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Bobby Gosh Anything Goes Songs Anything Goes Review
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Purchase Anything Goes CD To buy, Click on price to add to cart | NOFX Cokie The Clown CD (2009) Extended Play
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| | Territory Singers, Vol. 1 (1922-28) CD (1996) Import
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Collectors of early blues recordings must love the Document label for this Austrian company, produced by Johnny Parth, is a long way into its mission of reissuing every prewar blues recordings, generally in chronological order. While many of its CDs feature the complete output of one performer, some are multi-artist sets since some blues performers only recorded a handful of titles. Territory Singers has recordings that for one reason or another were left out of sets by Ada Brown and Bertha Henderson, it has the two vocal numbers by Jeanette's Synco Jazzers (which have Mary Lou Williams on piano at the beginning of her career) and it includes the complete if tiny output of Roberta Dudley, Ruth Lee, Missouri Anderson, Sadie McKinney, Arah "Baby" Moore, Ben Norsinger and Emma Wright. The backup groups on quite a few of these performances are at least as interesting as the singers. Dudley and Lee were Los Angeles ...
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| | Todd Royce Waiting For You CD (2005)
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If you are a "myspace" user, you can see Todd's music page at www.myspace.com/toddroyce. Also, please check out Todd's 1st CD, "Step into the light", available at cdbaby. On with the write-up:"Waiting For You", released August 27, 2005 is the second CD from Todd Royce (aka Todd Royce Morton). While it shares an electric guitar focus with his first effort, this album brings a cleanly recorded acoustic guitar to the center of half the songs. Here's what it sounds like in the artist's words: "It's an organic sounding record. We recorded it in my home studio, which the drummer and I built. We got a natural, ambient "room" sound. Like my first CD, the songs are pop, rock, and blues-rock, with some jazz influence. But on this record I played a lot of acoustic guitar, so I guess you could say there's a folk-rock element, as well. There are quite a few electric guitar solos, but not in every song. The guitar "soloing", or line playing on this record functions more like a second voice in a lot of cases, weaving between the vocals in a call and response fashion. And I tried to use more guitar layers [tracks] to capture what might have otherwise been played by a keyboard or horns. I'm a fan of the power-trio sound, but on this record I wanted to take a layered, subliminal approach with guitar parts. The lyrics for this record deal with universal themes in a personal way in some cases, and a more impressionistic/abstract one in others. The disc has a lot to hear and, while volume-wise it's nice and loud, it's also very easy on the ears thanks to some fine mixing and mastering work."Note - If you already own a copy of this CD, there are additional liner notes, lyrics, and pics available here: http://www.toddroyce.com/more_waiting.htmTodd Royce: all acoustic and electric guitars, fender p-bass on all but 6, all lead vocals, background vocals, drum machine on 2, percussion on 9 and 11.JJ Street: all drums, percussion ...
| | Beto Terrazas Te Voy Esperar CD (2008)
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| | Lucky Town Any Way I'm Fine CD (2002)
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Formed in 1998, Lucky Town's success has been nothing short of meteoric.The four-piece band from Virginia Beach, VA heard their track "Simple" spunover 1200 times by WKOC-FM and WPTE-FM, sold nearly 10,000 copiesof their independent releases, and had two of their songs featured on MTV's"Road Rules". They played nearly 200 dates last year and have shared thestage with Sixpence None the Richer, The Bodeans, Fastball, Fuel andPatti Griffin.The band is led by the mellifluous ...
| | Lynn Maas Wingless Angel CD (2006)
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Sarah McLachlan, Joni Mitchell,… meet Lynn Maas. With the help of some special heavy-hitter musical friends including Ben Smith from the band "Heart" and Don Garberg of "Chicago" fame, Lynn Maas' debut release, "Wingless Angel" is sure to capture the imagination of music aficionados everywhere. Her disc is a Return to the Heyday of the female Singer-songwriter.Lynn’s a Seattle based artist with a talent for melding meaningful lyrics with lush melodies, provided with the assistance of producer Daniel Christopherson. The debut single, "Soul Rendezvous" is an upbeat track and collaboration between album producer Christopherson ...
| | Elisheva What Can I Give To You? CD (2004)
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Elisheva Morgan is a Songstress who sings out of who she is and someone who the public can relate to. Elisheva understands the source of her vocal identity and her message is clear, "I sing to the glory of God". She has held leading roles as a singer and actress performing at performing art centers, fund raising events, various clubs, churches, and other venues throughout the United States.Having been inspired by her Mother, Alma Love Morgan, Elisheva shares her love for music in order to touch the hearts of people. Through both her mother’s nurturing and enrollment in musical studies at Canon School of Music and Holiday School of Music, Lakeland, Florida, the evidence of God’s gift was clear in her vocal and piano performances. After high school she continued her music studies and was the recipient of ...
| | Hiram Bullock From All Sides CD (1986)
Anything Goes music CDs
$9.69
Hiram Bullock's Warner Bros. debut as a leader is a mixed bag. Bullock was, upon arrival, already an expert session guitarist and producer when he cut this set. (One of the jewels in his crown is Mike Stern's first album as a leader, the almighty Neesh, which was released only in Japan and has never seen the light of day on American shores.) This self-produced set includes eight Bullock originals plus a nice reading of Don Grolnick's "Cactus." The band features many of the same musicians Bullock still works with: drummer Charley Drayton, bassist Will Lee, and Cliff Carter on keyboards, as well as some stellar guest appearances by the late Kenny Kirkland and saxophonist David Sanborn. Bullock has never really considered himself a jazz artist -- and it doesn't matter, ultimately. What is here is an uneven yet enjoyable collection of tunes featuring his understated guitar work, his skill in creating something that embodied what was considered "smooth" or contemporary jazz at the time, his excellent pop sensibility in which vamps and hooks are key, and his ability to get what he wanted at the time from a recording studio. Bullock's voice has always been flat and rather emotionless, so that's annoying, but it will always be, and so is the dated-sounding production, which was probably state-of-the-art at the time. Bullock's "Funky Broadway" is the clear winner on this set, with an expanded horn section that includes Michael Brecker ...
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