| | Hasani Lateef For What It's Worth CD Hasani Lateef Discography of CDs
You knew him previously as the energetic, raspy, voice that completed one half of the Revolutionary, Hip-Hop Duo "Reborn Soldiers" along with his other half Lee Majors. Now you hear Hasani Lateef with his freshman solo debut, "For What it's Worth" the full length LP which plants his feet firmly in the realm of solo hip-hop, artists. The 10 track CD features hard hitters such as "Never Too Late" his debut single. This song is laced with a dirty south bounce and steel drum percussions that illustrate a dark, humid, stormy night in the Jungles of South America where the listener is the "Hunted". Overlaid with a raspy, powerful voice that leads you into the thoughts of a Soldier on the frontlines of a war zone were young black males are an endangered species ferociously, fighting for survival in a western wilderness. Definitely an "under-stream/main-ground" classic. The Album is also featuring his single "My Queen to Be" poetically, displaying versatility in the form of a soldier's love ballad to his life-long partner and future wife, backed by an army of melodic flutes looped over an up tempo bass-line and a subtle yet rugged, head-nodding beat. "For What it's Worth" also features cameo appearances by long-time teammates Uno vs. All and Lee Majors as they spit rounds while Hasani Lateef reloads his lyrical ammunition for another melodic, carnage after another. Produced by D.J. Biz, Uno vs All, Bless from Backburner Studios and James Flames to only name a few that collaborated with the general to keep mouths watered with numerous, head banging tracks. This flavor-filled compilation of various hip-hop anthems is in short a complete and elaborately narrated piece of art that brings you into the violent yet poetic mind of the ingenious, madman, journalist known as Kaine a.k.a. Hasani Lateef as he leads underground street cats into a chaotic yet unified, rebellion while firmly, holding industry, influenced rapper's in excruciating, submission. This Album is a must buy for soldiers worldwide and is destined to blaze the HIP-HOP Top 10 charts on a consistent basis. Check out What's New on Hasani Lateef @ VERSE4VERSE . For What It's Worth Music | Category | R&B Albums, Rap CDs | | Label | Hasani Lateef | | Orig Year | 2004 | | CD Universe Part number | 7159224 | | Discs | 1 | | Release Date | Jul 08, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 39 minutes |
Hasani Lateef For What It's Worth Songs | 1. | Crystal Clear |
| 2. | Never Thought I'd Be a G |
| 3. | Mercy Mercy Me |
| 4. | Stella by Starlight |
| 5. | Lifeline |
| 6. | Legends of Old |
| 7. | Never Too Late |
| 8. | Street Slang |
| 9. | My Queen to Be |
| 10. | Shotti in the Trunk |
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For What It's Worth Review
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Whether you're an Alaskan and need 'Chatanika' for your collection, a Minnesotan who wants their 80s rekindled with 'Boogie Lake,' or anyone who just feels the need to crank up the Steve Miller meets Alice Cooper sound of 'Flock of Flying Folding Chairs,' I hope you find a tune you like on the album."Face Down in Muskeg" is a multi-genre compilation of originals setting out to: (1) demonstrate the types of tones and production capabilities currently available with Hip Boot Productions ...
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Before Steve Young became one of the founding fathers of country-rock with his 1969 album Rock Salt and Nails, he was a member of Stone Country, a short-lived pop group that fused country and rock in a very different way. Stone Country's sole album, released in the spring of 1968, is a polished but intriguing mixture of sunshine pop, progressive country, blue-eyed soul, and folk-rock, all wrapped up in a slick package created with the best of L.A. studio craftsmanship (producer Rick Jarrard and arranger George Tipton, who both worked on the album, were also helping Harry Nilsson create his sublime early albums at the same time). Stone Country goes in too many directions at once for its own good, but it's clear that this was a band packed with talent and full of great musical ideas; the opener, "Love Psalm," is a delightful bit of psychedelic pop punctuated with some solid bluegrass picking; "Magnolias" is a gritty and unflinching portrait of life in the Deep South with a powerful vocal from Young; "The Ballad of Bonnie and Clyde" is a musical synopsis of Arthur Penn's hit film of the day featuring some deft country guitar and banjo work; "Why Baby Why" is a solid George Jones cover with a heavy rock & roll stomp; and "Lizbeth Peach"'s baroque textures would do the Left Banke proud. The trouble with Stone Country is that while the bandmembers do everything here quite well (and they played nearly all of it themselves, without the help of session men), the eclecticism feels like a lack of clear focus and vision by the end of the album, and this sometimes sounds more like a bunch of talented individuals than a real group. But the best moments are a splendid example of prescient country-rock and West Coast studio polish, and Stone Country is a superb memorial for a group that had the talent and potential to do some pretty remarkable things. ~ Mark Deming
Before Steve Young became one of the founding fathers of country-rock with his 1969 album Rock Salt and Nails, he was a member of Stone Country, a short-lived pop group that fused country and rock in a very different way. Stone Country's sole album, released in the spring of 1968, is a polished but intriguing mixture of sunshine pop, progressive country, blue-eyed soul, and folk-rock, all wrapped up in a slick package created with the best of L.A. studio craftsmanship (producer Rick Jarrard and arranger George Tipton, who both worked on the album, were also helping Harry Nilsson create his sublime early albums at the same time). Stone Country goes in too many directions at once for its own good, but it's clear that this was a band packed with talent and full of great musical ideas; the opener, "Love Psalm," is a delightful bit of psychedelic pop punctuated with some solid bluegrass picking; "Magnolias" is a gritty and unflinching portrait of life in the Deep South with ...
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