| | Transient Meaning Of One CD Transient Discography of CDs
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Transient's home is the southeastern Pennsylvania town of West Chester, not far from Philadelphia metropolis. They are three musicians from different musical backgrounds that when combined produce a very unique and melodic blend of music. Not only do they have a strong musical bond, they have been close friends for many years and this can be heard in the music that they create together. James Brant, Jimmy Lynn, and Mike Scott began playing as Transient in the summer of 2003. What started out primarily as free form jam sessions quickly progressed into something more. Lyrics and melodies started to seep their way into the music, and the journey began. Starting out playing parties for friends, Transient was soon in every bar thatwould let their music be heard. Within a few short months they were playing some of the most popular venues in the Philadelphia area including, The 5 Spot, North By Northwest, Abilene, and the TLA. Transient was also ranked among the top 12 of 140 bands in the Philadelphia area by Emergenza, an international music festival. If you have not yet heard them, you soon will. It will be a sound that you will not soon forget. Meaning Of One Music | Category | Rock/Pop Albums, Rock CDs | | Label | Transient | | Orig Year | 2004 | | CD Universe Part number | 7164264 | | Catalog number | 88137 | | Discs | 1 | | Release Date | Oct 26, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 46 minutes |
Transient Meaning Of One Songs | 1. | Go |
| 2. | Far Away |
| 3. | Remnants |
| 4. | This Town |
| 5. | Cycle, The |
| 6. | Contemplate |
| 7. | Fuzzy Porn |
| 8. | Lullaby (Slow N' Pretty) |
| 9. | Lifetime |
| 10. | Jungle Fever |
| 11. | E.Y.U. |
| 12. | Cross |
| 13. | Laid Back |
| 14. | Echo Sign |
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When I first pushed record on the computer, I started strumming on my acoustic guitar and out came some chords that I'd been strumming for years and years. Only after I got about four minutes into it, I realized I could put a counter melody on top. After I got that melody another sprang up, but on an electric piano. In this way I began putting together my album. I used guitars and keyboards and shakers and sound effects and basses and drum machines and samplers layering sound upon sound. If something didn't gel, I would edit it until it made sense. Don't ask me what makes sense, you just know. I tried doing as many crazy things as I could do, using the reverbs and backwards sounds and delays and chorused phasers until I built up a thick soup. Then I would pick out parts of the soup to focus on. I think my inspiration for making the melodies might have come from the Beatles or Weezer or Belle and Sebastian, but I'm not sure. I find that the spacier parts remind me of something by Tortoise or Mogwai, and I think I clipped the theme to the Black Hole in there, but don't quote me on it. The intensity of the music and the emotional drive I owe to Fugazi and Neutral Milk Hotel. Yo La Tengo made me realize that I could and should be making music that was fresh and creative. I was also listening to the Boredoms and thought I would try and use my mixer in more creative and new ways. After getting the music down, I would go back and listen to it again and again similarly to John McEntire. I'm not too concerned if someone hears something that's been done before, like, that was a Smith's melody, or that's a Luna chord progression. Because I put other sounds on top, and make other twists and shakes. I was trying to make music for people who get bored of music. I get bored of music quickly, the same thing over and over again, so I would have to change it up, or put something else in there to contrast the elements. I wanted to take the concept of Music to as many places as I could. I believe that Boards of Canada were right when they said that music has the right to children. If it gets ...
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Saxophonist Eddy Nubine Eddy is gifted with music. To that gifting he has added more than twenty-one years of daily practice until he became skillful in the discipline of the saxophone. Thus, it is with spiritual and personal discipline he now writes and records Spirit-breathed music.For this project Eddy has put together four musicians who are all great saxophone players in thier own right to form, record, and produce this quartet/quintet. Eddy is Playing Soprano sax and 1st Alto sax, Luigi Baccala is on Alto sax, Terrence Washington is on 1st Tenor sax, Derek Knodt is on Tenor sax, and Michael Carroll is on Baritone sax. The group does not have a formal ...
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