| | Laurie Foxx Curiosity Killed The Cat CD Laurie Foxx Discography of CDs
Laurie Foxxs' 1st jewel of a cd is as eclectic as it is beautiful. Las Vegas EAT'M conference (Emerging Artists and Talent in Music" writes. "With a voice that takes improbable hairpin turns, alternately creaking like and old oak door and floating on pink cotton clouds, Laurie Foxx sounds something like Liz Phar minus the post-hip deadpin schtick. Foxx is worth hunting down." Compared to such diverse artists as Sarah Mclachlan, Joni Mitchell, Rufus Wainright, Ben Folds, with a little Bette Midler thrown in, you won't escape from being entertained and captured by this Foxx! Curiosity Killed The Cat Music | Category | Rock/Pop Albums, Pop CDs | | Label | Laurie Foxx | | Orig Year | 1996 | | CD Universe Part number | 7156436 | | Catalog number | 58150 | | Discs | 1 | | Release Date | Jun 17, 2003 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 22 minutes |
Laurie Foxx Curiosity Killed The Cat Songs | 1. | Long Ago/Yesterday |
| 2. | Curiosity Killed the Cat |
| 3. | Little Head Man |
| 4. | Meteorite Eyes |
| 5. | Acoustic Curiosity |
| Curiosity Killed The Cat Review
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Purchase Curiosity Killed The Cat CD To buy, Click on price to add to cart | Tom Waits Glitter And Doom Live CDs (2009) Digipak
Curiosity Killed The Cat album
$14.38 Glitter and Doom Live, a double-disc set, marks Tom Waits' third live effort in his nearly 40-year career, each one summing up his career to the point of its release. The first, Nighthawks at the Diner issued in 1975 on Asylum, is regarded by many as one of the greatest live albums of all time. The second was Big Time, released during his tenure at Island in 1986. The musical performances on disc one of Glitter and Doom Live were culled from Waits' historic sold-out tour of the U.S. and Europe. He compiled and sequenced the set himself, intending to make them sound like a single show. The material leans, understandably, on his recordings with the Anti label. There are stellar performances here, such as "Get Behind the Mule" from The Mule Variations, ...
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| | Susan's Room Room #5 CD (2001)
Curiosity Killed The Cat album
$13.95 She's won awards. Their albums have been played on hundreds of radio stations worldwide. She can sing, too: "a soulful, commanding voice" said the New Yorker. "A great band" announced JPFolks.com. She wrote a how-to-sing book and CD that's selling briskly on the internet (www.singersworkout.com), and her voice students include some famous people who don't want you to know they take singing lessons. The East Bay Express says "Susan is a wonderful singer, an amazing songwriter, and just plain all-'round fine entertainer." Maybe you've never heard of Susan's Room. They are one of those undiscovered gems in the indie world, writing, releasing albums, touring, doing what they love. Check out their "music for adults: smart and insightful" (Dirty Linen) on their newest release Room #5.The album title Room #5 came first-it's their fifth release. Then Susan sat down to write a title cut. It's a stark look at a disintegrating marriage that is both dark and beautiful, what many of Susan's songs are known for. She's also got a reputation for writing pop-folk songs about some off-kilter subjects, like shoplifting and Perry Mason. She's doing it again here: agoraphobia and narcissism get examined on Room #5, along with more of her "analytical, introspective, often witty tunes" (Cleveland Free Press). Lead guitarist Tom Manche produced ...
| | Chico Rey From This Moment CD (2005)
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$11.49 Chico Rey - Press Release/Biography - 2005The ascent of Chico Rey from a New York City street kid plucking a cheap bass guitar to one of the instrument's acknowledged masters tells more like fiction than fact. Raised in a foster home, he was completely disconnected from his ethnic Native American/Latino heritage and was musically shaped by a curious combination of rock-star icons, jazz giants, and several blues greats. The classic if not somewhat improbable grouping of influential bedfellows included Cream's Jack Bruce, Miles Davis and Charlie Mingus, and legendary blues musicians Willie Dixon, Howlin' Wolf and Elmore James to name a few. The impact of these and others can be heard in Rey's music to this day. Rey launched his musical career rather tentatively, when at age ten he began to explore the guitar. But two years later he switched to bass, initially because no one else seemed interested in it, and then because it felt so right. By seventeen, Rey was on his own in New York scratching out a living playing and learning at every opportunity. He had gotten through high school, but realized that College didn't hold any career paths that interested him. He landed his initial professional gig with folk singer Tom Rush. While the folk genre was not high on his to-do list, it was, as he says, "better than a day job. Anybody and anything was." From that point, Rey's musical odyssey began to unfold. His reputation as someone who was very much more than a hardworking bass player was rapidly growing and he found himself in demand. Some of this had to do with his early influences beginning to pay off in that he was able to deliver virtuoso bass performances behind a wide variety of musical styles. It was this ability that brought him into the studio and on the road with a large number of artists, including Carlos Santana, Bette Midler, Jan Hammer, Anita Baker, Phyllis Hyman, Rick Springfield and many others. Then, in 1998 he performed a major chord change, taking on producer responsibilities for local Los Angeles bands, including Chump Change, Shoney Wells, Angie Bowie, and the Argentine Rock Group, Mirage. However, while he enjoyed this hiatus, he became increasingly restless as the need to create his own music compellingly surfaced. So, in1999, Rey and guitarist Jon Nichols formed the Rey-Nichols Shovel Head Band, which resulted in the release of "Music From the Canyon" on Thump/Universal Records.In 2002, Chico Rey began working on his first solo album, "From This Moment," which was finished in 2003. In Chico's words, "I have had many ups and downs and I have been around. My present album is a written history of my musical influences and my life story. Being a husband and a father to a young 5 year old boy is a gift and a beautiful burden, which I have expressed in "From This Moment", the title track of the album. "Can't Let Go" is my lament to love, my wife and marriage which I believe most couples can relate to, how the thin line between love and insanity can be blurred, but in the end we hang on because letting go means giving up on one another and life itself. "Leave Me" is about an abusive relationship, giving the final ultimatum ...
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