| | Big Daddy D and the Dynamites That's 'D' Blues CD Big Daddy D and the Dynamites Discography of CDs
"The Blues... it has it all. Guts, power, guitar, soul, humor, despair. This collection of original music has all of those elements and it touches on several different styles of the Blues." "That's what Big Daddy D and the Dynamites represents... everything that moves ya'. Genuine House Rockin' music. To make things more interesting we've added a new dimension to our music with Anton and his honkin' saxophone.""There are grooves in pockets so deep you better wear your life vest so you don't drown. You can hear Albert Collins, Ronnie Earl, Anson Funderburgh , and Lil Junior's influence on Big Daddy's guitar and a honkin sax brings home the funk and soul." "All these original recordings were done in the studio as "live" as can be. They hold true to what the "Blues" are all about. No musical overdubs and no fancy studio tricks were added. Just raw, high energy music.""They've created music that encourages a maximum energy level and the most spontaneous musical moments possible. What you hear in these recording are the different styles and dynamics of music experienced during a live encounter with Big Daddy D and the Dynamites." That's 'D' Blues Music | Category | Blues Albums | | Label | Big Daddy D & the Dynamites | | Orig Year | 2003 | | CD Universe Part number | 7161331 | | Catalog number | 3849 | | Discs | 1 | | Release Date | Jun 24, 2003 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 39 minutes |
Big Daddy D and the Dynamites That's 'D' Blues Songs | 1. | Jump'n With Junior |
| 2. | I Gotta' Girl |
| 3. | Damn Crazy Woman |
| 4. | Stuck in a Rut |
| 5. | Just Wanna' Play |
| 6. | Have You Seen My Baby (Dizzy Blues) |
| 7. | Keep'n Score |
| 8. | Story of the Blues |
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That's 'D' Blues Review
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THE COMPLETE RECORDINGS includes a 48-page booklet with biographical notes, rare photos and a complete discography.
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This superbly recorded double disc (the original engineer was Eddie Kramer, best-known for his work with Hendrix) captured over a weekend worth of dates in February 1970 at the venerable New York City venue catches the Brit boogie quartet ...
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Before the age of 19, as a member of the teen act PC Quest, Stephen Petree was signed by John Kalodner to Geffen Records, signed by Irving Azoff to Giant Records and signed by Joe Galante to RCA Records. It was at RCA that he had a top 50 Billboard Pop Hit with "Can I Call You My Girl", a top 60 Billboard Pop hit with "After The Summer's Gone", and a top 50 Billboard R&B hit with "After The Summer's Gone". From here Stephen went on to record four independent rock CDs with Paradigm, a group he founded with his brother Chad. In the mid 90's Paradigm played hundreds of shows in and around Oklahoma City, as well as receiving consistent local radio play. Seeking a wider audience Stephen and Chad moved to Los Angeles. It was there that Stephen began to hear a different voice beckoning him in another musical and personal direction. Stephen had grown up listening to his father preach in a little ...
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From both the compositional pen and amplified guitar of Paragon founder Rob Howard comes Zeitgeber, Rob's first album recorded under his own name. Fans of Paragon's music will love this album, as it has all the hard rock bite and jazz inflections that his music with Paragon has always had, yet this album finds the composer/performer able to display material that is deeply personal and at times even introspective (yet introspection for Rob still means peeling the enamel off your teeth with powerful Zeppelin-esque riffs!)Kicking off the album is "Who Mourns For Adonis", and the allusion to mythology is well placed as this track clocks in at an epic twenty minutes in length! Rob states:"What I wanted to do was a sort of jazz-rock 'rondo' with a melody that kept coming back, with episodes that seperated the main sections. It also gave me a chance to have some totally different moods in the same performance. The first bit is orchestral, whereas the second part was directly inspired by the Miles Davis Album 'A Tribute to Jack Johnson'. It was very difficult to record because my friends and I believe in recording stuff live in the studio, no overdubbing, and a work of this length makes that difficult as performing a few takes can take several hours!"The friends that Rob mentions are many of his Paragon band-mates, which include Matt Baumann on tenor sax. Baumann displays much of the searching, exploratory style he uses in Paragon live shows, utilizing a large pallete of creative sounds. In particular, his Joe Henderson influenced octave and unison note riffs in 'Adonis' help give the composition a sense of deep groove.Speaking of deep groove, Jason Gahler returns to handle the bass duties on this outing. Although fans of Paragon are already aware of his vocabulary of outrageously hip basslines, he gets a chance to show his skills in group interaction. On "The Big Hello", Jason engages Rob's eastern influenced soloing and effectively creates a sense of counterpoint. Jason has played with Rob for a long time, since they were both freshman in college, and it's clear that Jason knows all of Rob's licks!Rob also brought to other gifted young musicians on board as well, outside of the Paragon group. Elijah Vazquez, a brilliant drummer who had played with some of the hippest cats in the NW Ohio jazz scene sits in the drummer's chair for tracks 2-6. Listen for his adroit use of the snare drum, which sometimes acts like rocket fuel for the soloists and compositions. Sometimes its a well timed single snare drum crackle, others it's the light rat-a-tat-tat of the stick bouncing off the drum. Matt Skitzki played keys on the album, and Rob certainly salutes him for putting up with ...
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"Chance of Rain", AS HEARD ON "THE WEATHER CHANNEL" !!!Fred Gross Premiere CD for TWC and still best selling CD to date!!! 7 of the 10 tracks have received airplay!"Liberty Jam" has been accepted by "MyMusicSource" for licensing!!!(9) songs from this CD charted on BROADJAM's Top-200 CHARTS!! FRED GROSS BIO Fred has always had the music in his blood, literally !! A descendent of the 19th century composer, Franz Schubert (The Bee), his musical roots run much deeper than the average musician. Born in New Jersey, not far from Philadelphia, and traveling from one end of the country to the other for most of his adolescence, probably contributed as well, to Fred's musical aspirations. He started playing drums and guitar at 16 years of age, and knew immediately it would be a lifelong obsession. Over the years, he developed his own style and finesse with a guitar, as well as the bass and drums. His versatility is quite evident, as his music shows, writing everything from blues and jazz, to country, rock and pop. Throughout his career, Fred has always strived for perfection in his ...
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It's always good to have a reason to celebrate, and when a small independent folk label reaches the age of 30, it's definitely an event requiring commemoration. The 68 tracks here, spread over three CDs, serve as a reminder as to the depth and breadth of the Fellside label's catalog. A lot of it is quite stunning, not only tracks from luminaries like Frankie Armstrong and John Kirkpatrick, but also some gems that slipped under the radar, like Kieron Means. What becomes quickly apparent is that, although Fellside's reputation is as a traditional folk label, they've worked with many singer/songwriters, such as the excellent Jez Lowe. But there's still a ...
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