| | Loaded Dice You Gotta Roll CD Loaded Dice Discography of CDs
The aptly titled You Gotta Roll, is packed with a full 65 minutes of seasoned electric blues music, much of it written by the band.Of the disc's 15 cuts, 11 are originals and show Loaded Dice's versatility in handling everything from plaintive ... Loaded Dice You Gotta Roll Songs | 1. | Come On |
| 2. | Pressure Cooker Of Love |
| 3. | Love Doesn't Seem To Want To Know My Name |
| 4. | Tired Of Worryin' About You |
| 5. | Shoe Leather Express |
| 6. | Wild Horses |
| 7. | Another Day Another Dollar |
| 8. | Te Ni Nee Ni Nu |
| 9. | Since You Been Lovin' Me |
| 10. | Man With A Gamblin' Bone |
| 11. | Where's My Guardian Angel Now |
| 12. | Shrimp Basket At Midnight |
| 13. | Different Dreams |
| 14. | Overtime Woman |
| 15. | Cut Off My Right Arm |
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You Gotta Roll Review
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Thank you in advance for your support! Buy it NOW!Paul Cooper is an amazing solo Blues touch guitarist and vocalist who has developed his unique style after immersing himself in the Blues. Taking piano and violin lessons from the age of 4 and loving all forms of music it wasn\'t until 1973 when the blues found him in the form of Howlin\' Wolf and Hubert Sumlin in Atlanta, Ga. Paul met Hubert at a time when Hubert was planning to leave the Wolf and form a band, including Paul. Hubert introduced the young Paul Cooper to Freddie King as his \"protege\". While in Atlanta Paul was invited to play on a number of occassions with Muddy Waters followed by the Willie Dixon band. Paul was enthralled,impassioned and hooked on the blues. Louisiana Red invited Paul to New York City to record with him on his new album.While in New York, Paul Cooper played with Sugar Blue in the New York City Blues Band and as a result of that relationship an album was later recorded on the Victoria Spivey label, called \"New York Really Has the Blues\" (1974). They played the streets everyday, being the first to have battery powered amps and clubs at night like Max\'s Kansas City. After 2 years Paul went to Chicago with his friend and guitarist, Brooklyn Steve Freund. On the first day of arriving in Chicago, Paul played with Hubert Sumlin, Eddie Shaw, Detroit Jr, Chickenhouse Shorty at Wolf\'s 1815 Club on the Westside. Paul then played with Homesick James at Elsewhere on Lincoln on the Northside. Paul Cooper moved to Chicago where he became totally immersed in the Chicago Blues scene working with many of the great Bluesmen like Sunnyland Slim, Freddy King, Tail Dragger, Big Leon Brooks, Big Walter Horton and many others. Louis Myers, who did all the guitar parts with Little Walter, called Paul one day and invited him to join his band, asking Paul-\"why would I hire you to play in my band when I am a guitar player myself?\"Paul didn\'t know how to answer that one. Louis continued, answering his own question\"because I plan to play a lot of harmonica and I think that you\'re the best guitarist in Chicago for accompanying Blues harmonica\". Paul was totally floored. They played to a packed house at Wise Fool\'s Pub. In addition to Louis and Paul, the band consisted of A.C. Reed on saxophone, Odie Payne, Jr. on drums and Bob Stroger on bass. There were days that Paul would wake up thrilled because his own band would be performing that night consisting of such Blues luminaries as Fred Below on drums, Hubert Sumlin on guitar, Dave Myers or Bobby Anderson on bass. Over the years, Paul played with Magic Slim, Luther Allison, Jimmy Rogers, Frank Jr., Willie \"Mr. ...
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* THE C.C. JONES STORY *Approximately thirty-four min after C.C. Jones put his lips to the mic to record his first song, the power in the Northeastern United States and Lower Canada shut down for twenty-nine hours.Occurrences like these would prove to be 'not out of the regular' for Jones.Growing up in southern Mississippi, C.C. perfected his craft by hanging out in juke joints, blues clubs and grocery stores. It wasn't so much that Jones was studying the musicianship of these players; it was more about, well he would say 'the women and the booze', but we'll call it experiencing all, he thought, southern life had to offer.'Right around the age of, I dunno say twenty-two er twenty-three I fell on hard times. I was livin' in the Lincoln, and none of my women were havin it.' C.C. lived in his car for a good part of the late nineties. 'Thought I might move to the city durin' those times but then I listened to Lynyrd Skynyrds "I'm a country boy". You see I had an 8-track in the Lincoln, well I heard that song and I changed my mind... hell, it changed my life... I guess it was that very same night, when I first decided to put pen to paper. I wrote "MURDERIN' HEATHEN" that night. Yup, wrote it right there in the Lincoln usin' the light of the glove compartment. My main girl, Sally, was the first to read it. She said it was "cute"; what I wanted to do, really, was belt her one, but I kissed her instead.'Sally must have seen something in those lyrics and in C.C. himself. After that night she asked him to move in with her.'Being with her at that time was good. It was REAL good for about 3 weeks. I wrote 'If YOU LEFT ME' during that time. Used her guitar and tape machine; guess you could say I wrote for her.'C.C. is reluctant to acknowledge the fact that Sally was the one to convince him to perform his songs live. It was at a frequent haunt of his called the 'BULLET BAR' that Jones took to the stage for the first time. He opened up with 'IF YOU LEFT ME' and he dedicated it to 'the one who let me borrow ...
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