Morgan 1956-2004 is another installment of Omni Records' ongoing quest to sell Jack Blanchard & Misty Morgan as some true Southern-fried weirdos. The first two Jack & Misty comps -- Life and Death (And Almost Everything Else) and Weird Scenes Inside the Birdhouse -- packaged the pair as the bizarro version of Lee Hazlewood and Nancy Sinatra, but this various-artists comp takes a different tack, which the back cover makes plain: "Imagine if the flying saucer that dropped legendary producer Joe Meek in London had instead taken a left turn and landed in Nashville U.S.A. The result might have sounded something like this." A key unspoken tenet in that argument is that Meek did a lot of sickeningly cute whitebread singles in addition to his startlingly visionary productions. Guess which path Jack & Misty follow, however unintentionally? Try as they might -- and they do try mightily, crafting a Meek homage in the "Telstar"-aping "New World" and "Gemini" -- the pair's productions wind up drifting toward the cutesy again and again, whether it's in the anemic Buddy Holly rip "The King of Hearts" or tripping through a decidedly irritating graveyard novelty in "Skellykins" (which is followed by an equally aggravating sound-alike in "Yellow Bellied Sap Sucker"). As there is so much here -- the compilation is an overly generous 30 tracks, none previously on CD -- there are bound to be some tracks that click and those, as always with Jack & Misty, are the ones that don't try so hard to be odd, such as the lush, mellow late-'60s reflection "Changin' Times," which is good AM radio fodder. But for much of Nashville ...
|
|
|
Email a Friend
