| | Lon Lopez and the Booty Call Beefy Gnar Gnar CD Lon Lopez and the Booty Call Discography of CDs
What the hell is... "The Beefy Gnar Gnar?" The Beefy Gnar Gnar is a call to arms. It's an album that gets rock music back to it's fun, sing along, head bobbin' roots. It's rock with loud guitars, strong melodies, catchy hooks and most importantly good songs. It's an album for those of you sick of the whiny boy-pop, boy-punk, corporate crap that's flooding the airwaves. It's an album for people who love music that's actually made by musicians and not studio songwriters.With that being said...Lon Lopez and the Booty Call are San Jose's own chop rock outfit and they're looking to bring a little bit of the Beefy Gnar Gnar to you. With Lon Lopez on vocals, Kasey Cox on Drums, Mike Favero on Guitars and Eric Matsuno on Bass...the Booty Call is HERE to give you a little taste. So please...ENJOY. Beefy Gnar Gnar Music | Category | Rock/Pop Albums, Rock CDs | | Label | TBNT | | Orig Year | 2004 | | CD Universe Part number | 7166871 | | Catalog number | 59187 | | Discs | 1 | | Release Date | May 18, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 24 minutes |
Lon Lopez and the Booty Call Beefy Gnar Gnar Songs | 1. | Rokin |
| 2. | Knock It Off |
| 3. | Usin' |
| 4. | Tap Water |
| 5. | Just My Luck |
| 6. | Mean Sheets |
| 7. | Sweet (2004 Remix) |
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Beefy Gnar Gnar Review
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Purchase Beefy Gnar Gnar CD To buy, Click on price to add to cart | Them Crooked Vultures CD (2009)
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Often, supergroups wind up dominated by one particular personality - think Eric Clapton in Derek & the Dominos, Jack White in the Raconteurs -- which makes the egalitarianism of Them Crooked Vultures all the more remarkable. Of course, when it comes down to it, it's a group of three natural-born collaborators: John Paul Jones, the old studio pro who gravitated toward provocative partners after Led Zeppelin's demise, teaming up with R.E.M. as easily as he did with avant-queen Diamanda Galas and nu-folkster Sara Watkins; Dave Grohl, who hopped into an ...
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There aren’t many metal bands as resilient as Low Twelve. Founded in 1998 by bass player and vocalist Pete Altieri and guitarist Tim McCleland, Low Twelve began working on original material with vigor in a basement on West Graham Street in Bloomington Illinois. Together with original drummer Steve Chestney and second guitarist Les Aldridge, Low Twelve performed its first show on February 6, 1999 and has done more than 200 since. They quickly recorded two demos, “Blunt Force Trauma” and “Kill Floor” - each selling nearly 1,000 units each from sales at shows, various retail locations throughout the Midwest, and through their website. In November of 1999, Steve Chestney was replaced with drummer Wes Pollock and the band set to record their first full length CD “Flesh of the Weak”. Immediately after the release of “Flesh” the band supported Pro-Pain on their Round 6 tour for the Midwest dates and began to gather steam in the metal press. Two songs off “Flesh” were put in the jukebox for Sonic Foundry’s Siren Jukebox 2.0 which has sold in the millions to date. This release also saw the song “Brutal World” on the movie trailer and in the film itself for Full Moon Pictures “Jigsaw” which was sold nationwide at Hollywood Video and Family Video stores. In June of 2001, founding member Pete Altieri was diagnosed with cancer, and despite emergency surgery - had to undergo painful chemotherapy treatments. Determined to not stop playing, Pete continued to practice and perform all scheduled shows during his treatments. Ironically on 9/11/01 Pete found out he had beaten cancer and has remained in remission ever since. The treatments left their scar on Pete, as he still battles with painful neuropathy in his hands and feet. Only a month after Pete’s treatments ended, Tim McCleland left the band and had an untimely death in February 2002. Tim’s passing left the band devastated, as they continued to be close friends even after his departure. Low Twelve was recording an EP, “Unfit For Human Occupancy” at this time and together with tons of video footage from their 2002 summer tour to the east coast, released a double CD/DVD with “Maggot Ridden Rotting Movie”. This June 2003 release was much anticipated and revered in the metal press, but was soon removed from the stores due ...
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| | We Are Each Other's Angels, Vol. 1 & 2 CD (2003)
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The word "angel," probably because of its euphonious sound as much as for the appealing religious/beneficent concept it represents, turns up in countless songs, from the big band standard "And the Angels Sing," to hard rocker Jimi Hendrix's "Angel," and country star Willie Nelson's "Angel Flying Too Close to the Ground." In 1995, folksinger Chuck Brodsky introduced his song "We Are Each Other's Angels," which served as the title song for a various-artists collection released by 1-800-PRIMECD in 2000. Three years later, Hungry for Music's identically titled two-disc set, which also includes Brodsky's song, has no other relationship to the earlier album, but gathers together 39 songs that use the word "angel" in one context or another, songs written and performed by a wide variety of indie and marginal folk, rock, blues, new age, and country singer/songwriters and musicians, including such notables as Peter Case, June Carter Cash, Rev. Gary Davis, Iris DeMent, Don Dixon, Radney Foster, Nanci Griffith, ex-dB's Peter Holsapple and Chris Stamey, the Kennedys, David Lanz, Delbert McClinton, Graham Parker, Ellis Paul, Billy Joe Shaver, the Subdudes, and George Winston. Nearly all the selections (the big exception being Davis' "I Heard the Angels Singing") come from the 1990s and early 2000s, and most are original compositions. The performers sometimes view angels in the conventional religious sense, but more often their references are to less specific beings, or to mere humans with angelic qualities, what Foster calls "Everyday Angels." And there are occasional humorous or quirky depictions, such as Laura Freeman's "Angels With Harmonicas." There are some excellent songs and performances here, but, at nearly two-and-a-half hours, this is a very long album, and the central idea eventually wears out its welcome as one similar-sounding vocal-and-acoustic-guitar arrangement follows another. Even a sympathetic listener may have had more than enough of angels long before the two discs are over. ~ William Ruhlmann
When I first heard Chuck Brodsky's "We Are Each Other's Angels" in 1996, I began thinking about allthe people that have impacted my life over the years. Family members, friends, acquaintences, ...
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“Born to a teacher in '73 in the Smokey hills of middle Tennessee…” That's how Chris Smith's title track from Land of Tar and Cotton begins, and yes, that's how his life began. Born in Nashville, Tennessee, his family migrated to North Carolina during his formative years. Music was always a staple in the home whether it was taking his grandmother's ...
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The album title might be a bit of hype -- a better name would be the "best-of Scottish fiddle that we have in our catalog" -- but there's plenty of quality in the music. There's plenty ...
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